On the Move
This chapter follows Medardo Rosso's peregrinations in his last decade of international expansion. At that time, it became clear to Rosso that being in Paris would not suffice to create a truly international reputation and fully disseminate his revolutionary ideas. He began to travel around Europe to promote his art, relying on international networks and new opportunities that characterized the first decade of the twentieth century. At the same time, Rosso's attempt to create a meaningful identity for himself without recourse to fixed symbolic structures of nationalism further intensified his uneasy position as a perennial outsider. He poignantly captured this sense of alienation in his final masterpiece, Ecce puer (Behold the Child, 1906), a haunting, larger-than-life head of the son of a wealthy London collector.