scholarly journals A Mystic Impulse: From Apophatics to Decreation in Pseudo-Dionysius, Meister Eckhart and Simone Weil

2012 ◽  
Vol 21 (1) ◽  
pp. 113-132
Author(s):  
William Robert
Author(s):  
Merold Westphal

The term ‘postmodernism’ is loosely used to designate a wide variety of cultural phenomena from architecture through literature and literary theory to philosophy. The immediate background of philosophical postmodernism is the French structuralism of Saussure, Lévi-Strauss, Lacan and Barthes. But like existentialism, it has roots that go back to the critique by Kierkegaard and Nietzsche of certain strong knowledge claims in the work of Plato, Descartes and Hegel. If the quest for absolute knowledge is the quest for meanings that are completely clear and for truths that are completely certain, and philosophy takes this quest as its essential goal, then postmodernism replaces Nietzsche’s announcement of the death of God with an announcement of the end of philosophy. This need not be construed as the death of God in a different vocabulary. The question of postmodern theology is the question of the nature of a discourse about deity that would not be tied to the metaphysical assumptions postmodern philosophy finds untenable. One candidate is the negative theology tradition of Pseudo-Dionysius and Meister Eckhart. It combines a vigorous denial of absolute knowledge with a theological import that goes beyond the critical negations of postmodern philosophy. A second possibility, the a/theology of Mark C. Taylor, seeks to find religious meaning beyond the simple opposition of theism and atheism, but without taking the mystical turn. Finally, Jean-Luc Marion seeks to free theological discourse from the horizon of all philosophical theories of being, including Heidegger’s own postmodern analysis of being.


Numen ◽  
2016 ◽  
Vol 63 (2-3) ◽  
pp. 245-270
Author(s):  
Willemien Otten

The development of medieval Christian thought reveals from its inception in foundational authors like Augustine and Boethius an inherent engagement with Neoplatonism. To their influence that of Pseudo-Dionysius was soon added, as the first speculative medieval author, the Carolingian thinker Johannes Scottus Eriugena (810–877ce), used all three seminal authors in his magisterial demonstration of the workings of procession and return. Rather than a stable ongoing trajectory, however, the development of medieval Christian (Neo)Platonism saw moments of flourishing alternate with moments of philosophical stagnation. The revival of theTimaeusand Platonic cosmogony in the twelfth century marks the achievement of the so-called Chartrian authors, even as theTimaeusnever acquired the authority of the biblical book of Genesis. Despite the dominance of scholastic and Aristotelian discourse in the thirteenth century, (Neo)Platonism continued to play an enduring role. The Franciscan Bonaventure follows the Victorine tradition in combining Augustinian and Dionysian themes, but Platonic influence underlies the pattern of procession and return — reflective of the Christian arc of creation and salvation — that frames the thought of Thomas Aquinas. Echoing the interrelation of macro- and microcosmos, the major themes of medieval Christian Platonic thought are, on the one hand, cosmos and creation and, on the other, soul and self. The Dominican friar Meister Eckhart and the beguine Marguerite Porete, finally, both Platonically inspired late-medieval Christian authors keen on accomplishing the return, whether the aim is to bring out its deep, abyss-like “ground” (Eckhart) or to give up reason altogether and surrender to the free state of “living without a why” (Marguerite), reveal the intellectual audacity involved in upending traditional theological modes of discourse.


Author(s):  
Fabien Muller

The present article focuses on the idea that divine nature is prior to being. This idea was first articulated in John of Scythopolis’s commentary on Pseudo-Dionysius. It was adopted by Maximus Confessor and re-used in Meister Eckhart’s first Quaestio Parisiensis. The main tenant of this idea is that, if God is the origin of being, he must be more fundamental than being. Thus, being cannot be identical to divine nature. The conclusion that can be drawn from the discussion of this idea is that the importance that has been traditionally attached to the „Exodusmetaphysik“ must be reconsidered, and that the pre-ontological conception of divine nature consistutes an autonomous tradition in Christian thought.


Author(s):  
Cyril O'Regan

This chapter examines the epistemology of mystical theology. It begins with the ‘intellectualist’ line of thinking from Pseudo-Dionysius to Meister Eckhart, paying close attention both to the ‘protocols’ which are required to speak of God both as the ground of our language, beyond naming, and as one who can really be experienced. These epistemological protocols can also be identified in Augustine, and later in the more ‘affective’ line of mystical theology from Bernard of Clairvaux to Bonaventure, though in a rather different form. This renders mystical theology quite different from a quest for Jamesian ‘peak’ experiences and knowledge of them; rather, it entails disciplines of formation, involving regimes of discourse and practice, to learn a language and a subjectivity enabling a more intense relation with God.


