The Science of Biodynamic Viticulture

2012 ◽  
Vol 12 (1) ◽  
pp. 91-99
Author(s):  
jason tippetts

Biodynamics, as a viticultural method, is generally not well understood by either its practitioners or its detractors. Detractors complain that biodynamics is rooted in mysticism and has no scientific basis whatsoever and thus no place in the increasingly scientific world of viticulture and oenology. Proponents counter that the biodynamic method established by Rudolf Steiner in the early twentieth century is fundamentally based on scientific facts, and that the results of applying the method are consistent and easily discernible in both the vineyard and the wine glass. This article elucidates the very complex relationship between Steiner's theory and reductivist science and suggests that only by better understanding this relationship can we truly appreciate what the biodynamic method is.

Author(s):  
Elise Salem

This chapter discusses the development of the novelistic tradition in Lebanon. It first provides an overview of the complex relationship between the Lebanese novel and nation-state before considering works published prior to the outbreak of the Lebanese Civil War. It then examines novels that appeared during the war years (1975–1990), along with novels written either during or immediately after the war but set in the nineteenth or early twentieth century. It also looks at contemporary postwar novels that vary from realistic to fantastical, from epistolary to first-person narrative, and from fuṣ ḥa to colloquial Arabic. The chapter describes the violence that characterizes the current period, citing as examples the slew of political assassinations and abductions, Israeli attacks, Hizballah takeovers, turmoil in the Palestinian camps, sectarian battles in Tripoli, and suicide car bombings, all reflected in the contemporary Lebanese novel.


2009 ◽  
Vol 25 (4) ◽  
pp. 379-390
Author(s):  
Oliver Double

British variety theatre has been largely ignored by theatre historians, in spite of its huge popularity in the early twentieth century. Here, Oliver Double examines variety through its exemplification in the work of one performer, Teddy Brown, a virtuoso xylophone player whose career coincided with the heyday of the variety stage between and just after the two world wars. The key historical and stylistic aspects of the form typified by Brown's success included the development of a stage persona, novelty, skill, participation, a distinctive musical style, and the ability to exploit the complex relationship between variety and the other types of popular entertainment of the time, notably cinema, revue, and radio. Former comedian Oliver Double is a Senior Lecturer in Drama at the University of Kent, and is the author of Stand-Up! On Being a Comedian (Methuen, 1997) and Getting the Joke: the Inner Workings of Stand-Up Comedy (Methuen, 2005). His stand-up comedy DVD Saint Pancreas is available from the University of Kent website.


2021 ◽  
pp. 118-148
Author(s):  
Siobhán Hearne

This chapter examines the institutions in charge of policing prostitution, namely provincial governments, municipal authorities, and medical-police committees. The devolved nature of Russian imperial governance meant that the severity with which regulation was applied varied widely from place to place, often depending on the specific economic, social, and environmental conditions of localities. The dynamics of medical-police committees are discussed, particularly the tension between the police and medical personnel. The chapter also explores the complex relationship between ‘policer’ and ‘policed’ in examining the (often informal) relationship between registered prostitutes and the police. Urbanization, limited resources, and the inability, or unwillingness, to enforce policy meant that regulation consistently failed to meet its medical and moral objectives. In the early twentieth century, the Russo-Japanese and First World Wars widened the gulf between state ambitions and realities even further.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

2015 ◽  
Vol 42 (1) ◽  
pp. 165-170
Author(s):  
P. G. Moore

Three letters from the Sheina Marshall archive at the former University Marine Biological Station Millport (UMBSM) reveal the pivotal significance of Sheina Marshall's father, Dr John Nairn Marshall, behind the scheme planned by Glasgow University's Regius Professor of Zoology, John Graham Kerr. He proposed to build an alternative marine station facility on Cumbrae's adjacent island of Bute in the Firth of Clyde in the early years of the twentieth century to cater predominantly for marine researchers.


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