How was the Opera ≪1945≫ Composed?: An Interpretation of the Opera Composition Technique and the Direction of Music by Uzong Choe

2020 ◽  
Vol 27 (2) ◽  
pp. 97-132
Author(s):  
Jiyoung Kang
Keyword(s):  
Composition Technique

Review of Ballad Composition Technique Focusing on in 2017

2020 ◽  
Vol 42 (10) ◽  
pp. 391-414
Author(s):  
Yunjae Son ◽  
Inho Lee
Keyword(s):  
Composition Technique

scholarly journals Analisis Komposisi Soundtrack Epic “You See Big Girl” Karya Hiroyuki Sawano dalam Serial Animasi Attack on Titan

2020 ◽  
Vol 3 (2) ◽  
pp. 73
Author(s):  
Metta Muliani
Keyword(s):  
Research Methods ◽  
Film Industry ◽  
Musical Composition ◽  
Literature Study ◽  
Descriptive Research ◽  
Qualitative Descriptive ◽  
Battle Scene ◽  
Composition Technique

Action-fantasy are some movie genres that has the most expansive franchises in film industry and tend to use cinematic music to correlate the atmosphere and emotions of the movie’s imaginary universe. The analysis of You See Big Girlis due to its majestic cinematic music arrangement, its suitability in accompanying the battle scene, and also can be enjoyed as an independent track despite of its role in accompanying the scene. This qualitative descriptive research aims to analyze the musical composition technique by describing the epic musical element. This research contains of literature study, discography, and observation as the research methods, along with the approach of Lehman and Derrick Werlé’sexamine on epic music to analyze the epic element. The result shows that the You See Big Girl is one of the various epic music with the use of battle and war instrument, as well as tension built gradually from a section to the following by the use of polyrhythm, marcato accent, big crescendo, sequence, sudden silence to ends the musical phrase, ostinato, and abstract theme, to portray a majestic, vibrant, war and battle scene, and the greatness through the music. Keywords: analysis, composition, animation, epic soundtrack, You See Big Girl 

Scatter removal using modified air gap method: spectral composition technique

1993 ◽  
Author(s):  
Hisashi Yonekawa ◽  
Keh-Shih Chuang ◽  
Ricky K. Taira ◽  
H. K. Huang
Keyword(s):  
Spectral Composition ◽  
Air Gap ◽  
Composition Technique

Genre-communicative specificity of V.M. Shukshin’s works: compositional and syntactic aspect

2021 ◽  
pp. 58-64
Author(s):  
Irina A. Martianova ◽  
Keyword(s):  
Visual Field ◽  
Goal Setting ◽  
Deep Understanding ◽  
Non Union ◽  
Art Forms ◽  
Composition Technique

The paper offers a look at the specifics of genres in the literary V.M. Shukshin’s works. The patterns of scenario transformation of his cinematic prose are analyzed. An original or secondary tales are set in the center of his genre system. They were created mainly for semiotic translation. The tales for theater and cinema reveal the syncretism of these art forms. The stories were the primary texts for the secondary scripts-tales. The main feature of their scenario transformation is the increase in its volume. It’s not so much due to the introduction of new episodes, but rather due to a change in the volume-pragmatic division, compositional and syntactic focusing of the perceptual visual field, and variation of the image plans. The main feature of the novel’s scenario transformation is the reduction of its volume. It’s due to the elimination of optional text fragments and statements and the diverse montage-driven composition technique. Shukshin’s work on scenario self-interpretation of prose was carried out not only at the macrotext level, but also at the statement’s microcomposition. It was associated with the change in their punctuation-graphic arrangement, with the choice of union or non-union syntactic connection and the means of its expression. The genre-communicative specificity of Shukshin’s works was motivated by his goal setting for their semiotic translation for theater or cinema, his deep understanding of the screenplay as a new kind of literature.

Probing the effect of humic acid on the nucleation and growth kinetics of struvite by constant composition technique

2019 ◽  
Vol 378 ◽  
pp. 122130 ◽  
Author(s):  
Lin Wei ◽  
Tianqiu Hong ◽  
Kangping Cui ◽  
Tianhu Chen ◽  
Yuefei Zhou ◽  
...  
Keyword(s):  
Humic Acid ◽  
Growth Kinetics ◽  
Nucleation And Growth ◽  
Constant Composition ◽  
Kinetics Of ◽  
Composition Technique

scholarly journals A Two-level Calculus for Composing Hybrid QVT Transformations

2010 ◽  
Vol 13 (1) ◽  
Author(s):  
Claudia Pons ◽  
Roxana Giandini ◽  
Gabriela Pérez ◽  
Gabriel Baum
Keyword(s):  
Hybrid Approach ◽  
Software Tool ◽  
The Other ◽  
Model Transformations ◽  
Other Hand ◽  
Transformation Approach ◽  
Compositional Approaches ◽  
Composition Technique

The standard for model transformations QVT offers two dialects: Relations Language andOperational Mappings Language. Each one of these dialects can be used in isolation, resulting inpurely declarative transformations or purely imperative transformation respectively; alternatively, bothdialects can be combined resulting in a hybrid transformation approach. On the other hand, theavailability of compositional approaches to produce complex transformations from smaller units is amajor concern in the area of model transformations. Compositional approaches for pure QVTtransformations are supported by a number of tools; however no composition technique exists that canconsistently manage the hybrid approach. Such partial techniques provide suitable answers to mostpractical needs; but they do not cover the entire composition spectrum. The aim of this article is todescribe a technique for composing model transformations embracing both dimensions - declarativeand imperative - so that the hybrid approach can be smoothly supported. Additionally, we report theimplementation of a software tool supporting such technique and we sketch its validation.

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