Observations, Narrative, and Data in Nineteenth-Century Asylum Medicine

2018 ◽  
Vol 48 (5) ◽  
pp. 594-603
Author(s):  
Theodore M. Porter

French asylum doctor Ludger Lunier’s effort to measure the causal force of war and revolution in the production of insanity involved reasoning from data in an unfamiliar form. Lunier built up what we can call a medical database from an accumulation of about four hundred compact case narratives, some of them based on his direct experience. Although the conclusions he sought were purely quantitative ones, he returned repeatedly to these elemental accounts of the genesis of madness. This essay is part of a special issue entitled Histories of Data and the Database edited by Soraya de Chadarevian and Theodore M. Porter.

2012 ◽  
Vol 34 (5) ◽  
pp. 377-378
Author(s):  
Jill Rappoport ◽  
Mary Jean Corbett

2021 ◽  
Author(s):  
Rieke Jordan

This special issue of New American Studies Journal: A Forum looks at nineteenth-century American literature and culture through the analytical lens of free time and leisure. This analytical framework affords a novel access point to American literary history—free time, as this special issue will explore, is a highly contested and politicized concept and resource of the nineteenth century, one that restructures temporalities and spaces. Nineteenth-century American culture and literature can be understood as an archive to explore free time as a significant social and economic innovation into the texture of individual life. The contributions to this special issue explore the rise of free time in the nineteenth century with particular attention toward temporal and spatial reconfigurations that free time afforded. Furthermore they explore the societal and cultural aspects of free time that grew around the logics and logistics of nineteenth-century capitalism—a social formation that made leisure, time off work, not merely possible, but that created entire industries and spaces for leisure and repose.


2020 ◽  
Vol 29 (1) ◽  
pp. 3-18
Author(s):  
Josephine McDonagh ◽  
Briony Wickes

This introduction to the special issue proposes that two discrete nineteenth-century histories of opium – a literary history, initiated by the drug confessions of De Quincey, and a colonial history, exemplified by the commercial activities of the East India Company (in which Thomas Love Peacock participated) in cultivating opium in Bengal for export to China, leading to the first Opium War – are common elements in a nineteenth-century ‘opium complex’, a set of interlocking practices of individuals and (quasi)state actors, extending across the globe. Sherlock Holmes detective stories are read as compressed registers of tensions that inhere in this complex.


2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Anna M. Klobucka ◽  
César Braga-Pinto

This special issue of the Journal of Lusophone Studies was devised with the aim of addressing issues of (nonnormative) gender and (queer) sexuality in relation to travel, translation, transnational friendships and relationships, posturing and imitation, contagion, promiscuity, and other related themes across the spectrum of modern Luso-Afro-Brazilian literatures and cultures from the nineteenth century onward. Collectively, the editors and contributors are particularly interested in considering the ways in which queer subjectivities and agencies have counteracted triumphant versions of the nation and nationalism that seek to foreclose any alternatives to patriarchal and heteronormative fictions of progress and homogeneous identity.


2021 ◽  
Vol 3 (2) ◽  
pp. 1-20
Author(s):  
Monica Cohen

The introduction to this special issue of the Victorian Popular Fictions Journal, “Unintended Authors,” argues that Victorian popular fictions crucially relied on incoherently regulated global artistic markets that made bargain-basement grabbing and reselling comme il faut. The absence of clear and uniform copyright statutes, case law, and trade practices across national, colonial, linguistic, and generic borders surprisingly did not obstruct nineteenth-century authorship; rather these conditions did the work of cultivating an extraordinary proliferation of scrappy innovators creatively reusing antecedents. A cast of rogue publishers, theatrical adaptors, and proto brand managers take centre stage here in an effort to recognize the collaborative, appropriative, and reiterative dimensions of nineteenth-century fictional entertainment.


