L’Attention de la «Créature Isolée » à Partir de L’Expérience Spatiale de JÁnos Pilinszky, à Travers la « Pureté Parfaite » de Simoneweil, Jusqu’à la «Nuit Obscure » de François Mauriac

Verbum ◽  
2008 ◽  
Vol 10 (2) ◽  
pp. 399-412
Author(s):  
Laura Turai
Keyword(s):  
1895 ◽  
1998 ◽  
Vol 25 (1) ◽  
pp. 139-143
Keyword(s):  

Author(s):  
Judith G. Coffin

When this book's author discovered a virtually unexplored treasure trove of letters to Simone de Beauvoir from Beauvoir's international readers, it inspired the author to explore the intimate bond between the famed author and her reading public. This correspondence, at the heart of the book, immerses us in the tumultuous decades from the late 1940s to the 1970s — from the painful aftermath of World War II to the horror and shame of French colonial brutality in Algeria and through the dilemmas and exhilarations of the early gay liberation and feminist movements. The letters provide a glimpse into the power of reading and the power of readers to seduce their favorite authors. The relationship between Beauvoir and her audience proved especially long, intimate, and vexed. The book traces this relationship, from the publication of Beauvoir's acclaimed The Second Sex to the release of the last volume of her memoirs, offering an unfamiliar perspective on one of the most magnetic and polarizing philosophers of the twentieth century. Along the way, we meet many of the greatest writers of Beauvoir's generation — Hannah Arendt; Dominique Aury, author of The Story of O; François Mauriac, winner of the Nobel Prize and nemesis of Albert Camus; Betty Friedan; and, of course, Jean-Paul Sartre — bringing the electrically charged salon experience to life. The book lays bare the private lives and political emotions of the letter writers and of Beauvoir herself. Her readers did not simply pen fan letters but, as the book shows, engaged in a dialogue that revealed intellectual and literary life to be a joint and collaborative production.


2012 ◽  
Vol 6 (1) ◽  
Author(s):  
Richard Francis Crane

Philosopher Jacques Maritain (1882-1973) embraced a quest for sanctity at the core of his vocation as a French Catholic intellectual. Known as an exponent of the teachings of Saint Thomas Aquinas, he also devoted considerable energies to the promotion of democracy and human rights, as well as the combat against antisemitism. Maritain has been lauded for his sometimes courageous attempts to eradicate anti-Jewish prejudice from the Christian conscience, though some prevailing interpretations oversimplify this thinker's motivations and ideas. Keeping in mind the historically-contingent and often ambivalent nature of philosemitism, this article analyzes Maritain's postwar writings on the Jewish Question and his interactions with Popes Pius XII and Paul VI, Anglican theologian James Parkes, Jewish historians Leon Poliakov and Jules Isaac, and fellow Catholic writers Paul Claudel and Francois Mauriac.


2009 ◽  
Vol 40 (1) ◽  
pp. 17-36
Author(s):  
Maaike Koffeman

Résumé À l’heure du centenaire de LaNRF, Maaike Koffeman retourne aux origines de cette revue légendaire pour montrer comment elle a, dès le départ, posé les fondements de son hégémonie ultérieure. La qualité des textes publiés ne suffit pas à expliquer cette réussite : il faut également prendre en compte l’organisation matérielle de la revue et de sa maison d’édition. Les correspondances des rédacteurs montrent qu’ils ont employé toutes sortes de stratégies pour acquérir du capital symbolique et obtenir une position dominante dans le champ littéraire. Une étude systématique des textes publiés dans la revue, combinée avec une analyse sociologique de son fonctionnement, permet de mieux comprendre comment LaNRF a pu devenir « la rose des vents de la littérature française » (François Mauriac).


2021 ◽  
Vol 9 (2) ◽  
pp. 87
Author(s):  
Wulan Nurrahma Azhari ◽  
Wening Udasmoro ◽  
Subiyantoro Subiyantoro

Issues of domestication, minority, and discrimination have frequently put women in inferior position in society. When women seek equality, they are often framed as embracing monstrous attitudes. This study focuses on François Mauriac’s novel titled Thérèse Desqueyroux (1927) with the intention of exploring the meanings and the significations in its construction of women as monsters. It has been observed that women are depicted as monsters because their struggle for freedom is seen as a challenge to the patriarchal system. The aims of this study are to find out and to describe the influential aspects in the construction of women as monsters and how such construction creates meanings. The study relies on content analysis method and follows three steps of analysis: collecting data relevant to monstrosity, classifying data based on the themes and problems related to the topic, and analyzing the data using Barbara Creed’s theory of the monstrous feminine (2007). The study results in the finding that the construction of women as monsters is strongly correlated with the deep institutionalization of patriarchy in French culture. Penempatan perempuan pada posisi inferior dalam banyak narasi disebabkan oleh faktor-faktor domestifikasi, minoritas, dan diskriminasi. Ketika perempuan memperjuangkan kesetaraan, mereka dianggap membangkang dan disimbolkan sebagai monster. Konstruksi monster terhadap perempuan ini terlihat pada novel François Mauriac berjudul Thérèse Desqueyroux (1927). Tulisan ini mencoba memahami makna dan pemaknaan konstruksi perempuan sebagai monster dalam novel tersebut. Studi ini menemukan bahwa perempuan digambarkan sebagai monster karena perjuangan mereka untuk mencapai kebebasan dianggap menentang struktur patriarki. Tujuan dari studi ini adalah menemukan dan mendeskripsikan aspek-aspek yang berkaitan dengan proses pemonsteran perempuan dan bagaimana proses tersebut dimaknai. Penelitian ini menggunakan metode analisis isi cerita dan dilakukan dalam beberapa tahap. Tahap pertama adalah pengambilan data yang relevan dengan pemonsteran. Tahap kedua adalah pengklasifikasian data sesuai dengan tema dan permasalahan tentang pemonsteran perempuan. Tahap terakhir adalah analisis data temuan dengan teori Barbara Creed (2007) tentang the monstrous feminine. Studi ini menyimpulkan bahwa konstruksi perempuan sebagai monster berhubungan erat dengan kultur patriarki yang sudah terinstitusionalisasi di dalam budaya Prancis pada masa ketika novel tersebut ditulis.


2006 ◽  
Vol 27 (2) ◽  
pp. 561-575
Author(s):  
F Hale

During the nineteenth and twentieth centuries, numerous French literary artists, like their counterparts in several other countries, attempted to probe the personality and motives of Iscariot. Among the most prominent were Ernest Renan, François Mauriac, Paul Raynal, and Marcel Pagnol. They evinced noteworthy literary imagination but failed to answer adequately the questions they had posed in their efforts to rehabilitate their long-despised subject. Invariably, such factors as the sparsity of information about Judas in the gospels and inadequate authorial research militated against the success of their experiments. Moreover, the varying portrayals of Judas and the multiplicity of incompatible theories which were advanced to explain his underlying motive underscores the extreme difficulty of discovering what kind of man Judas was and what prompted him to betray Jesus.


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