Broadcasting Nature Poetry: Una Marson and the BBC's Overseas Service

PMLA ◽  
2018 ◽  
Vol 133 (3) ◽  
pp. 575-593 ◽  
Author(s):  
Julie Cyzewski

Although the nature poems of the Jamaican writer Una Marson are usually set against her transnational projects, they are inextricable from the cosmopolitan vision described in her radio broadcasts and journalism. Studies of transnational modernism have brought to the fore Marson's participation in pan- Africanist political and literary networks, her poems' mediation of the black West Indian woman's experience, and her work promoting West Indian literature in the metropolitan institution of the BBC. Analyses of Marson as a transnational igure, however, have obscured aspects of her literary production—speciically, her nature poetry. Placing Marson's West Indian nature poetry that was broadcast by the BBC in the context of the original programs reveals the efects of moving from print publication to radio broadcast. And, along with her editorials for the Jamaican literary magazine The Cosmopolitan (1928–31), Marson's BBC broadcasts (1939–45) make the case for the ongoing relevance of the pastoral tradition to public life.

1998 ◽  
Vol 72 (2) ◽  
pp. 436
Author(s):  
Harold A. Waters ◽  
Silvio Torres-Saillant

Author(s):  
Renuka Laxminarayan Roy ◽  

Indo-Caribbean literature opens a new vista of study of successful female poets and writers who have contested a literary space for themselves in the arena of West Indian literary discourse. These female writers have boldly denounced any legacy of Eurocentric literature and established their independent school of writing. The emancipation from ‘colonial possessiveness’, (July,1993, p. 80) (a term used by Ramabai Espinet in her writing) and a frantic effort to find new roots in the land of exile are the unique features of Indo-Caribbean literature. A rich cultural heritage, ancestral art, exotic cuisine, customs and costumes are the marks of exclusive oriental culture that is distinctly imprinted in their literature. Indo-Guyanese poetess, Mahadai Das (1954-2003), a prolific poetess of South- Asian descent in her collection of poetry I want to be a Poetess of my People (1977) presents an unparalleled account of the Guyanese people’s journey from immigration to independence. The episodes of violence, mutilation and physical abuse gave Indo-Caribbean female writers a new ability to articulate their woes of immigration and annihilation. The images like sailing back to India, the torments of indentureship and exile as well as racial and political turmoil in the land are interwoven together to form the prime content of their work. These female writers battle the fear of female authorship, since their voice had been long suppressed owing to the monopoly of male literary artists in the mainstream West Indian literature. The present paper proposes to study the theme of alienation and marginality as reflected in the selected verses of Indo-Guyanese writer Mahadai Das.


1983 ◽  
Vol 13 ◽  
pp. 361
Author(s):  
J. A. Ramsaran ◽  
Bruce King

2013 ◽  
Vol 10 (2) ◽  
pp. 9
Author(s):  
Mervyn Morris

Author(s):  
Richard Fox

Abstract The collapse of the New Order ushered in what many had hoped would be a new era of openness and transparency for Indonesia. The loosening of laws pertaining to broadcast and print publication gave rise to a proliferation of new media and cultural production. This had a profound effect on everything, from politics, religion, and the economy to popular conceptions of romantic intimacy and personal accomplishment. The question is whether prevailing approaches to media and popular culture are adequate to the task of accounting for these oft-cited transformations in Indonesian public life. Focusing on issues of piety, class, and romance, this article examines a sequence of films, pop songs, and YouTube parody videos to offer a presuppositional critique of the current scholarship. Its central contention is that closer attention to pop culture as a form of ‘argument’ offers an important corrective to the reifying tendencies of prevailing approaches.


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