On the Move

Author(s):  
Sharon Hecker

This chapter follows Medardo Rosso's peregrinations in his last decade of international expansion. At that time, it became clear to Rosso that being in Paris would not suffice to create a truly international reputation and fully disseminate his revolutionary ideas. He began to travel around Europe to promote his art, relying on international networks and new opportunities that characterized the first decade of the twentieth century. At the same time, Rosso's attempt to create a meaningful identity for himself without recourse to fixed symbolic structures of nationalism further intensified his uneasy position as a perennial outsider. He poignantly captured this sense of alienation in his final masterpiece, Ecce puer (Behold the Child, 1906), a haunting, larger-than-life head of the son of a wealthy London collector.

2018 ◽  
Vol 5 (1) ◽  
pp. 39-55
Author(s):  
José Avelãs Nunes

Abstract This article discusses the concept of therapeutic garden— its definition and importance, — in the context of the specific architecture of sanatoria for the treatment of tuberculosis, in particular the case of Lisbon’s sanatoria from 1870 to 1970. It contemplates both national and international networks of circulation and transfer of knowledge before and after the medical and architectural revolutions at the turn of the twentieth century. These revolutions were accompanied by significant changes in the city’s structure concerning the control of epidemics and social diseases. Architects and physicians, among other experts, are the main characters to be scrutinized, alongside with their architectural and scientific production and their entanglements. At the same time, I seriously take into consideration their interactions with the spheres of power, specifically in what relates to management and decision making.


Author(s):  
Rónán McDonald

Beckett, arguably the most important playwright of the twentieth century, has achieved an international reputation that goes well beyond his achievement as a writer. There is in effect a ‘Beckett brand’, a marketable image of the man and his works. The abstraction of his theatre work, its lack of definite geographical or specific referents, has led to a tenacious discourse of universalism. His global fame developed from the first production ofWaiting for Godot, seen as the epitome of modernist experiment, delivering a profound image of the human condition free of historical specificity and thus available to any number of different interpretive schemes. The production history of Beckett’s work in recent times, however, has shown that it is at its most effective in its trans-historical capacity, represented most tellingly in instances such as the productions ofGodotin Sarajevo or New Orleans. Beckett is ‘glocal’ rather than global.


Author(s):  
M. Anne Crowther

Joseph Lister's painstaking experiments in antiseptic lotions, dressings, and sutures in the 1860s and early 1870s seemed needlessly complex to his critics and were best understood by those who saw him in action. From the 1880s the acrimony subsided, and Lister's international reputation became a major asset to the medical profession, even as it discarded or bypassed many of his techniques. He was claimed as an influence by many new specialties, even though in some cases his links with the discipline were tenuous. By the early twentieth century Lister had become a focus of imperial sentiment, and his legacy is seen at home and abroad through successive generations of students from his Scottish universities.


Author(s):  
Catherine Maxwell

The Introduction outlines the scope and range of this study of perfume in Victorian literary culture, defining its terms and explaining its specific links with aestheticism and decadence during 1860–1900, the period in which British perfumery developed, expanded, and gained an international reputation. It also explains the important links between perfume and literary language, surveys various kinds of modern writing about smell and perfume, and indicates the relatively small amount of critical writing on olfaction in Victorian literature. Finally, signalling the broadly chronological organization of this monograph, it provides detailed chapter summaries which trace an evolutionary movement from Romantic poetry and early and mid-Victorian fiction to aestheticism, decadence, and the literature of the fin de siècle, ending with Virginia Woolf and Compton Mackenzie, two early twentieth-century novelists whose works provide contrasting reactions to Victorian scented literature and perfumed decadence.


1985 ◽  
Vol 59 (2) ◽  
pp. 232-253 ◽  
Author(s):  
Robert R. Locke

Although the American contribution to business education is well-known, that of other nations has been largely overlooked. In this article, Professor Locke reviews the very different history of business education in Germany, which he traces from its early twentieth-century origins to the present. He concludes that, while the German model no longer has the international reputation it did before World War II, it continues to promote solid economic growth.


2021 ◽  
Vol 5 ◽  
Author(s):  
Marzia Luppi ◽  
Francesca Schintu

The historic site of Fossoli Camp is a unique stone witness which still bears the marks left by the central years of the twentieth century. During the Second World War it was a national camp for racial and political deportees, but its story extends to the 1970s when it was used to house civilian orphans and refugees. Today it is a place where history blends with experience and education. The primary goal of the Fossoli Foundation is the protection and preservation of the Camp’s heritage, together with its enhancement through activities including research, documentation, and education to promote cultural awareness. The Foundation focuses especially on close co-operation with schools, developing targeted educational projects and pathways for both students and teachers, with organised visits to its own memorial sites and other European ones. European projects and partnerships represent an increasing part of its activities, and the Foundation is now a member of several national and international networks.


2018 ◽  
Vol 59 (1-2) ◽  
pp. 71-78
Author(s):  
Michael Fjeldsøe

The article discusses how the concept of “national composer” was established and developed in Central and Northern Europe by looking into the attempted international careers of two Danish composers in the nineteenth and early twentieth centuries. The analysis focuses on the appropriation of national composers in relation to international recognition in order to reflect on how this changing relationship might have influenced the conditions for international recognition of Zoltán Kodály. In the 1840s, Leipzig was the place to obtain international reputation. It was in Leipzig that Niels W. Gade was first recognized as a composer with a “Nordic tone” and it was because of that reason that he had, a meteoric career and was ranked as an important European composer. In the early twentieth century, Carl Nielsen replaced Gade as the most revered Danish composer; however, at that time, being a national composer was not an advantage to an international career, it was an obstacle, if anything.


1993 ◽  
Vol 1 (2) ◽  
pp. 76-82
Author(s):  
P Gilroy Bevan

The surgical career of Berkeley George Andrew Moynihan (Figure 1) spanned the last decade of the nineteenth and the first third of the twentieth century. He gained an international reputation, establishing an especial bond of friendship with the leading American surgeons of his day, and became known as a champion of provincial surgery in Britain. There were many facets to his character, and in view of his multiple interests he could fairly be described as the Renaissance man of British surgery of his time.


2019 ◽  
pp. 170-182
Author(s):  
David Brydan

Integrating the history of Franco’s Spain into the history of twentieth-century internationalism sheds new light on both subjects. The importance of international cooperation, international organizations, and international networks for Francoist elites reflects the extent to which Spanish nationalism during the early Franco era was framed and shaped by the history of internationalism. And examining the perspective of experts from an authoritarian nationalist regime serves to broaden and deepen our understanding of the fascist, right-wing, and conservative ‘dark side’ of internationalism. The Epilogue explores how the international activities of Spanish social experts developed after 1959. A new generation increasingly accepted the immutability of the post-war international system, seeking to adapt Spain to the world rather than adapting the world to Spain. They were even more internationally active than the previous generation, but were no longer necessarily ‘Franco’s internationalists’.


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