1978 ◽  
Vol 14 (4) ◽  
pp. 469-484
Author(s):  
Herman F. Šuligoj

I entitled the paper ‘An Essay in Speculative Mysticism’ because it undertakes, in the tradition of such ancient and mediaeval mystics as Plotinus, Pseudo-Dionysius, Hugh and Richard of St Victor, Nicholas of Cusa, Ruysbroeck, and Meister Eckhart, to mate psychological introspection with ontological speculation, focusing on the rather fundamental themes of Identity, Alterity, Transcendant Identity, and Illusion. I acknowledge my more recent, general indebtment to the rich reservoir of contemporary research in the area of Transpersonal Psychology, a research amply documented in the journal of Transpersonal Psychology, as well as in the bibliographies, most notably provided among others, in the respective works of Charles Tart, John White, and Ken Wilber. Since Transpersonal Psychology embraces within its attempts at controlled studies such sundries as altered states of consciousness, parapsychological phenomena, yoga, as well as doctrines which skirt the very frontiers of psychology's experimental ingenuity, namely the tenets of G. I. Gurdjieff, P. D. Ouspensky, H. P. Blavatsky, Oscar Icazo, John Lilly, Roberto Assagioli, and many others, the rapport between a speculative study in mysticism and the background data supplied by Transpersonal Psychology becomes readily apparent. Furthermore, I accede to any reader's deft detection in my essay of a rather uncommon medley of remnants from Thomism, German Romanticism, British Neo-Hegelianism, Vitalism, and Structuralism. If, at last, I were to be questioned on the methodology of my paper, I would have to respond that it probably resembles most closely the methodology of two French Reflective thinkers, viz., Jean Nabert and Henry Duméry, and the French existential metaphysician, Jean Wahl. Since I owe so much to so many, I simply acknowledge my general indebtedness at the beginning and allow the essay to emerge with its own internal cogency. The paper's rationale should, therefore, emanate from a clear inner coherence of its ideas as these reflect communicable psychological experience and unfold some of the latter's ontological implications.


Author(s):  
Beatrice Marovich

Few of Giorgio Agamben’s works are as mysterious as his unpublished dissertation, reportedly on the political thought of the French philosopher Simone Weil. If Weil was an early subject of Agamben’s intellectual curiosity, it would appear – judging from his published works – that her influence upon him has been neither central nor lasting.1 Leland de la Durantaye argues that Weil’s work has left a mark on Agamben’s philosophy of potentiality, largely in his discussion of the concept of decreation; but de la Durantaye does not make much of Weil’s influence here, determining that her theory of decreation is ‘essentially dialectical’ and still too bound up with creation theology. 2 Alessia Ricciardi, however, argues that de la Durantaye’s dismissal of Weil’s influence is hasty.3 Ricciardi analyses deeper resonances between Weil’s and Agamben’s philosophies, ultimately claiming that Agamben ‘seems to extend many of the implications and claims of Weil’s idea of force’,4 arguably spreading Weil’s influence into Agamben’s reflections on sovereign power and bare life.


Author(s):  
Burkhard Mojsisch
Keyword(s):  

Author(s):  
Anna Strode

Soon after the Protestant Reformation took place in Livonia in the 16th century, the currents of European humanism came to Livonia. As a result of the historical and religious impact, the level of education increased, enabling an environment for the development of the literature. Soon various Latin poetry texts int. al. 17th-century occasional poetry written by the humanists of Riga started to appear. The aim of the article is to bring to light the components of nuptial (epithalamium, ὑμέναιος/hymenaeus, carmen nuptialis, etc.) poetry written in Riga in the 17th century, as well as by exploring the specific features of occasional poetry to capture readers’ and researchers’ interest in the previously undiscovered cultural heritage. At the beginning of the article, the tradition of nuptial poetry is explained. Then, by examining the basic principles one must take into account in composing occasional poetry based on works of the ancient rhetors – Menander (Μένανδρος Ῥήτωρ, c. 3rd century), pseudo-Dionysius (pseudo-Dionysius/Διονύσιος), Himerius (Ἱμέριος, c. 315–c. 386) and the book “Seven Books on Poetry” (Poetices libri septem, 1561) written by Italian humanist Julius Caesar Scaliger (1484–1558) – a table of the most used topics in nuptial poetry is formed. Afterwards, the poetry written in Riga and its most typical components (didactics, laudation, inducement, foresight, wishes/congratulations and prayers) is compared to the topics offered by previously mentioned theoreticians. Fragments of Latin nuptial poetry written in Riga are included to portray the components of poetry more clearly. All translations of poetry included in the article are made by the author of the article.


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