scholarly journals The Cultural Choice: The Arab Renaissance and the Discovery of Western Literature

Philologia ◽  
2019 ◽  
Vol 17 (17) ◽  
pp. 73-83
Author(s):  
Hind Rafea Abalrasul Al Safi
Author(s):  
Begüm Tuğlu

Feminist authors have long been trying to alter the patriarchal structure of the Western society through different aspects. One of these aspects, if not the strongest, is the struggle to overcome centuries long dominance of male authors who have created a masculine history, culture and literature. As recent works of women authors reveal, the strongest possibility of actually achieving an equalitarian society lies beneath the chance of rewriting the history of Western literature. Since the history of Western literature relies on dichotomies that are reminiscences of modernity, the solution to overcome the inequality between the two sexes seems to be to rewrite the primary sources that have influenced the cultural heritage of literature itself. The most dominant dichotomies that shape this literary heritage are represented through the bonds between the concepts of women/man and nature/culture. As one of the most influential epics that depict these dichotomies, Homer's Odysseus reveals how poetry strengthens the authority of the male voice. In order to define the ideal "man", Homer uses a wide scope of animal imagery while forming the identities of male characters. Margaret Atwood, on the other hand, is not contended with Homer's poem in that it never narrates the story from the side of women. As a revisionist mythmaker, Atwood takes the famous story of Odysseus, yet this time presents it from the perspective of Penelope, simultaneously playing on the animal imagery. Within this frame, I intend to explore in this paper how the animal imagery in Homer's most renowned Odysseus functions as a reinforcing tool in the creation of masculine identities and how Margaret Atwood's The Penelopiad defies this formation of identities with the aim of narrating the story from the unheard side, that of the women who are eminently present yet never heard.


Pólemos ◽  
2018 ◽  
Vol 12 (1) ◽  
pp. 185-201
Author(s):  
Andrew Majeske

Abstract This essay initially identifies and explores issues relating to relativity and relativism in cultural and political matters. It highlights the problematic character of the prime virtue that liberals claim to be the product of this relativistic outlook, tolerance, and points out that relativism equally supports illiberal agendas, as emphasized by Benito Mussolini. The essay then examines Shakespeare’s profound treatment of relativity in his As You Like It, focusing especially upon Rosalind and Orlando’s riddle exchange in Act 3, Scene 2, and the related sequencing of Orlando’s poems. In closing, the essay attempts to show how the West could benefit from revisiting great works of Western literature such as As You Like It, as it grapples with its moral crisis, works which plumbed the depths of the very problems we face today. But we will only garner from these texts the lessons we truly need to learn if we set aside, if only provisionally, the historicist assumptions which have blinded us to the contemporary pertinence and value of an older wisdom which by all appearances is more profound than our own.


1983 ◽  
Vol 26 (4) ◽  
pp. 479-492 ◽  
Author(s):  
PETER V. MARSDEN ◽  
JOHN SHELTON REED
Keyword(s):  

2021 ◽  
Vol 18 (4) ◽  
pp. 340-351
Author(s):  
Georgy G. Malinetsky

In the 1950s, Charles Snow wrote about the growing gap between the humanities and natural science cultures. He saw this as a great danger both for science itself and for all humankind. In Russia, it was complemented by a crisis of humanitarian knowledge. The article considers the ways to overcome this crisis and build a bridge between cultures.The solution of these problems is associated with the development of interdisciplinary approaches in general, and the theory of self-organization in particular. Synergetics today represents an approach that lies at the intersection of subject knowledge, philosophical reflection and mathematical modeling. It allows you to solve problems that go beyond individual scientific disciplines. Many of them require an analysis of processes and factors in rational, emotional and intuitive spaces.The article shows that the ongoing humanitarian and technological revolution, the tasks of designing the future, increase the role of humanitarian knowledge. The author substantiates the importance of a civilizational approach to humanitarian culture and considers the cultural issues of the unique civilization of Russia. There is outlined a number of specific steps to overcome the crisis of Russian humanitarian knowledge.The concept of cultural challenge is of particular importance among the problems for which solutions are proposed. The transition from the industrial to the post-industrial phase of the civilization development and the widespread use of artificial intelligence systems will free from work about half of people. The social stability and prospects for the civilization development are determined by the ability of culture to make their life complete, meaningful and creative. The use of interdisciplinary approaches in the education system of Russia is of fundamental importance in the course of the humanitarian and technological revolution. The organizational and financial reforms of the last thirty years have led education to a deep crisis. The interdisciplinary approaches are needed in order to balance the wishes of the programs authors, the opportunities of students and to correlate the training received with the prospects for the country’s development. The revision of the content and forms of education today is becoming a problem not only for teachers and scientists, but also for the entire national culture.The imperative of our country’s cultural development is the image of the future. In the industrial era, there was an idea of universality of the ways of social systems development. In the postindustrial reality, the world becomes more complex, diversity increases. At the current point of bifurcation, several development paths open up. A civilization’s cultural choice, based on tradition, scientific forecasting and the image of the future, becomes fundamental. Interdisciplinary approaches can play a fundamental role in shaping such a cultural choice.


2021 ◽  
pp. 107780042110658
Author(s):  
Danah Henriksen ◽  
Edwin Creely ◽  
Rohit Mehta

With the emergence of Western posthuman understandings, new materialism, artificial intelligence (AI), and the growing acknowledgment of Indigenous epistemologies, an ongoing rethinking of existing assumptions and meanings about creativity is needed. The intersection of new technologies and philosophical stances that upend human-centered views of reality suggests that creativity is not an exclusively “human” activity. This opens new possibilities and assemblages for conceiving of creativity, but not without tensions. In this article, we connect multiple threads, to reimagine creativity in light of posthuman understandings and the possibilities for creative emergence beyond the Anthropocene. Creativity is implicated as emerging beyond non-human spaces, such as through digitality and AI or sources in the natural world. This unseats many understandings of creativity as positioned in Euro-Western literature. We offer four areas of concern for interrogating tensions in this area, aiming to open new possibilities for practice, research, and (re)conceptualization beyond Western understandings.


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