scholarly journals The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism

2014 ◽  
Vol 8 (1) ◽  
Author(s):  
Richard Ekins
2021 ◽  
pp. 33-64
Author(s):  
Ted Gioia

This chapter explores the emergence of jazz in New Orleans around the year 1900, and its first generation of performers. It examines the social and economic conditions in New Orleans, and the city’s rich musical traditions. The life and music of cornetist Buddy Bolden, often considered the first jazz musician, are examined in some depth, as are the contributions of other early jazz stars, including Freddie Keppard, Jelly Roll Morton, and King Oliver. The chapter concludes with an account of the early career of Louis Armstrong, which is continued in the next chapter.


1992 ◽  
Vol 37 (11) ◽  
pp. 1186-1186
Author(s):  
Garth J. O. Fletcher

2010 ◽  
pp. 73-89
Author(s):  
M.-F. Garcia

The article examines social conditions and mechanisms of the emergence in 1982 of a «Dutch» strawberry auction in Fontaines-en-Sologne, France. Empirical study of this case shows that perfect market does not arise per se due to an «invisible hand». It is a social construction, which could only be put into effect by a hard struggle between stakeholders and large investments of different forms of capital. Ordinary practices of the market dont differ from the predictions of economic theory, which is explained by the fact that economic theory served as a frame of reference for the designers of the auction. Technological and spatial organization as well as principal rules of trade was elaborated in line with economic views of perfect market resulting in the correspondence between theory and reality.


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