2019 ◽  
Vol 50 (2) ◽  
pp. 133-136
Author(s):  
Ari de Wilde

The bicycle has a unique status as a moniker of several things: a practical piece of transportation, a sporting tool, the imprimatur of modernity, and, relevant to this special issue, a symbol of gender and class equity. But the racing of bicycles by women has been oddly absent from the literature in sport history. Women have been part of the bicycle’s experience since the bicycle’s inception in the mid-nineteenth century. Yet until recently, one would be hard pressed to know of this lengthy tradition of women in cycling and, especially of, women’s racing. This special issue seeks to rectify this situation.


2018 ◽  
Vol 63 (S26) ◽  
pp. 169-189
Author(s):  
Christian G. De Vito

AbstractThis article features a connected history of punitive relocations in the Spanish Empire, from the independence of Spanish America to the “loss” of Cuba, Puerto Rico, and the Philippines in 1898. Three levels of entanglement are highlighted here: the article looks simultaneously at punitive flows stemming from the colonies and from the metropole; it brings together the study of penal transportation, administrative deportation, and military deportation; and it discusses the relationship between punitive relocations and imprisonment. As part of this special issue, foregrounding “perspectives from the colonies”, I start with an analysis of the punitive flows that stemmed from the overseas provinces. I then address punishment in the metropole through the colonial lens, before highlighting the entanglements of penal transportation and deportation in the nineteenth-century Spanish Empire as a whole.


2019 ◽  
Vol 23 (2) ◽  
pp. 5-17
Author(s):  
Lydia Willsky-Ciollo

This introduction provides a brief overview of the period known as the “long nineteenth century,” which played host to and helped to shape numerous new religious movements. Highlighting the impact and occasional convergence of various political, social, and religious movements and events in both the United States and globally, this essay seeks to show that the examination of new religious movements in the nineteenth century offers a means of applying scholarship in new religious movements to religions that may be defined as “old,” while simultaneously opening new ways of understanding new religions more broadly. In the process, this overview provides background for the articles included in this special issue of Nova Religio, which explore subjects including religious utopianism; gender, politics, and Pentecostalism; Mormonism and foreign missions; and the relationships of new religious movements to visual art.


2021 ◽  
Vol 90 (2) ◽  
pp. 183-210
Author(s):  
Ruth A. Morgan

As its record in California, southern India, and elsewhere suggests, of the many biotic exchanges of the long nineteenth century, the case of the Australian blue gum tree (Eucalyptus globulus) is one that especially transcends bilateral, spatial, or imperial framing. The blue gum instead invites more material and temporal perspectives to its spread: since its reputation accrued over time in diverse colonial settings, its adoption was contingent on the extent to which local tree cover was feared to have been depleted, and its growth was hoped to secure the futures of colonial states. Focusing on nineteenth-century understandings of the biological characteristics of the blue gum in southeastern Australia, South Asia and California, and the circulation of this knowledge between these sites, this article draws on the insights of neo-materialism to argue that this tree’s value and importance lay in its perceived ability to rapidly provide fuel wood for the empowerment of colonial states. This article is part of the “Crossroads of Indo-Pacific Environmental Histories” special issue of Pacific Historical Review.


2016 ◽  
Vol 32 (4) ◽  
pp. 347-362
Author(s):  
Patricia Smyth

The inspiration for Dion Boucicault's first Irish subject, The Colleen Bawn, in a set of pictur esque views of Ireland after the artist W. H. Bartlett is well documented, and Bartlett's iconography of wild scenery, moonlight, round towers, and ruined abbeys features strongly throughout the Irish plays. Although Bartlett's compositions were widely known in the nineteenth century, there has been little consideration of how they may have informed the audience's understanding of the plays. Rather, they are regarded as a set of clichéd, stereotyped images, which the playwright subverted through a process of ironic distancing and repurposing. In this article Patricia Smyth argues that, on the contrary, Boucicault made use of the mythical and supernatural associations of picturesque Ireland in order to convey a particular narrative of Irish history. Patricia Smyth is a Visiting Research Fellow at the University of Warwick. She has published articles and book chapters on French and British nineteenth-century art, visual culture and theatre. She is co-editor of Nineteenth-Century Theatre and Film, co-edited with Jim Davis a special issue dedicated to theatrical iconography (2012), and is currently completing a book on Paul Delaroche and theatre.


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