Die Editio Critica Maior des griechischen Neuen Testaments – Editionsprinzipien, Editionstechnik und Digital Humanities

Author(s):  
Holger Strutwolf

AbstractAfter a brief introduction to the prehistory of the Editio Critica Maior of the Institute for New Testament Textual Research in Münster, the edition itself is presented. First, the path from the collection of material to the creation of the critical apparatus of the edition is traced. Then the presentation of material in the printed Editio Critica Maior is introduced and it is shown how to use it. Since the New Testament tradition is characterized by contamination, which makes the application of the classical “Lachmannian” stemmatology impossible, a new method had to be developed for the penetration of the New Testament manuscript tradition, the so-called Coherence-Based Genealogical Method (CBGM), which is explained as short and simple as possible.Finally, the study introduces the digital Editio Critica Maior and its use and gives an outlook to the future of the Editio Critica Maior as an interactive digital edition of the Greek New Testament.

Author(s):  
Garrick V. Allen

This final chapter summarizes the findings of the volume, arguing that New Testament scholars ought to re-engage the manuscript tradition in new ways, that paratexts are valuable sources of information for a bevy of critical questions, and that there is much work to be done in this area. The chapter muses on the significance of these studies for the future of the book of Revelation and thinks about the book of Revelation of the future. This chapter informs a number of pressing concerns and contributes to a larger discourse in the humanities about the nature and function of editions, changing technology and critical praxis, and the mediated nature of all literary enterprises. It concludes by exploring possible areas for future research and contemplating the shape and functionalities of future editions of the New Testament.


2016 ◽  
Vol 5 (1) ◽  
pp. 89-135
Author(s):  
James A. Libby

“Fragmentation” is a well-worn watchword in contemporary biblical studies. But is endless fragmentation across the traditional domains of epistemology, methodology and hermeneutics the inevitable future for the postmodern exercise of biblical scholarship? In our view, multiple factors mitigate against such a future, but two command our attention here. First, digital humanities itself, through its principled use of corpora, databases and computer-based methods, seems to be remarkably capable of producing findings with high levels of face validity (interpretive agreement) across multiple hermeneutical perspectives and communities. Second, and perhaps more subversively, there is a substantial body of practitioners that, per Kearney, actively question postmodernity’s impress as the final port of call for philosophy. For these practitioners deconstruction has become both indispensable — by delegitimizing hegemonies — but, in its own way, metanarratival by stultifying all other iterative, dialectical and critical processes that have historically motivated scholarship. Sensing this impasse, Kearney (1987, pp. 43-45) proposes a reimagining that is not only critical but that also embraces ποίησις, the possibility of optimistic, creative work. Such a stance within digital humanities would affirm that poietic events emerge not only through frictions and fragmentation (e.g. Kinder and McPherson 2014, pp. xiii-xviii) but also through commonalties and convergence. Our approach here will be to demonstrate such a reimagining, rather than to argue for it, using two worked examples in the Greek New Testament (GNT). Those examples – digital humanities-enabled papyrology and digital humanities-enabled statistical linguistics – demonstrate ways in which the data of the text itself can be used to interrogate our perspectives and suggest that our perspectives must remain ever open to such inquiries. We conclude with a call for digital humanities to further leverage its notable strengths to cast new light on old problems not only in biblical studies, but across the spectrum of the humanities.


Open Theology ◽  
2019 ◽  
Vol 5 (1) ◽  
pp. 13-28 ◽  
Author(s):  
Garrick V. Allen

Abstract This article critically examines the functionalities and significance of three prominent digital tools that have become central to the study of Greek New Testament manuscripts. The design, functionalities, and significance of the New Testament Virtual Manuscript Room (NTVMR), the Center for the Study of New Testament Manuscripts (CSNTM) digital library, and the Pinakes database have a hand in shaping the research questions of the field. As such, it is important to understand what these tools do, how they function, and how they might develop further to address the needs of the field. The analysis of these tools leads to fundamental questions about using digital representations as proxies for primary sources, challenges for managing the materiality of artefactual and digital objects, the collaborative nature of digital scholarship, and the implicit interpretations of the Greek New Testament tradition inherent in digital workspaces.


1967 ◽  
Vol 20 (3) ◽  
pp. 329-337
Author(s):  
J. K. Howard

The events of the Exodus, in which the Passover occupied a central and dominant place, were one of the most deeply rooted of all Israel's traditions. The Passover itself lay at the very heart of the covenant concept and forms the basis of the Heilsgeschichte which records the redemptive acts of God for His people Israel. In later Judaism it became overlaid with eschatological ideas, especially those associated with a Messianic deliverance for the people of God, as God's saving act in the past became the prefigurement of an even greater saving act in the future. The Passover night was thus a night of joy for all Israel, the night on which Israel's future redemption, effected through the Messiah, would be revealed. The early Christians, however, believed that this Messianic deliverance had already appeared in the person of Jesus of Nazareth, and consequently, in Preiss' expression,‘the totality of the events of the Exodus centering on the Passover’ together with its associated ideas occupied a dominant position in Christian soteriological thought in the New Testament period, especially as Jesus Himself had instituted the eucharist in a distinctly Paschal setting. We may trace, as has been done in recent years, the idea of the Exodus complex of events running as a constant theme through the New Testament writings, and Jesus is pictured both as a second Moses leading His people forth from a bondage far greater than the slavery of a human despot, from the thraldom of sin and death, and as the Antitype of the very Passover sacrifice itself, through which the redemption of the New Israel was effected.


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