scholarly journals The time and the space (сhronotope) of Pushkin’s tragedy «Boris Godunov» and actual problems of communication

2018 ◽  
Vol 5 (3) ◽  
pp. 3-11
Author(s):  
B.A. Kurkin ◽  
O.V. Murashkina

The article is dedicated to analysis of the time- space (chronotope) and genre of A.S. Pushkin’s «Boris Godunov». The Authors analysis the essense of the historical events not only four centuries old but repeat themselves throughout modern times. The Authors a using methods of philosophical hermeneutics and phenomenology in their research.

2019 ◽  
Vol 8 (2) ◽  
pp. 324-329
Author(s):  
Anastasiya Georgievna Ippolitova

The paper shows the transformation of attitudes towards historical events, facts and personalities due to the influence of the thinking paradigms of the modern socio-cultural environment. Objectivity of historical science is a moving thing, because history itself is an organic part of culture, reflecting in its interpretations its mentality and value orientations important for society at a certain period of time. The historical process is a lively cultural stream, filled with unique signs and symbols, ways of demonstration in culture. Modernity determines the attitude of society to the historical process, the importance of personalities and their popularity. Here the historical assessment becomes a reflection of modern realities. We cannot fully feel the influence of the historical character, we can just imagine. We try on the images of the past, fantasize a bit, we give emotions and feelings, including the subjectivity of perception of historical events in modern times. The society draws historical parallels, evaluates the past from the standpoint of the paradigm of thinking that it understands, which leads to the transformation of historical assessments in different historical periods. All of the above, of course, is characteristic of the transformational process of national history, as shown in a number of examples. They reflect the interpretation characteristic of modern society rather than the position of the author. Particular attention is paid to the assessment of the Great Patriotic War, which is necessary to remember to strengthen the unity of the society and to broadcast patriotic values.


2017 ◽  
Vol 16 (1) ◽  
pp. 27
Author(s):  
Muhammad Rusydi

The writing discusses story of Noah (peace be upon him) in the Quran. The story will be approached by philosophical hermeneutics is conceived by Heiddegger and Gadamar. The main questions of the article are why and how the meaning of the story for Arabic people especially and for Moslem (human kind) generally. Finally, the result shows that Prophet Nuh is one of important ancestors for Arabic people and those people had listened and seen some historical events related to this prophet and his people. Moreover, the story teachs human being to surrender to Allah as it will lead them to appreciate all creations in this universe.     


Author(s):  
Tatyana Senina

Introduction. This work is concerned with the perception of the iconoclastic era in the Life of St. Nikephoros of Sebaze preserved in the form of enkomion written by an anonymous author presumably in the mid 10th century, and to clarify some details of Nikephoros’ biography. Methods. Source research and analysis, philosophical hermeneutics, comparative textological and historical research are the methods employed in this work. Sources on the subject include the edition of the Life of St. Nikephoros by F. Halkin, Lives of St. Patriarch Methodios, St. Nicetas of Medikion and St. Makarios of Pelekete, the Chronicle of Theophanes the Confessor. Analysis. The life of St. Nikephoros written in the 10th century by a monk of the monastery of Sebaze illustrates how the iconoclastic era was seen by the next generations who no longer found living witnesses of those times. The hagiographer knows almost nothing certain about his hero, except that he was a monk, suffered for icons in the epoch of the second iconoclasm, and founded a monastery. For ordinary monks in the 10th century, the iconoclastic heresy was associated with the names of emperors Leo III, Constantine V and Leo V, which testifies to the success of the myth created by iconodules in the 9th century that the iconoclastic heresy, unlike the others, was not born in the church environment, but appeared in the imperial palace and was implanted by the authorities without much support from believers. Silence about the last iconoclast emperor Theophilos can be presumably attributed to the success of his posthumous rehabilitation. The past is completely mythologized in the Life: all bishops, priests and monks ardently struggled for their faith, enduring torment and hardship; nothing is said about the Orthodox believers who had fallen into heresy. The hero of the Life itself represented a composite character of a Christian ascetic and confessor of iconoduly completely devoid of individual traits. Results. The analysis of the life shows that by the 10th century the iconoclastic era began to be perceived by believers – at least, by ordinary monks – as the time of epic exploits, and the knowledge of historical events became fragmentary and was based on myths and legends distributed in the church environment rather than real facts. Appendix. The article is accompanied by Russian translation of the Life of St. Nikephoros of Sebaze with a scientific commentary.


Author(s):  
O.V. Syniachenko ◽  
M. O. Kolesnyk ◽  
N.M. Stepanova ◽  
M.V. Iermolaieva

The branch of historical science of numismatics (from the Latin "numisma" - coin) originated in the 19th century and became closely connected with economics, politics, culture and law, it includes a thematic study of coins, medals and plaque. Best of all, the history of uronephrology is illustrated by various forms of the medalist educational art (exonum or paranumismatics), and the medal became the prototype of the memorial coin. This work presents a catalog of more than 400 numismatic materials (including some unique, first cited), reflects the stages of development of the study of the structure and function of the kidneys, methods for diagnosing and treating diseases, there are links to significant historical events, brief biographies of physicians who have made an invaluable contribution are mentioned into the formation of this scientific discipline. The development of urology over 520 years of historical epochs of the New and Modern times were presented, portraits on 60 numismatic materials of well-known specialists-urologists and kidney transplantologists were presented, scientific forums of urologists were reflected on commemorative medals.


