Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music

2002 ◽  
Vol 19 (3) ◽  
pp. 387-414 ◽  
Author(s):  
Vijay Iyer
Keyword(s):  
African American ◽  
Music Perception ◽  
Situated Cognition ◽  
American Music ◽  
The Body ◽  
Special Focus ◽  
Embodied Mind ◽  
African American Music ◽  
Cultural Specificity

The dual theories of embodied mind and situated cognition, in which physical/temporal embodiment and physical/social/cultural environment contribute crucially to the structure of mind, are brought to bear on issues in music perception. It is argued that cognitive universals grounded in human bodily experience are tempered by the cultural specificity that constructs the role of the body in musical performance. Special focus is given to microrhythmic techniques in specific forms of African-American music, using audio examples created by the author or sampled from well-known jazz recordings.

Theorizing the Body in African-American Music

1994 ◽  
Vol 14 (1) ◽  
pp. 75 ◽  
Author(s):  
Susan McClary ◽  
Robert Walser
Keyword(s):  
African American ◽  
American Music ◽  
The Body ◽  
African American Music

scholarly journals Erythrocytes: Central Actors in Multiple Scenes of Atherosclerosis

2021 ◽  
Vol 22 (11) ◽  
pp. 5843
Author(s):  
Chloé Turpin ◽  
Aurélie Catan ◽  
Olivier Meilhac ◽  
Emmanuel Bourdon ◽  
François Canonne-Hergaux ◽  
...  
Keyword(s):  
Iron Homeostasis ◽  
The Body ◽  
Diabetic Patients ◽  
Special Focus ◽  
Plaque Progression ◽  
Cell Dysfunction ◽  
Circulating Cells ◽  
The Impact ◽  
Progression Of Atherosclerosis

The development and progression of atherosclerosis (ATH) involves lipid accumulation, oxidative stress and both vascular and blood cell dysfunction. Erythrocytes, the main circulating cells in the body, exert determinant roles in the gas transport between tissues. Erythrocytes have long been considered as simple bystanders in cardiovascular diseases, including ATH. This review highlights recent knowledge concerning the role of erythrocytes being more than just passive gas carriers, as potent contributors to atherosclerotic plaque progression. Erythrocyte physiology and ATH pathology is first described. Then, a specific chapter delineates the numerous links between erythrocytes and atherogenesis. In particular, we discuss the impact of extravasated erythrocytes in plaque iron homeostasis with potential pathological consequences. Hyperglycaemia is recognised as a significant aggravating contributor to the development of ATH. Then, a special focus is made on glycoxidative modifications of erythrocytes and their role in ATH. This chapter includes recent data proposing glycoxidised erythrocytes as putative contributors to enhanced atherothrombosis in diabetic patients.

scholarly journals Stanley Péan et l’interculturalité en diaspora

Il Tolomeo ◽  
2018 ◽  
Author(s):  
Fabiana Fianco
Keyword(s):  
African American ◽  
Reference Point ◽  
American Music ◽  
Literary Interpretation ◽  
Cultural Space ◽  
Cultural Elements ◽  
African American Music ◽  
Intercultural Exchange ◽  
Young Writer

In spite of being viewed as a young writer until the ’90s, Stanley Péan is now known as one of the most distinctive and established voices in the Haitian-Canadian literary scene. The pivotal moment in his career happened in 1996, when Zombi Blues was published. This novel displays a cultural space in which Haitian traditions and Canadian modernity converge and allow intercultural exchange to take place. Drawing from this perspective, the following article aims to analyse how Péan creates a fictional universe through the blending of cultural elements. Using the collection of myths and beliefs that permeate the Haitian and African cultural panorama as a reference point, we will investigate the ways in which Péan adapted and transposed these traditions to the Haitian diasporic context. Particular attention will be given to the use of jazz and African American music, as well as to the reinterpretation of mythological creatures such as the zombie and the marasa twins. Hence, the article tries to show how Péan’s cultural crossroad contributes to the foundation of a new literary interpretation of Haitianity.

Black Music USA: From African to African American Music

2018 ◽  
pp. 3-12
Author(s):  
Robert Sacré
Keyword(s):  
African American ◽  
Black People ◽  
Gospel Music ◽  
American Music ◽  
Black Music ◽  
Deep South ◽  
African American Music ◽  
History Of ◽  
Primitive Forms ◽  
Work Songs

This chapter discusses the history of African American Music. Many of the roots of black American music lie in Africa more than four hundred years ago at the start of the slave trade. It is essential to realize that the importance given to music and dance in Africa was reflected among black people in America in the songs they sang, in their dancing, and at their folk gatherings. As such, every aspect of jazz, blues, and gospel music is African to some degree. Work songs and the related prison songs are precursors of the blues. One can assume that primitive forms of pre-blues appeared around 1885, mostly in the Deep South and predominantly in the state of Mississippi. However, it was several more years before the famous AAB twelve-bar structure appeared, and when it did, one of its leading practitioners was Charley Patton.

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