scholarly journals Still searching for the pineal gland? Reading the Ricoeur-Changeux debate in terms of Meillassoux’s critique of correlationism

2018 ◽  
Vol 4 (2) ◽  
Author(s):  
Jaco Kruger

The spectacular advance in neurobiology and neuroscience in general ensures that the question of the relation between the brain and the mind remains actual. The dialogue between philosopher Paul Ricoeur and neuro-biologist Jean-Pierre Changeux that took place around 1998 remains an important contribution in this regard, primarily due to the interdisciplinary character of the conversation. This article attempts an interpretation of both Ricoeur’s and Changeux’s positions in their dialogue using the interpretive lens provided by Quentin Meillassoux’s notion of correlationism. It is argued that such an interpretation highlights the similarities between Ricoeur’s and Changeux’s positions that might not otherwise be apparent, and also calls for a broadening of the terms of reference of the dialogue beyond those accepted by both Ricoeur and Changeux. The article subsequently investigates what a broadening of the terms of reference of the approach to the mind-brain problem might entail in terms of Meillassoux’s anti-correlationism, but rejects this approach in favour of what might be called hyper-correlationism.

Author(s):  
Jesse Matz

Orlando and other texts express Woolf’s interest in subjective ‘time in the mind’, an interest she shared with other modernists who challenged chronological norms, but Woolf explored other forms of time as well. Some align her work with the theories of Henri Bergson, Mikhail Bakhtin, and Mary Sturt, and this variety—the way Woolf developed forms of time across her career as a writer—tracks with the phenomenological hermeneutics of Paul Ricoeur. His Time and Narrative explains the dialectical pattern according to which Woolf perpetually found new ways for time and narrative to shape each other, culminating in novels that thematize this reciprocal relationship between the art of narrative and possibilities for temporal engagement. Woolf’s early fiction breaks with linear chronology, starting a series of virtuoso performances of temporal poiesis.


MELINTAS ◽  
2015 ◽  
Vol 31 (2) ◽  
pp. 154
Author(s):  
Yogie Pranowo

<p>This paper presents an attempt of a philosophical exploration using Paul Ricoeur’s theory of text interpretation on Samuel Beckett’s <em>Waiting for Godot</em>. When viewed in a glance, <em>Waiting for Godot</em> does not appear much as a conceptual drama. It talks about so many things, ranging from things that sound trivial to things that smell theological. However, if one delves deeper through different interpretation, this drama is indeed intricate enough to provoke fresh insights. Its complexity is reinterpreted here insofar this drama is imagined within the genre of absurd drama. According to Ricoeur, one of the goals of interpretation is not only to understand the mind of the author behind the text, but the text itself with its circulating meanings around its interpretation, that is, within its interpretative world. The text gives rise to things for the understanding of the reader or interpreter. In the light of Ricoeur’s hermeneutics, this article attempts to reread some of the depths of <em>Waiting for Godot</em>. It is not so much of interpreting the intention of Samuel Beckett in writing the text as searching for different meanings in some parts of the dialogues in the text by way of engaging in its eventful discourse.</p>


Author(s):  
Christopher Watkin

The transition from Badiou and Meillassoux to Malabou leads us away from thinking the human in terms of a ‘host capacity’ and proposes instead a ‘host substance’: the brain. The first half of this chapter argues that Malabou manages to avoid a host capacity account of the human by developing a notion of plasticity not as a uniquely human trait but as the possible transformation of all traits. This position harbours an irreducible ambiguity, however, between an escape from the host capacity approach and its hyperbolisation, and so what Malabou offers us can be construed as nothing less than a host meta-capacity. The second half of the chapter explores Malabou’s determination to initiate a new plastic encounter between philosophy and neuroscience, eschewing both the ‘cognitivism’ of neuroscientist Jean-Pierre Changeux and the ‘Continental’ resistance to neuroscience of Paul Ricœur in order to elaborate her own ‘neuronal materialism’ in terms of ‘destructive plasticity’. In an attempt to develop this neuronal materialism in a way that avoids plasticity becoming one more defunct metaphor of the human, the chapter concludes by offering a reading of ‘the self’ in Malabou not as a metaphor but as a movement or tension of metaphoricity.


2004 ◽  
Vol 49 (6) ◽  
pp. 713-716
Author(s):  
Ellen S. Berscheid
Keyword(s):  
The Mind ◽  

PsycCRITIQUES ◽  
2016 ◽  
Vol 61 (32) ◽  
Author(s):  
Christopher A. Was
Keyword(s):  
The Mind ◽  

2010 ◽  
Vol 7 (2-3) ◽  
pp. 203-210
Author(s):  
Valdés Mario J.
Keyword(s):  

2013 ◽  
Vol 34 (109) ◽  
pp. 3
Author(s):  
Jorge Enrique González
Keyword(s):  

<p>Hace cien años nació en Valence (Francia) el filósofo Paul Ricoeur. Su obra ha sido objeto de variados análisis, y ha sido el origen de una gran cantidad de estudios filosóficos así como propios del ámbito las ciencias humanas y sociales contemporáneas. En estas breves líneas, se quiere rendir homenaje a uno de los pensadores más importantes del siglo XX y comienzos del XXI, destacando no solo su trabajo estrictamente filosófico, sino una peculiaridad de su trabajo que lo aproxima de manera decisiva a algunas de las disciplinas de las ciencias humanas y sociales.</p>


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