scholarly journals Chronotope of the First Scene of "Mertvykh dush" N.V. Gogol

2020 ◽  
Vol 7 (4) ◽  
pp. 16-29
Author(s):  
B.A. Kurkin ◽  
O.V. Murashkina
Keyword(s):  
Philosophical Hermeneutics ◽  
Opening Scene ◽  
Time Space ◽  
Dead Souls

The article is dedicated to analysis of the time- space (chronotope) of the opening scene of N.W. Gogol’s poem «Dead Souls». The Authors a using methods of philosophical hermeneutics and phenomenology in their research.

scholarly journals The time and the space (сhronotope) of Pushkin’s tragedy «Boris Godunov» and actual problems of communication

2018 ◽  
Vol 5 (3) ◽  
pp. 3-11
Author(s):  
B.A. Kurkin ◽  
O.V. Murashkina
Keyword(s):  
Philosophical Hermeneutics ◽  
Historical Events ◽  
Modern Times ◽  
Time Space ◽  
Boris Godunov

The article is dedicated to analysis of the time- space (chronotope) and genre of A.S. Pushkin’s «Boris Godunov». The Authors analysis the essense of the historical events not only four centuries old but repeat themselves throughout modern times. The Authors a using methods of philosophical hermeneutics and phenomenology in their research.

Time-Space Synesthesia: An Event-Related Brain Potential (ERP) Study

2007 ◽  
Author(s):  
Ursina Teuscher ◽  
David Brang ◽  
Lee Edwards ◽  
Marguerite McQuire ◽  
Vilayanur S. Ramachandran ◽  
...  
Keyword(s):  
Brain Potential ◽  
Time Space

Dead Souls — Comparing Dartmouth Atlas Benchmarks with CMS Outcomes Data

2009 ◽  
Vol 361 (22) ◽  
pp. e109 ◽  
Author(s):  
Michael L. Langberg ◽  
Jeanne T. Black
Keyword(s):  
Dead Souls

Gadamer com Platão e o conhecimento na hermenêutica filosófica

2019 ◽  
Vol 11 (2) ◽  
pp. 23-38
Author(s):  
Cristian Marques
Keyword(s):  
Sao Paulo ◽  
Harvard University ◽  
British Society ◽  
São Paulo ◽  
Empirical Knowledge ◽  
Philosophical Hermeneutics ◽  
Porto Alegre ◽  
Belo Horizonte ◽  
Hans Georg Gadamer ◽  
Shed Light

