Remapping the Crime Novel in the Francophone Caribbean: The Case of Patrick Chamoiseau's Solibo Magnifique

PMLA ◽  
2007 ◽  
Vol 122 (5) ◽  
pp. 1431-1446 ◽  
Author(s):  
Wendy Knepper
Keyword(s):  
Police Officer ◽  
Comic Book ◽  
Film Noir ◽  
Detective Novel ◽  
Testing Ground ◽  
Private Investigator ◽  
Crime Novel ◽  
History Of ◽  
The Caribbean ◽  
Point Of Departure

Shaped by a history of mobilities, displacements, and creolizing processes, the Caribbean is a significant testing ground for theories concerning the circulation and remapping of genre. Taking Patrick Chamoiseau's theory of generic wandering as my point of departure, I argue that his Solibo Magnifique exemplifies the principle of generic creolization. This is evident in the novel's intermixing of the detective novel, film noir, the spaghetti western, the comic book, the hard-boiled crime novel, and creole storytelling techniques. By manipulating the conventions by which the classical detective, the hard-boiled police officer, and the private investigator are characterized, Chamoiseau's narrative turns from an investigation into one man's death to an interrogation of Martinique, its history and the workings of its neocolonial psyche. Through the example of Solibo Magnifique and its radiating influence on other postcolonial crime writers, I conclude that this principle of creative creolization is increasingly relevant to understanding a world in which genre's radiating and rhizomic web of mobilities involves local and global confluences.

Light and Sensitivity: Love in the Time of the Daguerreotype

2015 ◽  
Author(s):  
Katarzyna Czeczot
Keyword(s):  
Male Gaze ◽  
History Of Photography ◽  
Sensitive Material ◽  
History Of ◽  
The Subject ◽  
Definition Of ◽  
Relationship Of ◽  
Point Of Departure ◽  
Passive Object

The article deals with the love of Zygmunt Krasiński to Delfina Potocka. The point of departure is the poet's definition of love as looking and reads Krasiński's relationship with his beloved in the context of two phenomena that fascinated him at the time: daguerreotype and magnetism. The invention of the daguerreotype in which the history of photography and spiritism comes together becomes a pretext for the formulation of a new concept of love and the loving subject. In the era of painting the woman was treated as a passive object of the male gaze; photography reverses this scheme of power. Love ceases to be a static relationship of the subject in love and the passive object – the beloved. The philosophy of developing photographs (and invoking phantoms) allows Krasiński - the writing subject to become like a light-sensitive material that reveals the image of the beloved.

White Zombie as Captivity Narrative and the Death of Certainty

2020 ◽  
Vol 2 ◽  
pp. 19-25
Author(s):  
Mark C Anderson
Keyword(s):  
American Indians ◽  
American Slavery ◽  
Captivity Narrative ◽  
Early American ◽  
Arts And Culture ◽  
History Of ◽  
American Black ◽  
The Caribbean ◽  
American Society ◽  
Black Other

Horror films such as White Zombie (1932) reveal viewers to themselves by narrating in the currency of audience anxiety. Such movies evoke fright because they recapitulate fear and trauma that audiences have already internalized or continue to experience, even if they are not aware of it. White Zombie’s particular tack conjures up an updated captivity narrative wherein a virginal white damsel is abducted by a savage Other. The shell of the captivity story, of course, is as old as America. In its earliest incarnation it featured American Indians in the role as savage Other, fiendishly imagined as having been desperate to get their clutches on white females and all that hey symbolized. In this way, it generated much of the emotional heat stoking Manifest Destiny, that is, American imperial conquest both of the continent and then, later, as in the case of Haiti, of the Caribbean Basin. White Zombie must of course be understood in the context of the American invasion and occupation of Haiti (1915-1934). As it revisits the terrain inhabited by the American black Other, it also speaks to the history of American slavery. The Other here is African-American, not surprisingly given the date and nature of American society of the day, typically imagined in wildly pejorative fashion in early American arts and culture. This essay explores White Zombie as a modified captivity narrative, pace Last of the Mohicans through John Ford’s The Searchers (1956), the Rambo trilogy (1982, 1985, 1988), the Taken trilogy (2008, 1012, 2014), even Mario and Luigi’s efforts to rescue Princess Peach from Bowser.

