Social Reality of the Drug Problem: New York's Lower East Side

1971 ◽  
Vol 30 (4) ◽  
pp. 381-391
Author(s):  
Clayton Hartjen ◽  
Richard Quinney
Keyword(s):  
New York ◽  
Drug Addiction ◽  
Social Service ◽  
Community Control ◽  
Lower East Side ◽  
East Side ◽  
Drug Problem ◽  
Social Service Agencies ◽  
Reality Construction ◽  
Service Agencies

The scope and nature of social problems are frequently a creation of the various organizations and agencies established to deal with some aspect of community concern. The "educational" and other activities of these groups can be seen as attempts at reality construction. Regarding these efforts, this study examined the kind and effectiveness of drug addiction programs sponsored by social service agencies in New York City's Lower East Side and found them to be wanting. The absence of drug programs and the inability of these agencies to effectively carry out projects of this (and any other) kind appears to be a consequence of the funding structure and the existence of conflict between agencies. It is argued, however, that these agencies can serve as a principal base from which community control over and ultimately any just solution to the drug problem may be initiated.

scholarly journals Balancing Memory and Material at the Lower East Side Tenement Museum

2018 ◽  
Vol 12 (1) ◽  
pp. 14-29
Author(s):  
Gabrielle A. Berlinger
Keyword(s):  
New York ◽  
Material Culture ◽  
Social History ◽  
Ethnographic Study ◽  
Lower East Side ◽  
East Side ◽  
The Public ◽  
Intangible Heritage ◽  
Time Capsule ◽  
A Site

Abstract: Founded in a nationally landmarked apartment building on the ever-gentrifying Lower East Side of Manhattan, New York, the Lower East Side Tenement Museum is an historic site of immigrant social history and material culture. Constructed in 1864 and occupied by over 7,000 immigrants until its closing in 1935, this building has withstood constantly rising visitorship each year since its opening as a museum in 1988. With apartment spaces restored for the public to explore without roped-off restriction, this time capsule of domestic immigrant life requires continual maintenance to preserve its historic physical fabric. Through interviews with the Museum staff and the Preservation Advisory Committee (conservators, architectural historians, curators), as well as documentation of technical processes carried out in the preservation process, this ethnographic study investigates the questions and compromises that arise in the preservation of the tangible and intangible heritage contained within an historic structure in constant use. Which narratives are reconstructed through the Museum’s decisions to restore certain material features of the building while allowing others to decay? What are best practices for interpretation and preservation when a museum’s success results in the gradual destruction of its main artifact (the building) through use? This study explores the intersection of museum mission and practice, heritage construction, and historic preservation at a site both sustained and destroyed by its increasing success.

Building capacity in social service agencies to employ peer providers.

2010 ◽  
Vol 34 (2) ◽  
pp. 145-152 ◽  
Author(s):  
Lauren B. Gates ◽  
James M. Mandiberg ◽  
Sheila H. Akabas
Keyword(s):  
Social Service ◽  
Social Service Agencies ◽  
Building Capacity ◽  
Service Agencies

Rising from the Gutter

2020 ◽  
pp. 67-92
Author(s):  
Jean Lee Cole
Keyword(s):  
New York ◽  
Twentieth Century ◽  
American Literature ◽  
Comic Strip ◽  
Jewish American ◽  
Lower East Side ◽  
East Side ◽  
Jewish American Literature ◽  
Early Twentieth Century ◽  
English Speaking

This chapter shows how the early comic strip was developed and then came to influence comic fiction in the early twentieth century. As the editor of the New York Journal‘s comic supplement, Rudolph Block regularized the use of panels, repetitive storylines, and caricature, resulting in the multi-panel format that defines the comic-strip genre. Block’s role in the development of the comic strip has gone largely unrecognized; as a writer of Jewish American literature, Block has been forgotten. Using the pseudonym Bruno Lessing, Block published nearly a hundred stories between 1905 and 1920 in popular magazines. These humorous stories, full of rich dialect and accompanied by vibrant illustrations, translated the multiethnic culture of the Lower East Side for a mainstream, English-speaking audience. Block represented dialect and caricature as opportunities for negotiation and play, providing ways to display identity in multiple and shifting forms.

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