2011 ◽  
Vol 52 (1-4) ◽  
pp. 123-142
Author(s):  
Richard Taruskin

When Musorgsky revised his opera Boris Godunov in 1871–1872 as a condition for its eventual performance in 1874, he made many changes that went far beyond what the Imperial Theaters demanded of him. Among these changes was the composition of a crowd scene outside Moscow, in which the rebellious populace hails the Pretender, to replace a crowd scene at Red Square in which a submissive, hungry crowd beg Boris for bread. The original scene came, like the rest of the libretto, directly from Pushkin’s eponymous play. The new scene reflected a new view of the historical events, and Musorgsky wrote his own text for it. The two scenes are ideologically at odds, particularly as regards their view of the Russian nation in relation to the Russian people. Moreover, the two scenes share the episode of the Holy Fool and the thieving boys, which Musorgsky transferred from the one score to the other. Obviously, Musorgsky regarded them as incompatible within a single production and thought he had made conflating them impossible. And yet, at the Bolshoy Theater in 1939, the two scenes were indeed played that way, inconsistencies and redundancies be damned. The Bolshoy production (which became widely known through recordings and film) might be written off, the way we tend to write off the art of the Stalinist era, as a politically motivated anomaly. But other productions, including one in San Francisco in 1992, and one that was mounted in 2010 at the Teatro Regio in Torino, have included both scenes without any such evident motivation, possibly because the Bolshoy production is now regarded by some as canonical. Is the historiographical contradiction involving our theme of Opera and Nation to be regarded as a blemish? If not, what considerations can be seen to outweigh it? Can Musorgsky’s political ideas be deduced from the work in which we assume they are embodied? And if they can be, should they be regarded as an aspect of the work that performers need respect?


2018 ◽  
Vol 51 (2) ◽  
pp. 125-137 ◽  
Author(s):  
Jaroslav Ušiak

Security, as expressed by the security policy of a state, is one of the most fundamental aspects of a foreign and defense policies of a state. Together, they create a foreign orientation of the state which may alter with time, space and under the influence of political decision-making. This paper presents the sources of the strategic orientation of Slovakia that emerged in reaction to historical events that the faced country Slovakia gradually integrated into the European and Euro—Atlantic structures with the emphasis on coalition changes in the governance of the state. This paper, through analysis and comparison, shows the dominant changes in the Slovakian security environment. In any case, it has been the destiny of small countries to maintain their security through cooperation and integration.


2020 ◽  
Vol 7 (4) ◽  
pp. 16-29
Author(s):  
B.A. Kurkin ◽  
O.V. Murashkina

The article is dedicated to analysis of the time- space (chronotope) of the opening scene of N.W. Gogol’s poem «Dead Souls». The Authors a using methods of philosophical hermeneutics and phenomenology in their research.


It is not easy to accurately describe one's cultural identity. There are many factors to consider – from diversity narratives constructed over a single lifetime to those that have been accrued by greater populations. One way to engage this discussion is to provide an overview of diversity key terms that are most closely associated with culture. Important historical events should also be emphasized, as they provide context to many of the challenges faced in modern times. Such topics often cause friction among European Americans – many of whom are loath to judge the actions of those who share their skin color. To start this conversation, the chapter introduces the author, Kimberly, and the five interviewees, Lina, Darnell, Alice, Sheila, and Talia, who discuss their understanding of cultural identity as it applies to their lives.


2015 ◽  
Vol 137 (3) ◽  
Author(s):  
Arcangelo Messina ◽  
Cesare Rossi

In this paper, the mechanical behavior and performance of the onager, an ancient war machine, are analyzed. This study is based on torsional motors, as previously described. Because the onager has been investigated very little in modern times and the details given by ancient engineers are very scarce, this study starts from the available literature of both ancient and modern times. The mathematical models are developed through analytical mechanics along with integrations carried out numerically. Simulations performed provide interesting results which are in good agreement with the information recorded by ancient historians, and thus validating conjectures regarding the design of these machines. Finally, this investigation clarifies the role and effectiveness of these machines in ancient warfare, helping to understand many aspects of both ancient engineering design and historical events.


2021 ◽  
Vol 63 (12) ◽  
pp. 47-67
Author(s):  
Sergey A. Prosekov

The article provides a comparative analysis of the perception of time in Europe and China. Time is considered as one of the fundamentals of mentality. The author presents the specifics of mythological time, distinguishing sacred and profane times and analyzing the correlation between time, space, things, and their repetition. European logos time, which becomes mainstream in  Modern Times, is examined. The article describes the postmodern period that took shape in the 20th and early 21st centuries. The formation and contemporary image of time in China is traced in detail. This perception of time suddenly turns out to be the most relevant to today’s needs: in Chinese culture, time and space are closely connected, linearity is combined with cyclicality, involvement is combined with distancing, immovability and the ability to wait for the right moment – with an instant reaction. In Chinese culture, innovations are introduced under the guise of tradition (repetition), and activism, which has always been especially emphasized as the specificity of the modern Europe, as it turns out, is the most important characteristic of the Chinese (in contrast to traditional European ideas about Chinese passivity). Under modern “network” conditions, the substantial understanding of things, which is characteristic of European culture, has given way to a networking perception, which is specific to the Chinese (things as a network, a person as a plurality). This is a network in which interactions are carried out simultaneously and in different directions. By itself, a comparative analysis of mentalities yields important results and allows to draw far-reaching conclusions that are essential for understanding both the European and Chinese visions of the world. In conclusion, it becomes clearer what features of the Chinese mentality made possible not only the entry of China into the group of developed countries but also its transformation into one of the leaders among the world powers.


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