scholarly journals Knowledge Production Methods in Human Rights Research: Constraints and Opportunities for the Promotion of an Interdisciplinary Approach

2019 ◽  
pp. 75-98
Author(s):  
Cristina De la Cruz-Ayuso

This article asks about the current modes of production in human rights research and how they are (or may be) determined by the structures where that knowledge is generated. These questions will be answered by looking at the results of a preliminary study on the reception and subsequent institutionalisation of studies on human rights in stable structures that are dedicated to their research, training and dissemination in Spanish universities. The starting hypothesis is that this institutionalisation causes conceptual, epistemological and methodological biases in the rationales for knowledge construction in the field of human rights that determine and hinder the interdisciplinary approach demanded by its study. Interdisciplinarity has become a dominant aspect of human rights research. The question about how this feature is articulated and who articulates it in the academic institutional framework is pertinent in a field of knowledge that cannot avoid asymmetries in the production and circulation of knowledge. The results show that human rights research has been mainly institutionalised in stable university structures in Spain within the field of legal sciences, with a clear predominance of the area of the Philosophy of Law. It can be concluded that this has been conditioned by the reception and subsequent development of the study of human rights in Spain. While it has been found that the line developed by these centres and research groups has been consolidated and recognised, it can also be confirmed that their modes of knowledge production do not match the rationale of interdisciplinary research. These limitations are not just endogenous. There are some features of Spanish institutional R&D&i culture that make interdisciplinary research on human rights difficult.

Muzikologija ◽  
2014 ◽  
pp. 245-258
Author(s):  
Mirjana Zakic

The pioneering efforts of Ljubica (1894-1974) and Danica (1898-1960) Jankovic consisted of their systematic research and collecting of traditional dance practice (folk dances), the methodological transcription, analysis and systematizing of dances, as well as the theoretical interpretations of numerous aspects of traditional dance. Their work resulted in the establishment of Serbian ethnochoreology in the first half of the twentieth century. As the extent of their activity in terms of transcribing musical material in the form of the accompaniment to folk dances has not yet been fully grasped by ethnomusicologists so far, the goal of this paper is to present the results and to stress the contributions of Danica and Ljubica Jankovic to the processes of the foundation and subsequent development of ethnomusicology in Serbia. These contributions are to be seen in eight public volumes of Folk Dances (1934-1964), whose methodological frame follows several important empirical and theoretical scientific approaches: firstly, analytical descriptive methodology of research, based on intense fieldwork (resulting in 800 transcribed dances and melodies from former Yugoslavia); secondly, excellent acquaintance with international trends in the field of ethno-musicology, as well as with concepts of research concerning Serbian folk culture; lastly, their inter-textual and interdisciplinary approach that essentially looks for correlates between dance, music and the context of performance. In this paper I shall elaborate in detail on the comments and significant interpretations of vocal and instrumental melodies that accompany folk dances made by the Jankovic sisters. These comments refer to stylistic and genre characteristics, melodic and metro-rhythmic attributes, the features of rural and urban melodies, the local characteristics of songs and instruments, changes in the diachronic flow, and to the characteristic relations of choreological and musical structural elements.


Author(s):  
Aryeh Neier

This chapter talks about how, despite the Human Rights Watch becoming one of the two most important institutions for the protection of human rights worldwide, its beginnings in the late 1970s did not seem to foreshadow its subsequent development. The organization is an outgrowth of the efforts of a handful of people to address one particular human rights problem of the era. They did not plan in advance its expansion to address a full range of issues worldwide. Nor did they begin with the intent to adopt the modus operandi that soon came to define the organization's character. Those developments were, to a large extent, accidents of history.


Author(s):  
Lydia Lyashenko

The purpose of the article is to prove the expediency and scientific, methodological, conceptual, and categorical potential of Cultural studies as a science that may offer an updated perspective for the study of the problem of aesthetic values. Methodology. Methods of scientific analysis, comparison, and generalization during the elaboration of the source base and the method of systematization are used to determine the traditional and innovative directions of research of the problem of aesthetic values. Scientific novelty. The article considers the interdisciplinary and generalizing potential of Cultural studies on the example of the problem of study aesthetic values. The existing tendency to move the analysis of problems of humanities from separate sciences to the plane of interdisciplinary is emphasized. It was accented on the novelty and relevance of such interdisciplinary research within Cultural studies. Conclusions. The approach of Cultural studies offers an increase in the scale of generalization from aesthetic to actually global, which combines the experience of studying scientific problems in the traditional and extended areas. Given the fact that on the one hand, all material and spiritual values which surround man were born from culture, because culture is the cumulative result of productive human activity, and, on the other hand, culture absorbs them, being phenomenon generalized, interdisciplinary approach of Cultural studies is able to suggest an updated perspective on this problem on the border of traditional and non-traditional sciences and through the improvement of its conceptual and categorical apparatus to offer new ways to study.


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