Epilogue

Brown Beauty ◽  
2018 ◽  
pp. 261-262
Author(s):  
Laila Haidarali

This epilogue reemphasizes the arguments in the book. Brown-skin models acquired significant social status as African American women on an expanded global stage between 1945 and 1954—a short but critical period that marked the end of World War II, the hardening lines of Cold War politics, and the significant victory of Brown v. Board of Education that, in 1954, made segregation illegal in public schools. Indeed, during this short period and turning tide, a powerful iconography of beautiful brown women emerged to represent African-descended people in the United States by recasting beauty as a democratic right and function. Brown beauty was formalized, both at home and abroad, as a consumerist symbol of women’s successful negotiation of the trials of race, sex, and womanhood in the postwar nation, still half-segregated.

Author(s):  
William J. Maxwell

This part marshals the largely uncompiled evidence of FBI author files to suggest that the worst suspicions about the stakeout of Paris noir were basically correct—that Wright was not too wrong, it follows, when he darkly joked that any African American “who is not paranoid is in serious shape,” at least if he or she sought literary license outside the United States during the Hoover era. Two decades before American involvement in World War II opened the floodgates of black Paris, the FBI began to influence the movements of expatriate Afro-modernists—this even as it manipulated “lit.-cop federalism” to nationalize itself in the mind of white America. In the French capital of black transnationalism, and satellites beyond, FBI agents and informers kept tabs on a network of black literary travelers they hoped to link by the vulnerabilities of statelessness alone. Thus, this book's fourth thesis: The FBI helped to define the twentieth-century Black Atlantic, both blocking and forcing its flows.


1973 ◽  
Vol 1 (3) ◽  
pp. 117-133 ◽  
Author(s):  
Igor I. Kavass

From time to time during the past several years many law librarians in the United States with institutional commitments for the development of foreign and international law collections have voiced their deep concern about the intrinsic research value of their existing holdings of foreign and international law materials and, even more so, about the ability of their libraries to maintain the future growth of such collections at a sufficiently high scholarly level. Their disquietude was not without a reason. The United States could always pride itself in having several distinguished law libraries with some of the best research collections of legal materials in the world. The reputation of these collections was so great that generation after generation of legal scholars did much of their research work in them. There were also many other law libraries in the United States but they were generally small and did not specialize in foreign and international law. An unexpected development occured, however, in the two decades after World War II. Many of the smaller law libraries as well as a number of new libraries began to expand their holdings at a phenomenal rate of growth. They began also to branch out into areas they had not been previously familiar with, and some of them succeeded in establishing sizable collections of foreign and international law materials within the relatively short period of less than twenty years. After several decades of this unprecedented and frequently indiscriminate expansion, culminating in the emergence of a wide variety of foreign and international law collections, many of these libraries were suddenly faced in the early 1970's with a series of critical problems.


2020 ◽  
Vol 47 (3) ◽  
pp. 218-254
Author(s):  
Thomas Craemer ◽  
Trevor Smith ◽  
Brianna Harrison ◽  
Trevon Logan ◽  
Wesley Bellamy ◽  
...  

We compare the 2018 per capita Black–White wealth gap of about US$352,250 with portions of the estimated total cost of slavery and discrimination to African American descendants of the enslaved. For the period of slavery in the United States, we arrive at estimates of about US$12 to US$13 trillion in 2018 dollars using Darity’s land-based and Marketti’s price-based estimation methods, respectively. Estimates using Craemer’s wage-based method tend to be higher ranging from US$18.6 trillion at 3% interest to US$6.2 quadrillion at 6% interest. The value of lost freedom (LF) based on Japanese American World War II internment reparations is estimated at 3% interest to amount to US$35 trillion and at 6% to US$16 quadrillion. Further research is required to estimate the cost of lost opportunities (LC) and pain and suffering (PS). Further research is also required to estimate the costs of colonial slavery, as well as racial discrimination following the abolition of slavery in the United States to African American descendants of the enslaved. Whether the full cost of slavery and discrimination should be compensated, or only a portion, and at what interest rate remain to be determined by negotiations between the federal government and the descendant community.


2010 ◽  
Vol 4 (2) ◽  
pp. 127-174 ◽  
Author(s):  
ANNEGRET FAUSER

AbstractIn December 1943, an all–African American cast starred in the Broadway premiere of Carmen Jones, Oscar Hammerstein II's adaptation of Georges Bizet's Carmen. When Hammerstein began work on Carmen Jones a month after Pearl Harbor, in January 1942, Porgy and Bess was just being revived. Hammerstein's 1942 version of Carmen, set in a Southern town and among African Americans, shows the influence of the revised version of Porgy and Bess, with Catfish Row echoed in a cigarette factory in South Carolina and the Hoity Toity night club. It took Hammerstein more than eighteen months to find a producer, and when the show opened by the end of 1943, the setting in a parachute factory and urban Chicago reflected new priorities brought on by wartime changes. Commercially one of the most successful musical plays on Broadway during its run of 503 performances, Carmen Jones offers a window on the changing issues of culture, class, and race in the United States during World War II. New archival evidence reveals that these topics were part of the work's genesis and production as much as of its reception. This article contextualizes Carmen Jones by focusing on the complex issues of war, race, and identity in the United States in 1942 and 1943.


2019 ◽  
Vol 8 (1) ◽  
pp. 52-99 ◽  
Author(s):  
Linh D. Vu

Abstract Exploring the construction and maintenance of Nationalist Chinese soldiers’ graves overseas, this article sheds light on post-World War II commemorative politics. After having fought for the Allies against Japanese aggression in the China-Burma-India Theater, the Chinese expeditionary troops sporadically received posthumous care from Chinese veterans and diaspora groups. In the Southeast Asia Theater, the Chinese soldiers imprisoned in the Japanese-run camps in Rabaul were denied burial in the Allied war cemetery and recognition as military heroes. Analyzing archival documents from China, Taiwan, Britain, Australia, and the United States, I demonstrate how the afterlife of Chinese servicemen under foreign sovereignties mattered in the making of the modern Chinese state and its international status.


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