scholarly journals The New Vicissitudes of Auteur Cinema

Author(s):  
Christina Stojanova

THE NEW VICISSITUDES OF AUTEUR CINEMA: KARLOVY VARY 2010 The Festival and its Ambiance     The Karlovy Vary Film Festival is a place where everyone feels at home - from the brightest stars of world cinema and Hollywood staying at Grand Hotel Pupp, to the student back-packers, who arrive in numbers every year and, in anticipation of some last minute ticket availability, squat in the hallways of Hotel Thermal, housing the festival headquarters as well as five festival film theatres. This unassuming hospitality was elegantly emphasized in the festival film vignettes, shown before each screening. Witty animation tributes to the festival president Jií Bartoška and its artistic director Eva Zaoralová, inspired by the Pink Panther and Iakov Protazanov's Aelita respectively, were paired with a series of black-and-white shorts, starring some of the most illustrious recipients of the festival's Life-Time Achievement Award, the Crystal Globe, and featuring the statuette's mostly...

Author(s):  
Ron Holloway

KARLOVY VARY INTERNATIONAL FILM FESTIVAL 2004 For the Czech media the 39th Karlovy Vary International Film Festival (2-10 July 2004) was something of a sensation. Václav Havel, the country's ex-president and most popular political figure, was on hand for the official opening to receive a moving standing ovation. Later, Václav Klaus, the current Czech president, also showed for the closing ceremonies. To add to the festivities, Miroslav Ondříček, Miloš Forman's ace cameraman (Oscar Nominations for Amadeus and Ragtime) was honoured with an Award for Outstanding Artistic Contribution to World Cinema (together with Harvey Keitel and Roman Polański). The Prize of the Karlovy Vary Region was given for the first time to Jiří Bartoška, the festival codirector. And the Ecumenical Jury honoured Eva Zaoralová, the festival's artistic director, an Award for Outstanding Contribution to the Karlovy Vary International Film Festival. For the second time in a row, the Crystal Globe,...


Author(s):  
Ron Holloway

ANY WAY YOU LOOK AT IT, 2008 was a watershed year at the Cannes film festival. Looking ahead, this was Thierry Frémaux’s first year as délégué général, the first time he was listed in the catalogue as the man who put his own signature on the selection. Last year, he was down simply as director artistique, to wit: the festival’s artistic director under the friendly aegis of président Gilles Jacob. Looking back, Gilles Jacob is currently penning his collection of memories as the festival icon over the past 30 years. Knowing Jacob’s unrestrained love for the Festival de Cannes, a spring event he has personally molded into an institution that stands head and shoulders over all other A-category festivals, his memoirs will surely offer insights into how he was able to balance the ideals of auteur cinema with the public’s demand for starlets on the grand staircase and box-office...


Author(s):  
Eugenio Ercolani ◽  
Marcus Stiglegger

When William Friedkin’s psycho thriller Cruising was shown at the Berlin International Film Festival and hit cinemas worldwide in 1980 it was mainly misunderstood: the upcoming gay scene dismissed it as an offence to their efforts to open up to society and a distorted image of homosexuality, prompting the distributors to add a disclaimer that preceded the picture: Genre audiences were confused about the idea of a sexualized cop thriller with procedural drama that frequently turns into a horror film with the identity of the killer changing with each murder. Seen from today’s perspective, Friedkin’s film turned out to be an enduring cult classic documenting the gay leather scene of the late 1970s as well as providing a stunning image of identity crisis and an examination of male sexuality in general. In the fading years of the New Hollywood era (1967–1976), William Friedkin—the ‘New Hollywood Wunderkind’, with an Academy Award for his cop drama, The French Connection (1971), and following the tremendous success of his horror film, The Exorcist (1973)—proves once more the strength of his unique approach in combining genre and auteur cinema to create a fascinating film that turns 40 in 2020. This book dives into the phenomenon that is Cruising: it examines its creative context and its protagonists, as well as explaining its ongoing popularity.


2015 ◽  
Vol 23 (7-8) ◽  
pp. 579-579
Author(s):  
Samir Mitragotri ◽  
Justin Hanes

2021 ◽  
Author(s):  
Serwaa Omowale ◽  
Andrea Casas ◽  
Yu-Hsuan Lai ◽  
Sarah Sanders ◽  
Ashley Hill ◽  
...  

BACKGROUND Stress has been associated with adverse birth and postpartum health outcomes. Few studies have explored racial differences in maternal stress in a birthing population longitudinally in the United States (U.S.) during the ongoing COVID-19 pandemic. OBJECTIVE This study aimed to: (1) assess changes in reported stress before, during, and after initial emergency declarations (e.g., stay-at-home orders) were in place due to the COVID-19 pandemic and (2) assess Black-White differences in reported stress in a pregnant and postpartum population from Southwestern Pennsylvania. METHODS We leveraged data from the ongoing Postpartum Mothers Mobile Study (PMOMS) which surveys participants in real-time throughout the pregnancy and postpartum periods via ecological momentary assessment (EMA) and smartphone technology. We analyzed data from a subset of PMOMS participants (n=85) who were either Black or White, and who submitted EMA responses regarding stress between November 1, 2019 and August 31, 2020, the timeframe of this study. Data were divided into four phases based on significant events during the COVID-19 pandemic: a pre-phase (baseline), early-phase (first case of COVID-19 reported in U.S.), during-phase (stay-at-home orders), and post-phase (stay-at-home orders eased). We assessed mean stress levels at each phase using mixed-effects models and post-hoc contrasts based on the models. RESULTS Overall mean stress (min: 0, max: 4 as measured by a modified Cohen Perceived Stress Scale) during the pre-phase was 0.8 for Black and White participants [range for Black participants: 0-3.9, range for White participants: 0-2.8]. There was an increase of 0.26 points (t=5.19, d.f.=5649, p<.0001) in the during-phase as compared with the pre-phase, and an increase of 0.19 points (t=3.09, d.f.=5649, p=0.002) in the post-phase compared with the pre-phase (n=85). No difference was found between Black and White participants in the change in mean stress from the pre-phase to the during-phase (δ ̂= -0.016, p=0.867). There was a significant difference between Black and White participants in the change in mean stress from the during-phase to the post-phase (δ ̂ = -0.39, p<0.0001). CONCLUSIONS There was an overall increase in mean stress levels in this subset of pregnant and postpartum participants during the same time as the emergency declarations/stay-at-home orders in the US. Compared to baseline, mean stress levels remained elevated when stay-at-home orders eased. We found no significant difference in the mean stress levels by race. Given that stress is associated with adverse birth outcomes and postpartum health, stress induced by the ongoing COVID-19 pandemic may have adverse implications for birthing populations in the U.S. INTERNATIONAL REGISTERED REPORT RR2-10.2196/13569


Sign in / Sign up

Export Citation Format

Share Document