Questions and Answers: The Information Content of the Post-FOMC Meeting Press Conference

FEDS Notes ◽  
2021 ◽  
Vol 2021 (2997) ◽  
Author(s):  
De Pooter Michiel ◽  
Keyword(s):  
Private Sector ◽  
Information Content ◽  
Federal Reserve ◽  
Recent Survey ◽  
Press Conference ◽  
Communication Tools ◽  
The Press ◽  
Questions And Answers

Since 2011, the Chair of the Federal Reserve has held post-FOMC meeting press conferences. In a recent survey by the Hutchins Center at Brookings, which canvassed Federal Reserve watchers in academia and the private sector, respondents indicated that they view these live press conferences as the most useful of the Federal Reserve's communication tools, with more than 80 percent of respondents rating the press conferences as "useful" or "extremely useful."

The Press Conference

2017 ◽  
Author(s):  
Emmanuel David
Keyword(s):  
Material Object ◽  
Press Conference ◽  
The Press

This chapter discusses Women of the Storm’s press conference in Washington on January 30, 2006. It describes the women’s performative actions and symbolism, including their use of “blue-tarp umbrellas,” a prop suggested by member Beverly Church that the group hoped would be a disarming, inviting form of activism. The chapter continues by discussing the prepared remarks at the press conference by Anne Milling, Cheryl Teamer, and Mary Landrieu. The chapter also examines how diversity efforts figured into the group’s public presentation of itself and how the invitation was a central discursive and material object in the group’s activities.

The press conference

2020 ◽  
pp. 216-236
Author(s):  
Joe Favorito
Keyword(s):  
Press Conference ◽  
The Press

Infinite Now by Chaya Czernowin, Vlaamse Opera, Ghent, Belgium

Tempo ◽  
2017 ◽  
Vol 71 (282) ◽  
pp. 81-82
Author(s):  
Stephanie Jones
Keyword(s):  
Press Conference ◽  
The Press ◽  
The World ◽  
Set Up ◽  
World Premiere ◽  
The Doors

On the evening of 18 April 2017, the world premiere of Chaya Czernowin's highly anticipated new opera, Infinite Now, was performed at Vlaamse Opera Ghent, Belgium. The ambience of the venue was buzzing, highly charged, electrical – a visceral state that seemed contextually appropriate for the lengthy 2.5-hour experience (without intermission) ahead. Programmed as part of the Opera Ballet Vlaanderen 2016–17 ‘Borderline’ series, the set-up and contour of the pre-concert events became eerily symbolic: a large, grandiose, guarded door separated the rooms holding the press conference and pre-concert lecture, through which the composer would eventually pass toward the latter to conclude: ‘[t]he power to continue, that is what [the opera] is all about. It is not the power to be happy or to be sad. … It is much more morass, elemental and existential. The power to continue’. In an instant, the strong ring of emergency sirens then happened to pierce and penetrate from the world beyond – a rather poignant signal to declare the doors to the first performance officially open.

scholarly journals Berlinale 2000 Report

2000 ◽  
Author(s):  
Ron Holloway
Keyword(s):  
Federal Republic ◽  
Press Conference ◽  
Federal Republic Of Germany ◽  
French Film ◽  
Kenneth Branagh ◽  
The Press ◽  
History Of ◽  
Potsdamer Platz ◽  
First Time ◽  
International Festival

BERLINALE 2000 AT FIFTY FOR the first time in the history of the festival, the 50th Berlinale (9-20 February 2000) was opened by the President of the Federal Republic of Germany, Johannes Rau. German Chancellor Gerhard Schroeder joined Berlin Mayor Eberhard Diepgen at the grand inauguration of the new festival location cum headquarters on the Potsdamer Platz. Cultural Minister Michael Naumann presented Jeanne Moreau with an honorary Golden Bear and chatted with her about co-founding a new German-French Film Academy. L'Oréal sponsored the VIP lounge. The party for Danny "Trainspotting" Boyle's screen adaptation of Alex Garland's The Beach (UK-USA), starring Leonardo DiCaprio, was voted the festival's most lavish and exotic. Kenneth Branagh enlivened the press conference for his Love Labour's Lost (UK) with a droll quote: "Shakespeare has been an excellent meal ticket!" MPAA's Marc Spiegel reminisced how the Berlinale became a major international festival event a half-century ago....

scholarly journals Journalist of Print Mass Media in Medan Study: Journalism, Print Media of Newspaper Journalistic and Organizational Structure of Print Media

2019 ◽  
Vol 1 (2) ◽  
pp. 85-92
Author(s):  
M. Yoserizal Saragih
Keyword(s):  
Mass Media ◽  
Organizational Structure ◽  
Public Space ◽  
Print Media ◽  
Entertainment Education ◽  
Communication Tools ◽  
The Public ◽  
Complete Problem ◽  
Work Area ◽  
The Press

The aim of this study is to determine the journalist of print mass media in Medan. This study is about journalism, print media of newspaper journalistic and organizational structure of print media. The work area of ​​journalists in Medan is public space, an area that is worthy of being known by the public or the public. Therefore, journalists are required to have the ability to reveal and inform a complete problem by upholding the values ​​of truth and justice and must be able to make themselves half diplomats, half detectives. This means that journalists must have skilled diplomacy skills, even though the way they work is similar to detectives. Mass media journalism is a tool used to convey messages from sources to the public using mechanical communication tools, such as newspapers, radio, television, films and so on. And in this case the mass media being referred to is print mass media. That newspapers are sheets published by the press which contain news, essays, writings, advertisements, and other journalistic products that are printed periodically, circulated, and sold in general, which function as social control tools that provide information both entertainment education and another thing for the community.

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