Legal Protection of Cultural Heritage in a World of Intellectual Property Rights

Author(s):  
Reto M. Hilty
2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Inggrit Fernandes

Batik artwork is one of the treasures of the nation's cultural heritage. Batik artwork is currently experiencing rapid growth. The amount of interest and market demand for this art resulted batik artwork became one of the commodities in the country and abroad. Thus, if the batik artwork is not protected then the future can be assured of a new conflict arises in the realm of intellectual property law. Act No. 28 of 2014 on Copyright has accommodated artwork batik as one of the creations that are protected by law. So that this work of art than as a cultural heritage also have economic value for its creator. Then how the legal protection of the batik artwork yaang not registered? Does this also can be protected? While in the registration of intellectual property rights is a necessity so that it has the force of law to the work produced


2020 ◽  
Vol 11 (4) ◽  
pp. 920
Author(s):  
Ni Luh Made MAHENDRAWATI

Tourism has become a prevalent discourse in Indonesia, considering that in the last few years, Tourism has become the highest contributor to the commodity revenue line. Paying close attention to the integration of tourism certainly involves multidiscipline in it so that efforts to develop tourism require integrated efforts from various parties as well as multidiscipline. It is essential to realize that the attractions of tourism in Indonesia can consist of everything that has a uniqueness, beauty, and value in the form of the diversity of natural, cultural, and human-made diversity. In real terms, it can be observed that cultural heritage is one of the valuable assets owned by a country (Indonesia) in supporting the development of tourism. Culture is a way of life that develops, is shared by a group of people, and is passed down from generation to generation. The culture referred to is the result of reason and reason, so that philosophy can be understood as originating from nothing, then thought by reason and ideas, then becoming. The process of creating a culture can logically be protected by Intellectual Property Rights (Copyright). During this time, the copyright-protected in Indonesia based on Law Number 28 of 2014 concerning Copyright is an Individual Right. It is understood that the copyright needed to protect cultural heritage is communal rights. How to regulate and apply copyright protection Communal communities will be studied more deeply so that there is a comprehensive and integrated model for protecting cultural heritage in Indonesia.


Author(s):  
Yuliia Tovstohan ◽  
◽  
Serhii Ivanov ◽  

The scientific article examines the modern mechanism of protection of intellectual property rights in Ukraine. Attention is paid to the historically first using of the concept of intellectual property rights in international law and the shortcomings of this definition. The legal definition of this concept contained in the Civil Code of Ukraine is analyzed. It is concluded that the legislative enshrinement of intellectual property rights is evidence of its recognition by the state, and such a right applies to special objects, the list of which is enshrined at both national and international levels. The question of the relationship between the concepts of "protection" and "defense" of civil rights is covered. The main groups of approaches of scientists to the solution of this problem are indicated. An approach that defines "protection" as a general concept for "defense" is supported, where "protection" is a broader concept that covers the term "defense". Emphasis is placed on the fact that although these legal categories are related, they cannot be identified. The main features that distinguish these concepts are listed, and the features of "defense" as an independent concept are highlighted. There are given examples of definition of the concept of protection of intellectual property rights given by scientists. Based on these definitions, the main features of this term are summarized. The issue of forms of protection (jurisdictional and non-jurisdictional) has been studied. The general and special order within the jurisdictional form is distinguished. It is noted about the peculiarities of self-defense as a non-jurisdictional form. The focus is on the judicial (general) procedure for protection of intellectual property rights as the main one. Possible ways of protection (civil, administrative, criminal, and criminal) are analyzed. The problems and shortcomings of the current system of legal protection and protection of intellectual property rights in Ukraine are analyzed. Both reports from international partners and research by Ukrainian scientists were used. The authors outline ways to solve existing problems. The conclusions of the study are formulated and the possibility of further scientific research in this area is indicated.


