MUSEUM SONGKET PALEMBANG DENGAN PENDEKATAN ARSITEKTUR NEO-VERNAKULAR

Traditional weaving as a national cultural heritage is being abandoned, including songket in Palembang city. Songket weaving craft has been abandoned due to the limited process of the making, expensive raw materials, and competitiveness, either other crafters or modern weaving. There are hundreds of Palembang songket motifs that have not been documented and collected well. Only 77 motifs which have been registered as intellectual property rights. The lack attention of this matter would give possibility for neighboring countries to claim it such an accident ever exist. Songket Museum is needed as conservation center, exhibition, research, and songket craft workshop. Neo-Vernacular Architecture approach is used to make museum architectural design which is in line the cultural values of Palembang in contemporary design. The design issue is how to apply the principles of Neo-Vernacular Architecture into Palembang Songket Museum design. The method is designing the museum by taking both the physical and non-physical elements of local culture. Beside, re-interpretation the shape and philosophycal value of local architecture and Palembang songket are apllied in a new composition of Neo-Vernacular Architecture. The result is a design of Palembang Songket Museum which applies Neo-Vernacular Architecture principles. Keywords: Architecture, Neo-Vernacular, Palembang Songket, Songket Museum.

Download Full-text

Technological and Legal Aspect in Digitalization of Movable Cultural Assets. Copyright and Intellectual Property Rights

Cultural and Historical Heritage: Preservation, Representation, Digitalization ◽

10.26615/issn.2367-8038.2019_2_004 ◽

2019 ◽

Vol 5 (2) ◽

pp. 35-45

Author(s):

Kalina Sotirova-Valkova ◽

Keyword(s):

Intellectual Property ◽

Property Rights ◽

Cultural Heritage ◽

Cultural Values ◽

Intellectual Property Rights ◽

Legal Aspect ◽

Legal Framework ◽

Technological Aspect ◽

Cultural Assets ◽

Cultural Heritage Objects

The article presents the cycle of digitization of cultural heritage objects (movable cultural values stored in museums and galleries) with its three main stages: preparation, conversion and access. The focus is on the technological aspect, the preparation of the museum team and the standards used. In parallel, the legal framework of digitization is viewed as a serious, nationally specific and rarely presented topic related to copyright and intellectual property over the original and its digital derivative Keywords: digitization, cultural heritage, authorship and copyright, intellectual property rights, standards

Download Full-text

PERLINDUNGAN HUKUM TERHADAP KARYA SENI BATIK YANG BELUM TERDAFTAR MENURUT UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA

JURNAL HUKUM DAS SOLLEN ◽

10.32520/das-sollen.v1i1.423 ◽

2018 ◽

Vol 1 (1) ◽

Author(s):

Inggrit Fernandes

Keyword(s):

Intellectual Property ◽

Property Rights ◽

Cultural Heritage ◽

Intellectual Property Rights ◽

Rapid Growth ◽

Economic Value ◽

Legal Protection ◽

Property Law ◽

Market Demand ◽

Work Of Art

Batik artwork is one of the treasures of the nation's cultural heritage. Batik artwork is currently experiencing rapid growth. The amount of interest and market demand for this art resulted batik artwork became one of the commodities in the country and abroad. Thus, if the batik artwork is not protected then the future can be assured of a new conflict arises in the realm of intellectual property law. Act No. 28 of 2014 on Copyright has accommodated artwork batik as one of the creations that are protected by law. So that this work of art than as a cultural heritage also have economic value for its creator. Then how the legal protection of the batik artwork yaang not registered? Does this also can be protected? While in the registration of intellectual property rights is a necessity so that it has the force of law to the work produced

Download Full-text

Policy on Protection of Cultural Heritage through Communal Copyright in Supporting Sustainable Tourism

Journal of Environmental Management and Tourism ◽

10.14505//jemt.11.4(44).16 ◽

2020 ◽

Vol 11 (4) ◽

pp. 920

Author(s):

Ni Luh Made MAHENDRAWATI

Keyword(s):

Intellectual Property ◽

Property Rights ◽

Cultural Heritage ◽

Intellectual Property Rights ◽

Sustainable Tourism ◽

Integrated Model ◽

Way Of Life ◽

Close Attention ◽

Protection Of Cultural Heritage

Tourism has become a prevalent discourse in Indonesia, considering that in the last few years, Tourism has become the highest contributor to the commodity revenue line. Paying close attention to the integration of tourism certainly involves multidiscipline in it so that efforts to develop tourism require integrated efforts from various parties as well as multidiscipline. It is essential to realize that the attractions of tourism in Indonesia can consist of everything that has a uniqueness, beauty, and value in the form of the diversity of natural, cultural, and human-made diversity. In real terms, it can be observed that cultural heritage is one of the valuable assets owned by a country (Indonesia) in supporting the development of tourism. Culture is a way of life that develops, is shared by a group of people, and is passed down from generation to generation. The culture referred to is the result of reason and reason, so that philosophy can be understood as originating from nothing, then thought by reason and ideas, then becoming. The process of creating a culture can logically be protected by Intellectual Property Rights (Copyright). During this time, the copyright-protected in Indonesia based on Law Number 28 of 2014 concerning Copyright is an Individual Right. It is understood that the copyright needed to protect cultural heritage is communal rights. How to regulate and apply copyright protection Communal communities will be studied more deeply so that there is a comprehensive and integrated model for protecting cultural heritage in Indonesia.

Download Full-text

Someone’s treasure: a legacy for all?

Unlocking Sound and Image Heritage: Selected Readings from the 2015 SOIMA Conference ◽

10.18146/soima2015.1.03 ◽

2017 ◽

Author(s):

Samuel Franco Arce

Keyword(s):

Intellectual Property ◽

Property Rights ◽

Cultural Heritage ◽

Intellectual Property Rights ◽

User Needs ◽

Private Collection ◽

The Future ◽

Digital Material ◽

Physical Objects

The Casa K’ojom in La Antigua Guatemala, Guatemala, houses a unique collection of physical objects and audiovisual materials devoted to Mayan cultural heritage, both tangible and intangible. What began as a private collection has evolved into a museum where thousands of visitors have learned about Mayan culture and music. This paper highlights the development and care of the collections from the perspective of the Casa K’ojom’s founder and current director, Samuel Franco Arce. It reviews the steps he is taking to preserve the collection’s analogue and digital material for the future, all the while not neglecting important non-digital artefacts. It also proposes future solutions to issues within an archive that has to address constantly changing technologies, user needs, audiovisual formats and intellectual property rights laws.

Download Full-text