scholarly journals Le prime traduzioni polacche delle poesie italiane di Pietro Bembo

2021 ◽  
Vol 12 (2) ◽  
pp. 111-128
Author(s):  
Daria Kowalczyk-Cantoro ◽  
Keyword(s):  
Pietro Bembo

Applied Petrarchism: The Loves of Pietro Bembo

1996 ◽  
Vol 57 (3) ◽  
pp. 397-423
Author(s):  
G. Braden
Keyword(s):  
Pietro Bembo

Pietro Bembo on Etna: The Ascent of a Venetian Humanist by Gareth D. Williams

Phoenix ◽  
2018 ◽  
Vol 72 (1-2) ◽  
pp. 202-204
Author(s):  
Luke Roman
Keyword(s):  
Pietro Bembo

scholarly journals Appunti intorno al classicismo rinascimentale: Sannazaro e i latini nelle "Rime" di Pietro Bembo

2017 ◽  
Vol 2 (64) ◽  
Author(s):  
Amelia Juri
Keyword(s):  
Pietro Bembo

Il saggio intende mostrare la presenza della poesia quattrocentesca nelleRime di Pietro Bembo, al fi ne di restituire un’immagine più precisa del suoclassicismo e più in generale del suo esercizio poetico. Si prendono quindi in esamealcuni testi in cui Bembo dialoga strettamente con Sannazaro e la tradizioneclassica, che testimoniano da una parte la falsità della presunta ortodossia petrarchescadi Bembo, dall’altra il rilievo assunto dai temi nel processo imitativo.

The Rejection of Learning in Mid-Cinquecento Italy

1966 ◽  
Vol 13 ◽  
pp. 230-249 ◽  
Author(s):  
Paul F. Grendler
Keyword(s):  
Sixteenth Century ◽  
Early Years ◽  
Italian Renaissance ◽  
Mathematics History ◽  
Active Life ◽  
Pietro Bembo ◽  
Humanist Education ◽  
Renaissance Learning ◽  
Fourth Decade ◽  
The World

In the years 1535-1555 a group of Italian authors rejected much of Italian Renaissance learning. Humanists in the Quattrocento had wished to educate man for the active life. During the sixteenth century humanist education became a broad pattern of learning stressing grammar, rhetoric, logic, mathematics, history, and literature, based on both the Latin classics and vernacular models like Petrarch. Its purpose was the training of the young patrician to serve his family, city, or prince in the affairs of the world. But a group of critics mocked liberal studies, spurned the classical heritage, rejected authorities like Cicero and Pietro Bembo, ridiculed humanists, thought that history was widely misused, denied the utility of knowledge, and argued that man should withdraw into solitude. Nicolò Franco of Benevento (1515-1570), Lodovico Domenichi of Piacenza (1515-1564), Ortensio Lando of Milan (c. 1512-c. 1553), Giulio Landi of Piacenza (1500-1579), and Anton Francesco Doni of Florence (1513-1574) reached maturity in the fourth decade of the sixteenth century and expressed these critical themes in their many books published from 1533 to the early years of the 1550s.

La scrittura degli 'Asolani' di Pietro Bembo

2000 ◽  
Vol 95 (3) ◽  
pp. 855
Author(s):  
Erika Milburn ◽  
Claudia Berra
Keyword(s):  
Pietro Bembo

Spaces for Music in Sixteenth-Century Paduan Courts

2012 ◽  
Author(s):  
GUIDO BELTRAMINI
Keyword(s):  
Sixteenth Century ◽  
Crucial Role ◽  
Rare Plants ◽  
Way Of Life ◽  
Pietro Bembo ◽  
Literary Sources ◽  
Hadrian’S Villa ◽  
Hadrian's Villa ◽  
The Ideal ◽  
The Way

This chapter is dedicated to a particular culture relating to the way one might ideally lead one's life in line with ancient practices and views. The trend in question, which developed in Padua in the first half of the Cinquecento, was promoted by such humanists as Pietro Bembo, Alvise Cornaro and Marco Mantova Benavides. Exceptional connoisseurs of the mores and values of antiquity, these intellectuals personally supervised and directed the building of their homes. Following the model of Hadrian's villa at Tivoli, the complexes of these Paduan residences comprised dwelling areas, pavilions, large gardens and the installation of fountains, statues and rare plants. Inspired by literary sources, the ideal of recreating the ‘ancient’ way of life, in which music played a crucial role, was revived.

2925 To Pietro Bembo.

1941 ◽  
pp. 379-379
Author(s):  
Desiderius Erasmus Roterodamus
Keyword(s):  
Pietro Bembo

Propertius, Ovid and two latin poems of Pietro Bembo

1995 ◽  
Vol 1 (4) ◽  
pp. 48-62
Author(s):  
John N. Grant
Keyword(s):  
Pietro Bembo

Vittoria Colonna

2013 ◽  
Author(s):  
Abigail Brundin
Keyword(s):  
Women Writers ◽  
16Th Century ◽  
Religion And Literature ◽  
Michelangelo Buonarroti ◽  
Pietro Bembo ◽  
Vittoria Colonna ◽  
Literary Figure ◽  
Close Friendship ◽  
Successive Generations ◽  
High Level

Vittoria Colonna (b. 1490/2–d. 1547) made her name as the author of numerous lyric poems in the Petrarchan style in 16th-century Italy. Her poetry was widely published in printed editions in her lifetime and after, as well as being set to music by many composers. She was admired as an impeccable stylist who manipulated the sonnet form with considerable agility while also demonstrating the appropriate decorum and gravity. At the same time, especially in her later spiritual verses, Colonna pushed the genre in new, innovative directions that proved very influential for successive generations of poets. Although she always claimed to have no desire to see her work circulate beyond a close group of friends, Colonna’s reputation as a literary figure was considerable by the time of her death in 1547. She began composing poetry early in life, but her renown as a Petrarchist grew in the wake of her husband’s death in 1525, when mourning became the dominant theme in her lyrics. She was promoted by Pietro Bembo, who admired her style and seriousness, and she corresponded with many of the major literary figures of her day. Her involvement with the religious controversies of the 1530s and 1540s brought a decidedly evangelical flavor to much of her mature poetic production, and was also integral to her close friendship with Michelangelo Buonarroti. Notably, Colonna was the first secular woman to achieve a high level of literary status in Italy for vernacular production, and her example opened the way for subsequent women writers to publish in all manner of genres. In this she was greatly aided both by her aristocratic status and by her widowhood, which conferred on her a degree of independence and wealth that allowed her the space to write. She resisted a second marriage and devoted her later years to religion and literature, producing some of her most striking spiritual poetry in the years before her death. She also wrote a number of prose meditations, expressing a female perspective on the reformed faith that so influenced her.

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