Transporting the Tradition: The Social Production of Authenticity and Sincerity in Post-Katrina New Orleans Jazz

2012 ◽  
Author(s):  
SherriLynn Colby-Bottel
2021 ◽  
pp. 33-64
Author(s):  
Ted Gioia

This chapter explores the emergence of jazz in New Orleans around the year 1900, and its first generation of performers. It examines the social and economic conditions in New Orleans, and the city’s rich musical traditions. The life and music of cornetist Buddy Bolden, often considered the first jazz musician, are examined in some depth, as are the contributions of other early jazz stars, including Freddie Keppard, Jelly Roll Morton, and King Oliver. The chapter concludes with an account of the early career of Louis Armstrong, which is continued in the next chapter.


2018 ◽  
Vol 103 (4) ◽  
pp. 664-674
Author(s):  
Clyde C. Robertson

Author(s):  
Vivian Visser ◽  
Jitske van Popering-Verkerk ◽  
Arwin van Buuren

AbstractThe rise of citizens’ initiatives is changing the relation between governments and citizens. This paper contributes to the discussion of how governments can productively relate to these self-organizing citizens. The study analyzes the relation between the social production of invited spaces and the invitational character of such spaces, as perceived by governments and citizens. Invited spaces are the (institutional, legal, organizational, political and policy) spaces that are created by governments for citizens to take on initiatives to create public value. We characterize four types of invited spaces and compare four cases in Dutch planning to analyze how these types of invited spaces are perceived as invitational. From the analysis, we draw specific lessons for governments that want to stimulate citizens’ initiatives. We conclude with a general insight for public administration scholars; in addition to formal rules and structures, scholars should pay more attention to interactions, attitudes and meaning making of both government officials and citizens.


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