CONFERENCE “SOCIAL HISTORY OF WORLD WAR II”

2016 ◽  
Vol 21 (11 (163)) ◽  
pp. 162-166
Author(s):  
V.L. Dyachkov ◽  
◽  
V.V. Kanishchev ◽  
Y.A. Mizis ◽  
◽  
...  
Slavic Review ◽  
2017 ◽  
Vol 76 (1) ◽  
pp. 80-89
Author(s):  
David Shneer

I began studying Soviet photography in the early 2000s. To be more specific, I began studying Soviet photographers, most of whom had “Jewish” written on their internal passports, as I sought to understand how it was possible that a large number of photographers creating images of World War II were members of an ethnic group that was soon to be persecuted by the highest levels of the state. I ended up uncovering the social history of Soviet Jews and their relationship to photography, as I also explored how their training in the 1920s and 1930s shaped the photographs they took during World War II.


2014 ◽  
Vol 74 (1) ◽  
pp. 153-174 ◽  
Author(s):  
Lori Watt

Revisiting the political and social history of Seoul, Korea, in 1945, this article assesses responses to Japanese defeat and the end of empire in the context of American military occupation. The arrival of the Americans forced Japanese and Koreans alike to rethink their positions in the world. Drawing on past colonial practices, Japanese residents used the immediate post-surrender moment to ponder their future prospects, recording those thoughts in a number of public and private sources. They negotiated the passage from a colonial to a post-imperial society, I argue, by embracing a consciousness of a defeated people while disregarding criticisms of colonial rule. This investigation seeks to interpret the immediate post-World War II moment in Seoul less as a founding moment of the Cold War and more as an important transition in the history of decolonization.


1971 ◽  
Vol 31 (1) ◽  
pp. 135-152
Author(s):  
Francois Crouzet

When World War II broke out, the economic history of Modern Europe was largely an underdeveloped and uncultivated field. One country only, Britain, had a well-established school of economic historians, which was already quite prolific. In Germany, there had been a promising start at the end of the 19th century, mostly with the historical school of economists, but it had largely petered out, even before the deadly influence of Nazism set in. In other countries, a number of scholars had done valuable and even brilliant work, but they were few and isolated, and political, diplomatic, religious history remained supreme. This was the case, for example, in France, which had one single chair of economic history in its eighteen universities, despite the passionate campaign which had been waged during the 1930's to promote work in economic and social history by the new journal Annales d'histoire économique et sociale, under the leadership of Marc Bloch and Lucien Febvre. Moreover, pre-war economic history was mostly institutional, with a side-line in the study of techniques and innovations. As Professor Herlihy points out in another article for works on the earlier centuries, scholars were “thinking primarily in terms of institutions and of total economic systems based upon them.”


Author(s):  
C. Claire Thomson

This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international context is accounted for with an overview of the development of state-supported filmmaking in the UK, Italy and Germany. Developments in the funding and output of Dansk Kulturfilm up to World War II are outlined, followed by an account of the impact of the German Occupation of Denmark on domestic informational film. The establishment of the Danish Government Film Committee or Ministeriernes Filmudvalg kick-started aprofessionalisation of state-sponsored filmmaking, and two wartime public information films are briefly analysed as examples of its early output. The chapter concludes with an account of the relations between the Danish Resistance and an emerging generation of documentarists.


Author(s):  
Charles S. Maier ◽  
Charles S. Maier

The author, one of the most prominent contemporary scholars of European history, published this, his first book, in 1975. Based on extensive archival research, the book examines how European societies progressed from a moment of social vulnerability to one of political and economic stabilization. Arguing that a common trajectory calls for a multi country analysis, the book provides a comparative history of three European nations—France, Germany, and Italy—and argues that they did not simply return to a prewar status quo, but achieved a new balance of state authority and interest group representation. While most previous accounts presented the decade as a prelude to the Depression and dictatorships, the author suggests that the stabilization of the 1920s, vulnerable as it was, foreshadowed the more enduring political stability achieved after World War II. The immense and ambitious scope of this book, its ability to follow diverse histories in detail, and its effort to explain stabilization—and not just revolution or breakdown—have made it a classic of European history.


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