Between History and Nature

2017 ◽  
Author(s):  
Anik Waldow
Keyword(s):  
Eighteenth Century ◽  
History Of Science ◽  
Philosophy Of History ◽  
Literary Translation ◽  
Scientific Models ◽  
Human Sciences ◽  
Hermeneutic Philosophy ◽  
History Of ◽  
Point Of Departure ◽  
The Way

From within the philosophy of history and history of science alike, attention has been paid to Herder’s naturalist commitment and especially to the way in which his interest in medicine, anatomy, and biology facilitates philosophically significant notions of force, organism, and life. As such, Herder’s contribution is taken to be part of a wider eighteenth-century effort to move beyond Newtonian mechanism and the scientific models to which it gives rise. In this scholarship, Herder’s hermeneutic philosophy—as it grows out of his engagement with poetry, drama, and both literary translation and literary documentation projects—has received less attention. Taking as its point of departure Herder’s early work, this chapter proposes that, in his work on literature, Herder formulates an anthropologically sensitive approach to the human sciences that has still not received the attention it deserves.

scholarly journals Pleistocene aridification underlies the evolutionary history of the Caribbean endemic, insular, giant Consolea (Opuntioideae)

2021 ◽  
Vol 108 (2) ◽  
pp. 200-215 ◽  
Author(s):  
Lucas C. Majure ◽  
Duniel Barrios ◽  
Edgardo Díaz ◽  
Bethany A. Zumwalde ◽  
Weston Testo ◽  
...  
Keyword(s):  
Evolutionary History ◽  
History Of ◽  
The Caribbean

HURRICANES, CROPS, AND CAPITAL: THE METEOROLOGICAL INFRASTRUCTURE OF AMERICAN EMPIRE IN THE WEST INDIES

2016 ◽  
Vol 15 (4) ◽  
pp. 418-445 ◽  
Author(s):  
Jamie L. Pietruska
Keyword(s):  
West Indian ◽  
The United States ◽  
American Empire ◽  
The West ◽  
Knowledge Infrastructure ◽  
Military Security ◽  
Symbolic Extension ◽  
History Of ◽  
The Caribbean ◽  
Weather Service

This article examines the mutually reinforcing imperatives of government science, capitalism, and American empire through a history of the U.S. Weather Bureau's West Indian weather service at the turn of the twentieth century. The original impetus for expanding American meteorological infrastructure into the Caribbean in 1898 was to protect naval vessels from hurricanes, but what began as a measure of military security became, within a year, an instrument of economic expansion that extracted climatological data and produced agricultural reports for American investors. This article argues that the West Indian weather service was a project of imperial meteorology that sought to impose a rational scientific and bureaucratic order on a region that American officials considered racially and culturally inferior, yet relied on the labor of local observers and Cuban meteorological experts in order to do so. Weather reporting networks are examined as a material and symbolic extension of American technoscientific power into the Caribbean and as a knowledge infrastructure that linked the production of agricultural commodities in Cuba and Puerto Rico to the world of commodity exchange in the United States.

From Columbus to Castro: The History of the Caribbean, 1492-1969

1972 ◽  
Vol 77 (4) ◽  
pp. 1185
Author(s):  
Robert E. McNicoll ◽  
Eric Williams
Keyword(s):  
History Of ◽  
The Caribbean

Romancing the Stone: Academe’s Illusive Template for African Diaspora Studies

1996 ◽  
Vol 24 (2) ◽  
pp. 38-39
Author(s):  
Melina Pappademos
Keyword(s):  
Latin America ◽  
African Diaspora ◽  
Graduate School ◽  
Diaspora Studies ◽  
North Americans ◽  
History Of ◽  
America South ◽  
Research Plan ◽  
The Caribbean

I began graduate school in 1994 to study the history of American peoples of African descent; I saw important similarities between their cultures and their resistance struggles and sought to develop a comparative project. However, as I began casting my long term research plan— which was to compare Afro-Cubans and Afro-North Americans—I discovered and uncovered many stumbling blocks. The primary one was that academe grouped African descended people by their European and colonially derived relationships (ex: North America, Latin America, South America, and the Caribbean) and not by their Black derived positions. I may have been naive but this seemed problematic to me.

Sugar and Society in the Caribbean: An Economic History of Cuban Agriculture

1965 ◽  
Vol 41 (2) ◽  
pp. 387-387
Author(s):  
Geoffrey Seed
Keyword(s):  
Economic History ◽  
History Of ◽  
The Caribbean
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