Transatlantic Climate and Gulf Stream Aesthetics

2021 ◽  
Vol 76 (1) ◽  
pp. 57-91
Author(s):  
Daniel Williams
Keyword(s):  
Nineteenth Century ◽  
Climate Variability ◽  
Print Culture ◽  
Gulf Stream ◽  
Derek Walcott ◽  
Literary Study ◽  
Test Case ◽  
Earth System ◽  
Gerard Manley Hopkins ◽  
Cultural Belonging

Daniel Williams, “Transatlantic Climate and Gulf Stream Aesthetics” (pp. 57–91) The Gulf Stream gained scientific prominence in the nineteenth century as a test case for theories about the dynamics of ocean currents and the equilibrium of transatlantic climate. Discourse about the current supplied descriptions, analogies, and myths that persist into the present. Triangulating oceanic, ecological, and transatlantic approaches to literary study, this essay argues that the nineteenth-century discourse of the Gulf Stream included a significant aesthetic dimension organized by a dialectic between stability and variability. First, the essay traces the Gulf Stream’s presence in eighteenth- and nineteenth-century scientific writing and print culture, showing how memorable figures and vivid illustrations accentuated the risk of climate variability even as they charted an apparently stable oceanic system. Next, it considers the work of two poets separated by the ocean, Gerard Manley Hopkins and Sidney Lanier. While ostensibly using the Gulf Stream motif to reflect on geographic identity and cultural belonging, Hopkins and Lanier use formal and figurative techniques that register the threat of climate instability, offering a deeper sense of climate disquiet than the scientific materials on which they drew. Finally, the essay looks at the poetry of Derek Walcott, sketching the afterlife of the Gulf Stream discourse, extending its formal and figurative lineage, and renewing the present ecological urgency of thinking with an Earth-system process as a motif of climatic connection and obligation.

Gerard Manley Hopkins and the Spell of John Duns Scotus

2015 ◽  
Author(s):  
John Llewelyn
Keyword(s):  
Nineteenth Century ◽  
John Duns Scotus ◽  
Gerard Manley Hopkins ◽  
Duns Scotus ◽  
Formal Distinction

The Early Mediaeval Scottish philosopher and theologian John Duns Scotus shook traditional doctrines of logical universality and logical particularity by arguing for a metaphysics of ‘formal distinction’. Why did the Nineteenth Century poet and self-styled philosopher Gerard Manley Hopkins find this revolutionary teaching so appealing? John Llewelyn answers this question by casting light on various neologisms introduced by Hopkins and reveals how Hopkins endorses Scotus’s claim that being and existence are grounded in doing and willing. Drawing on modern respon ses to Scotus made by Heidegger, Peirce, Arendt, Leibniz, Hume, Reid, Derrida and Deleuze, Llewelyn’s own response shows by way of bonus why it would be a pity to suppose that the rewards of reading Scotus and Hopkins are available only to those who share their theological presuppositions

The “Twilight of the Poets” in the Age of Realism

2018 ◽  
Author(s):  
Elizabeth Renker
Keyword(s):  
Nineteenth Century ◽  
Print Culture ◽  
Literary History ◽  
Prose Fiction ◽  
Literary Movement ◽  
The Core ◽  
Multiple Voices ◽  
Institutional Status ◽  
Literary Histories ◽  
Historical Origins

American literary histories of the post-Civil War period typically treat “poetry” and “realism” as oppositional phenomena. The core narrative holds that “realism,” the major literary “movement” of the era, developed apace in prose fiction, while poetry, stuck in a hopelessly idealist late-romantic mode, languished and stagnated in a genteel “twilight of the poets.” This chapter excavates the historical origins of the twilight narrative in the last quarter of the nineteenth century. It shows how this narrative emerged as a function of a particular idealist ideology of poetry that circulated widely in authoritative print-culture sites. The chapter demonstrates that the twilight narrative was only one strain in a complex cultural debate about poetry, a debate that entailed multiple voices and positions that would later fall out of literary history when the twilight narrative achieved institutional status as fact.

