scholarly journals How Writing Touches

2011 ◽  
Vol 4 (3) ◽  
pp. 253-277 ◽  
Author(s):  
Jonathan Wyatt ◽  
Ken Gale ◽  
Larry Russell ◽  
Ronald J. Pelias ◽  
Tami Spry

Five scholars, with varying histories together, met as writers at a workshop at the 2007 International Congress of Qualitative Inquiry and made a commitment to write over the following year to, for and with each other in an experiment in the craft of autoethnography, an experiment that led us to explore questions of intimacy and connection manifested through collaborative writing. Each year since then we have returned to Congress to read a small anthology of the year's writing—and to decide whether or not to continue. This paper is drawn from our third year of writing together across the changing distances, as our bodies moved and lay still in both unfamiliar and familiar spaces. Within castles and beside oceans, on pastures and in homes, at universities and hospitals, we wrote together, between and amongst our group of five, working, as always, it seems, at who and what we are becoming. The joy of our continuing writing presence in each others' lives, our pleasure and surprise at such friendship, earned through hard writing labor, is manifest alongside an awareness that there is always more to do. We turn and return to love and intimacy as scholarly, messy, complex methodology as we send writing to each other that we, in turn, pick up on—and sometimes do not—in our responses; writing that often affirms and sometimes disturbs.

2018 ◽  
Vol 26 (7) ◽  
pp. 716-723 ◽  
Author(s):  
Jody Thomson

In this article, the author takes a post-anthropocentric (re)turn to matter and mattering, using art-making-as-inquiry to think-feel about the ways in which art and matter matters in end-of-life art therapy. Visual art-making and new materialist theories are entangled with(in) stories from clinical end-of-life art therapy practice, textually and texturally performing how it is to work with affect, vibrant matter, vulnerability, and death. It is based on a symposium presented by four researchers at the International Congress of Qualitative Inquiry in 2018 titled “Material Methods,” each mobilizing creative practices to think about death, and transformation.


2011 ◽  
Vol 4 (1) ◽  
pp. 3-19 ◽  
Author(s):  
Karen Keifer-Boyd

A social justice approach to arts-based research, as presented in this article through examples from five different perspectives on what constitutes arts-based research, involves continual critical reflexivity in response to injustice. At the First International Congress of Qualitative Inquiry, I identified five distinctly different perspectives on what constitutes arts-based research. The variations seemed to emphasize contiguous relationships such as: arts-insight, arts-inquiry, arts-imagination, arts-embodiment, and arts-relationality. Starting from a study of arts-based research, I construct historical and theoretical traces to and from these five facets of a social justice approach to arts-based inquiry. My analysis offers potentialities for an intermingling of these five faces of arts-based research in the interest of social justice. The examples of arts-based research as social justice activism presented here are intended to inspire transdisciplinary researchers to imagine ways to conjoin arts-based processes, subjects, and forms with social justice enactments of research.


2020 ◽  
pp. 194084472097875
Author(s):  
David Carless ◽  
Kitrina Douglas

One challenge of performative research is that a performance is a one-time unique event. It cannot be preserved or returned to in its own form. Here, we offer a more durable artifact to preserve some aspects of the collaborative performance autoethnography we performed at the International Congress of Qualitative Inquiry (ICQI) in 2018. We write to communicate not only what we performed during the session but also our sentiments concerning singing and playing music as autoethnography. Because so often in our work we use songs, songwriting, music, and performance; we propose rhythm, melody, and harmony as alternative acts of autoethnographic collaboration. In this way of doing autoethnography, it may be that no words are spoken. But the burden of work is shared. This is the kind of collaboration we seek … in the here and now.


2020 ◽  
pp. 107780042091161 ◽  
Author(s):  
Alan Hodkinson ◽  
Ella Houston ◽  
Norman Denzin ◽  
Heather Adams ◽  
Davina Kirkpatrick ◽  
...  

The article introduces the concept of the “intertwangle,” a concept grounded within the gentle collisions of delegates at the 13th International Congress for Qualitative Inquiry at the University of Illinois and the simultaneous retelling of multiple autoethnographies of such encounters. Through such encounters and “retellings,” perhaps a different way of thinking about autoethnography is developed. The article presents a story of a journey to and through the 13th Congress. A journey of no answers and no certainty—this journey is not a collaborative sharing of data but more of the gentle collisions and the recounting of different stories located within shared experiences. It is a simple journey bounded by way-markers of uncertainty, at times self-deprecation, loss, and death. It is a journey of new beginnings, of no ends—of uncertainty rather than certainty, revealing rather than obscuring and expanding rather than reducing.


2018 ◽  
Vol 11 (1) ◽  
pp. 1-5 ◽  
Author(s):  
Aitor Gómez ◽  
Pamela Zapata-Sepúlveda

This article introduces the special issue to celebrate the 11th International Congress of Qualitative Inquiry at Urbana-Champaign in 2015. The theme of the congress was “Constructing a New Critical Qualitative Inquiry.” The best way to introduce this special issue is with a T.S. Eliot quote Norman Denzin used to welcome the ICQI participants to the congress in 2015: “We shall not cease from exploration/And the end of all our exploring/Will be to arrive where we started/And know the place for the first time.” In this special issue, scholars from different views, perspectives, frameworks, and places reflect on what we want for the next 10 years. We invite you to listen to them.


2019 ◽  
Vol 27 (1) ◽  
pp. 3-9 ◽  
Author(s):  
Elizabeth Adams St. Pierre

This article is a slight revision of a keynote lecture presented at the 15th International Congress of Qualitative Inquiry in Illinois in 2019. It argues that to experiment and create the “new” in post qualitative, post humanist, and other “new” forms of inquiry invented for the 21st century, social science researchers may well need to refuse conventional humanist social science research methodologies created for the problems of previous centuries.


2017 ◽  
Vol 10 (1) ◽  
pp. 9-12 ◽  
Author(s):  
Craig Gingrich-Philbrook

The author reflects on his return to the International Congress of Qualitative Inquiry after sitting out a year to protest the Salaita affair. He draws on the experiences of the drive and what it means to once again be face to face with colleagues he admires, doing the work of thinking critically about the pressure of the law on sentences as descriptions of pain, vulnerability, and outrage—staples of autoethnography—become subject to punitive reactions in an increasingly policed state.


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