Resumo: O objetivo deste artigo é explicitar aspectos da interpretação de Gadamer à Carta Sétima de Platão que lancem luz sobre quais traços fundamentais são imprescindíveis a uma epistemologia que se ancore na hermenêutica filosófica. Merold Westphal propôs em um artigo que a hermenêutica filosófica poderia fornecer elementos para uma renovação da epistemologia analítica. O presente trabalho inscreve-se no interesse amplo de tratar sobre que implicações teriam para noção de conhecimento se a epistemologia seguisse o caminho apontado por Westphal. Para tanto, escolhemos um trabalho onde Hans Georg Gadamer, principal defensor da hermenêutica filosófica, explora uma interpretação fenomenológica de Platão em que identificamos elementos relevantes para pensar a noção de conhecimento dentro dessa chave de leitura. Hans-Georg Gadamer explora, sob a luz de sua concepção ontológico-hermenêutica, o texto da Carta Sétima, dando um entendimento renovado a alguns aspectos da obra platônica, bem como indicações a uma compreensão fenomenológica do conhecimento.  Palavras-chave: Teoria do Conhecimento. Gadamer. Platão. Carta Sétima. Hermenêutica.   Abstract: The aim of this article is to make explicit aspects of Gadamer 's interpretation of Plato's Seventh Letter that shed light on what fundamental traits are indispensable to an epistemology that is anchored in philosophical hermeneutics. Merold Westphal proposed in an article that philosophical hermeneutics could provide elements for a renewal of analytic epistemology. This paper is part of the broader interest of discussing what implications would have for the notion of knowledge if epistemology followed the path Westphal pointed out. For this, we chose a work where Hans Georg Gadamer, the main defender of philosophical hermeneutics, explores a phenomenological interpretation of Plato in which we identify relevant elements to think the notion of knowledge within this key of reading. Hans-Georg Gadamer explores, in the light of his ontological-hermeneutic conception, the text of the Seventh Letter, giving a renewed understanding to some aspects of the Platonic work, as well as indications to a phenomenological understanding of knowledge.  Keywords: Theory of Knowledge. Gadamer. Plato. Seventh Letter. Hermeneutics. REFERÊNCIASBONJOUR, L. The structure of empirical knowledge. Cambridge: Harvard University Press, 1985.GADAMER, H.-G. Dialektik ist nicht Sophistik. Theätet lernt das im Sophistes. In: Griechische Philosophie. t.3. Gesammelte Werke, Bd. 7. Tubingen: Mohr, 1985c [1990], pp.338-370._______. Dialektik und Sophistik im siebenten Platonischen Brief. In: Griechische Philosophie. t.2. Gesammelte Werke, Bd. 6. Tubingen: Mohr, 1985b [1964], pp.90-115._______. Die phänomenologische Bewegung. In: Neuere Philosophie, t. 1; Hegel, Husserl, Heidegger. Gesammelte Werke, Bd. 3. Tubingen: Mohr, 1987 [1963], pp.105-146._______. Hegel und Heidegger. In: Neuere Philosophie, t. 1; Hegel, Husserl, Heidegger. Gesammelte Werke, Bd. 3. Tubingen: Mohr, 1987 [1971], pp.87-101._______. Platos dialektische Ethik. In: Griechische Philosophie. t.1. Gesammelte Werke, Bd. 5. Tubingen: Mohr, 1985a [1931], pp.3-163._______. Platos dialektische Ethik - beim Wort genommen. In: Griechische Philosophie. t.3.  Gesammelte Werke, Bd. 7. Tubingen: Mohr, 1985c [1989], pp.121-127._______. Praktisches Wissen. In: Griechische Philosophie. t.1. Gesammelte Werke, Bd. 5. Tubingen: Mohr, 1985a [1930], pp.230-248._______. Wahrheit und Methode: Grundzüge einer philosophischen Hermeneutik. In: Hermeneutik I. Gesammelte Werke, Bd. 1. Tubingen: Mohr Siebeck, 1990 [1960].GRONDIN, J. Einführung zu Gadamer. Tübingen: Mohr Siebeck, 2000._______. Von Heidegger zu Gadamer: Unterwegs zur Hermeneutik. Darmstadt: Wissenschaftliche Buchgesellschaft – WBG, 2001.HEIDEGGER, M. Sein und Zeit. 19. Faksimile-Ausgabe der 1. Ausgabe. Tübingen: Verlag, 2006 [1927].PLATÃO. Opera Platonis. Recognovit brevique adnotatione critica instruxit Ioannes Burnet. Scriptorum Classicorum. Bibliotheca Oxoniensis, v.1-6. Oxford: Clarendoniano Typographeo, 1900.///RORTY, R. A filosofia e o espelho da natureza. Rio de Janeiro: Relume-Dumará, 1994.ROHDEN, L. Filosofa enquanto Fenomenologia e Hermenêutica à luz da Carta VII de Platão. In: BOMBASSARO, L. C.; DALBOSCO, C. A.; KUIAVA, E. A., (org.). Pensar Sensível. Festscrift ao prof. Jayme Paviani. Caxias do Sul, RS: Educs, 2011, pp. 87-104._______. Filosofando com Gadamer e Platão: movimentos, momentos e método[s] da dialética. Dissertatio, 36 (2012), pp. 105-130. Disponível em: <http://dx.doi.org/10.15210/dissertatio.v36i0.8660> (acessado em 09.08.2018)._______. Hermenêutica e[m] resposta ao elogio da verdadeira filosofia da Carta Sétima de Platão. In: Kriterion, Belo Horizonte, v. 54, 127 (2013), p. 25-42. Disponível em: <http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0100-512X2013000100002&lng=en&nrm=iso > (acessado em 17.09.2018)._______. Filosofar com Gadamer e Platão: hermenêutica filosófica a partir da Carta Sétima. 1. ed. São Paulo: Annablume, 2018.SMITH, P. C. H.-G. Gadamer’s Heideggerian Interpretation of Plato. In: Journal of the British Society for Phenomenology, Stockport, England, v. 12, 3 (1981), pp. 211–230. Disponível em: <https://doi.org/10.1080/00071773.1981.11007544> (acessado em 06.07.2018).VALENTIM, I. A Carta VII, o manifesto e a autobiografia política de Platão. In: Revista Opinião Filosófica, Porto Alegre, v. 3, 1 (2012), pp-60-72. Disponível em: <http://periodico.abavaresco.com.br/index.php/opiniaofilosofica/article/view/435> (acessado em 17.09.2018).WESTPHAL, M. A hermenêutica enquanto epistemologia. In: GRECO, J.; SOSA, E. (orgs.). Compêndio de Epistemologia. São Paulo: Loyola, 2008. pp. 645-676. 

Der fliegende Pfeil

2010 ◽  
Vol 55 (1) ◽  
pp. 69-89
Author(s):  
Katharina Münchberg
Keyword(s):  
Lyric Poetry ◽  
Modern Art ◽  
Sensory Perception ◽  
Spatial Change ◽  
Modern Age ◽  
Time Space

Die Kunst der Moderne, insbesondere die Lyrik, entwickelt eine eigene ästhetische Konzeption der Bewegung, die mit der klassischen Vorstellung der Bewegung als räumlicher Veränderung eines Körpers in der Zeit bricht. Baudelaires À une Passante, Rimbauds Bateauivre und Paul Valérys Le Cimetière marin sind drei paradigmatische Texte der französischen Moderne, in denen Bewegung als zeiträumliches Kontinuum reflektiert und in der Dynamik der Sprache materialisiert wird. Die moderne Kunst, so erweist sich, ist selbst Bewegung und stiftet Bewegung. Sie wird zu einer Kunst des Werdens, nicht der Substanz, zu einer Kunst der reinen sinnlichen Wahrnehmung, nicht des Begriffes, zu einer Kunst der diskontinuierlichen Erlebnisse, nicht der Erfahrung.<br><br>The art of the modern age, particularly the lyric poetry, develops an own aesthetic conception of the movement which breaks with the classic idea of the movement as a spatial change of a body in time. Baudelaires À une Passante, Rimbauds Bateau ivre and Paul Valérys Le Cimetière Marin are three paradigmatic texts of the French modern age, in which movement is reflected as a time-space-continuum and materialized in the dynamic of language. Modern art is itself movement and causes movement. It becomes an art of the development, not sub- stance, an art of pure sensory perception, not concept, an art of discontinuous adventures, not experience.

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