scholarly journals Ubiquity of human-induced changes in climate variability

2021 ◽  
Vol 12 (4) ◽  
pp. 1393-1411
Author(s):  
Keith B. Rodgers ◽  
Sun-Seon Lee ◽  
Nan Rosenbloom ◽  
Axel Timmermann ◽  
Gokhan Danabasoglu ◽  
...  
Keyword(s):  
Climate Change ◽  
Climate Variability ◽  
Climate Adaptation ◽  
Southern Oscillation ◽  
System Modeling ◽  
Greenhouse Warming ◽  
Earth System ◽  
Wide Range ◽  
State Changes ◽  
Mean State

Abstract. While climate change mitigation targets necessarily concern maximum mean state changes, understanding impacts and developing adaptation strategies will be largely contingent on how climate variability responds to increasing anthropogenic perturbations. Thus far Earth system modeling efforts have primarily focused on projected mean state changes and the sensitivity of specific modes of climate variability, such as the El Niño–Southern Oscillation. However, our knowledge of forced changes in the overall spectrum of climate variability and higher-order statistics is relatively limited. Here we present a new 100-member large ensemble of climate change projections conducted with the Community Earth System Model version 2 over 1850–2100 to examine the sensitivity of internal climate fluctuations to greenhouse warming. Our unprecedented simulations reveal that changes in variability, considered broadly in terms of probability distribution, amplitude, frequency, phasing, and patterns, are ubiquitous and span a wide range of physical and ecosystem variables across many spatial and temporal scales. Greenhouse warming in the model alters variance spectra of Earth system variables that are characterized by non-Gaussian probability distributions, such as rainfall, primary production, or fire occurrence. Our modeling results have important implications for climate adaptation efforts, resource management, seasonal predictions, and assessing potential stressors for terrestrial and marine ecosystems.

scholarly journals ”Kampagnen med Blæk i stedet for Blod”: Håndskrifter, trykk og opinionskamp i skandinavisk offentlighet, 1801–1814

2017 ◽  
Vol 14 ◽  
pp. 106-128
Author(s):  
Ruth Hemstad
Keyword(s):  
Nineteenth Century ◽  
Public Sphere ◽  
Print Culture ◽  
The Public ◽  
Vital Part ◽  
Monitoring Activities ◽  
The Public Sphere ◽  
Secret War

“The campaign with ink instead of blood”: Manuscripts, print and the war of opinion in the Scandinavian public sphere, 1801–1814Handwritten pamphlets circulated to a high extend as part of the war of opinion which went on in the Norwegian-Swedish borderland around 1814. This ‘campaign with ink instead of blood’, as Danish writers soon characterized this detested activity, was a vital part of the Swedish policy of conquering Norway from Denmark through the means of propaganda. This ‘secret war of opinion’, as it was described in 1803, culminated around 1814, when Sweden accomplished its long-term goal of forming a union with Norway. In this article I am concerned with the role and scope of handwritten letters, actively distributed as pamphlets as part of the Swedish monitoring activities in the borderland, especially in the period 1812 to 1813. These manuscripts were integrated parts of the manifold of publications circulating within a common, although conflict oriented Scandinavian public sphere in the making at this time. The duplication and distribution of handwritten pamphlets, and the interaction with printed material, as Danish counter pamphlets quoting and discussing these manuscripts, illustrates that manuscripts remained important at the beginning of the nineteenth century. They coexisted and interacted with printed material of different kinds, and have to be taken into consideration when studying the public sphere and the print culture in this period.

scholarly journals ‘Too Frivolous to Interest the Public’?: Walter Scott, Richard Polwhele and Archipelagic Correspondence

Romantik ◽  
2013 ◽  
Vol 2 (1) ◽  
pp. 103
Author(s):  
Dafydd Moore
Keyword(s):  
Nineteenth Century ◽  
Print Culture ◽  
Sir Walter Scott ◽  
The Public ◽  
Walter Scott

The Cornish writer Richard Polwhele and Sir Walter Scott corresponded on matters literary and social for a period of 25 years at the start of the nineteenth century without ever meeting. This article examines the published traces of this epistolary acquaintance and establishes what it might tell us about the lines of connection and dissemination it was possible to establish in Romantic Britain between what might otherwise be thought of as outlying areas of the nation. The article contributes to a number of recent archipelagic attempts to better understand the distributed or devolved nature of print culture within the nations and regions of Britain, in this case through a focus on the interconnections between them.

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