Performing the passions in commercial society: Bernard Mandeville and the theatricality of eighteenth-century thought

1998 ◽  
pp. 141-172
Author(s):  
Edward Hundert
1989 ◽  
Vol 51 (4) ◽  
pp. 581-610 ◽  
Author(s):  
Russell Nieli

From earliest apostolic and patristic times, Christian writers have generally been suspicious of the common human desire to improve one's economic status. In Britain, however, by the end of the seventeenth century, this suspicion had all but vanished as most Christians began to accommodate themselves to the exigencies of an increasingly dynamic commercial society. This article takes up the early eighteenth-century controversy over the compatibility of traditional Christian moral virtues with the demands of economic and material progress as reflected in the writings of the two most important antagonists in the controversy, Bernard Mandeville and William Law. Although both Mandeville and Law spoke the language of Christian rigorism and perfectionism, and proclaimed attachment to the full austerity of the Christian Gospels, Mandeville, it is explained, was really a hedonist in disguise who feigned attachment to traditional Christian and Stoic ascetic principles merely to be able to discredit those principles. Law, it is explained, was a man of uncommon piety and devoutness who was shocked by the increasing secularism and materialism of his age, and who sought to recall his contemporaries to a life of true Christian holiness. The article concludes with an evaluation of the relative merits of the positions of each of the two thinkers.


Author(s):  
Nancy Um

In the early decades of the eighteenth century, Yemen hosted a lively community of merchants that came to the southern Arabian Peninsula from the east and the west, seeking, among other products, coffee, at a time when this new social habit was on the rise. Shipped but not Sold argues that many of the diverse goods that these merchants carried, bought, and sold at the port, also played ceremonial, social, and utilitarian roles in this intensely commercial society that was oriented toward the Indian Ocean. Including sumptuous foreign textiles and robes, Arabian horses, porcelain vessels, spices, aromatics, and Yemeni coffee, these items were offered, displayed, exchanged, consumed, or utilized by major merchants in a number of socially exclusive practices that affirmed their identity and status, but also sustained the livelihood of their business ventures. These traders invested these objects with layers of social meaning through a number of repetitive ceremonial exercises and observances, in addition to their everyday protocols of the trade. This study looks at what happened to these local and imported commodities that were diverted from the marketplace to be used for a set of directives that were seemingly quite non-transactional.


2020 ◽  
pp. 1-24
Author(s):  
AVI LIFSCHITZ

Abstract Frederick II's writings have conventionally been viewed either as political tools or as means of public self-fashioning – part of his campaign to raise the status of Prussia from middling principality to great power. This article, by contrast, argues that Frederick's works must also be taken seriously on their own terms, and interpreted against the background of Enlightenment philosophy. Frederick's notions of kingship and state service were not governed mostly by a principle of pure morality or ‘humanitarianism’, as argued influentially by Friedrich Meinecke. On the contrary, the king's views were part and parcel of an eighteenth-century vision of modern kingship in commercial society, based on the benign pursuit of self-love and luxury. A close analysis of Frederick's writings demonstrates that authorial labour was integral to his political agency, publicly placing constraints on what could be perceived as legitimate conduct, rather than mere intellectual window-dressing or an Enlightened pastime in irresolvable tension with his politics.


2018 ◽  
Vol 71 (3) ◽  
pp. 655-701 ◽  
Author(s):  
Nicholas Mathew

This article examines the idea of interest and the interesting in the late eighteenth century through Haydn's London experiences of the 1790s. It argues that several of Haydn's London compositions, together with the surviving records of his English trips, bear the traces of a metropolitan mediascape and urban commercial environment in which attention and desire were newly conceivable in terms of the psychic “investments” of interest—a concept that notably oscillates between what we would nowadays consider separate economic and aesthetic meanings. Looking again at Haydn's late encounter with England's burgeoning commercial society might prompt musicologists to rethink the nature of their own scholarly interests, as well as the deeper histories of currently popular methodological paradigms that aim to resolve musicology's objects of study into networks of people and things gathered together by entangled interests and “concerns.”


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