Research on create a cultural space and urban regeneration utilizing Waterfront space - Centered to Jeonju A-jung reservoir Waterfront space design -

2013 ◽  
Vol 13 (1) ◽  
pp. 383-392
Author(s):  
김민호 ◽  
SungWhan Chung
2020 ◽  
Vol 44 (1) ◽  
pp. 32-43
Author(s):  
Charlie Qiuli Xue ◽  
Cong Sun ◽  
Lujia Zhang

Following the rapid pace of urbanisation, Chinese cities have launched a new wave of large-scale infrastructure, including cultural building construction. From 1998 to 2015, more than 360 grand theaters were built together with libraries, museums and children’s palaces. The number of newly built theaters may have been more than the total sum built in Europe over the past 70 years. Through case studies of theaters built in Shanghai, this paper penetrates the phenomenon of the “heat of cultural buildings” and discovers the history, intentions and effects of these theaters on Chinese cities. Following on-site investigation of the city and theaters, the materials of theater building in China are presented. Theaters of various types are discussed in the framework of urban space, design language and consumerist culture. The authors find that the rapid growth of cultural facilities epitomises the ambition and strong implementation of Chinese (and Asian) governments in the wave of urbanisation and globalization.


Author(s):  
Admink Admink ◽  
Катерина Юдова-Романова

Досліджено сценічний простір як універсалію художньої культури у контексті поняттєвого апарату сучасного мистецтвознавства. З метою концептуалізації поняття сценічного простору здійснено аналіз його гносеологічного інструментарію, зокрема: культурний простір, простір культури, художній простір, театральний простір, простір театру, простір сцени, ігрова діяльність, дизайн сценічного простору, сценографія, а також поняття «театральність» та «сценічність». У підсумку визначено, що сценічний простір – це певна існуюча в просторі і часі локація, в межах якої відбувається процес створення та сприйняття глядачем твору сценічного мистецтва. Stage space as a universal of artistic culture in the context of the conceptual apparatus of contemporary art criticism is investigated. In order to conceptualize the notion of stage space, an analysis of its epistemological instruments was carried out, in particular: cultural space, space of culture, artistic space, theater space, theater space, stage space, play activities, stage space design, set design, and the notion of theatricality. As a result, it is determined that the stage space is a certain location in space and time within which the process of creation and perception by the viewer of a work of performing art takes place.


1995 ◽  
Vol 10 (3) ◽  
pp. 261-270 ◽  
Author(s):  
Nick Oatley
Keyword(s):  

TERRITORIO ◽  
2020 ◽  
pp. 148-163
Author(s):  
Luca Fondacci

In the 1970s, the fragile historical centre of the city of Perugia was a key area where the binomial of sustainable mobility and urban regeneration was developed and applied. At the turn of the xxi century, the low carbon automatic people-mover Minimetrò broadened that application from the city's historical centre to the outskirts, promoting the enhancement of several urban environments. This paper is the outcome of an investigation of original sources, field surveys and direct interviews, which addresses the Minimetrò as the backbone of a wide regeneration process which has had a considerable impact on the economic development of a peripheral area of the city which was previously devoid of any clear urban sense. The conclusion proposes some solutions to improve the nature of the Minimetrò as an experimental alternative means of transport.


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