2016 ◽  
Vol 1 (1) ◽  
pp. 55-71
Author(s):  
Zulkifli Makkawaru

Indonesia positioned copyright art and culture based on its strength as a nation or community rights over an Alliance grouping of the society which can give the effect of distortions in its protection. Which institution can be megurus and oversee the interests between countriesCultivate ideas/ideas in the fields of art, literature and science in the context of intellectual property rights (HKI) categorized into areas of HKI named Copyright (Copyright). The scope of the rights provided for the protection of copyright in the context of this very broad following elements known in several countries. There is a different understanding about the copyright status of culture from both the substance of the right nor of the appreciation of the case which threatens foreign claims copyright over the culture of Indonesia


Arsitektura ◽  
2017 ◽  
Vol 14 (2) ◽  
Author(s):  
Abdul Aziz Arrosyid ◽  
Samsudi Samsudi ◽  
Ummul Mustaqimah

<p><em>Traditional weaving as a nation</em><em>al</em><em> cultural heritage </em><em>is</em><em> being abandoned, including songket in Palembang</em><em> city</em><em>. </em><em>S</em><em>ongket weaving craft has been abandoned</em><em> due to the limited process of the making, expensive raw materials</em><em>, and competiti</em><em>veness</em><em>, </em><em>either </em><em>other crafters</em><em> or</em><em> modern weaving. There are hundreds of Palembang songket motifs that have not </em><em>been </em><em>documented and collected well. O</em><em>nly</em><em> 77 motifs </em><em>which</em><em> have </em><em>been </em><em>registered </em><em>as</em><em> intellectual property rights. </em><em>The lack attention of this matter would give </em><em>possibility </em><em>for</em><em> neighboring </em><em>countries</em><em> </em><em>to claim it such an accident ever exist.</em><em> Songket Museum </em><em>is needed as</em><em> conservation</em><em> center</em><em>, exhibit</em><em>ion</em><em>, research, and songket craft workshop.</em><em> </em><em>Neo-Vernacular Architecture approach </em><em>is </em><em>used to</em><em> make museum </em><em>architectural design </em><em>which is </em><em>in </em><em>line </em><em>the cultural values of Palembang in contemporary design</em><em>. The design </em><em>issue </em><em>is</em><em> </em><em>how to </em><em>apply the principles of Neo-</em><em>V</em><em>ernacular</em><em> Architecture</em><em> into Palembang Songket Museum design. The method is designing the museum by taking both the physical a</em><em>n</em><em>d non-physical </em><em>e</em><em>lements</em><em> of local culture</em><em>. Beside, </em><em>re-interpretation the </em><em>shape </em><em>and philosophy</em><em>cal value</em><em> of </em><em>local </em><em>architecture</em><em> a</em><em>nd Palembang songket a</em><em>re apllied</em><em> in</em><em> a </em><em>new composition </em><em>of </em><em>Neo-Vernacular Architecture. The result is </em><em>a design of </em><em>Palembang Songket Museum </em><em>which</em><em> </em><em>applies</em><em> </em><em>Neo-Vernacular Architecture principles.</em></p><p><em> </em></p><p><strong><em>Keywords</em></strong><em>: Architecture, Neo-Vernacular, Palembang Songket, Songket Museum.</em></p>


NOTARIUS ◽  
2019 ◽  
Vol 12 (1) ◽  
pp. 118
Author(s):  
Widowati Maria Teresa ◽  
Budi Santoso

With the enactment of Law Number 28, 2014 About Copyright the creation of art in the form of a logo or distinctive sign is used as a brand in the trade of goods/services or used as a symbol of the organization, entity, or legal entities can not be recorded. Logo that cannot be registered as creation may be registered as trademarks and obtain trademarks protection. Associated with the unregistered logo in the List of Works does not reduce the copyrights protection of the logo, because the protection of the logo as Creation appears declaratively. Consequences of the unlisted logo in the List of Works are logo will not get an official passage on Creation. The government needs to tighten substantive and material checks on all works listed in the field of Intellectual Property Rights and the government may take the initiative to carry out dissemination and counselling accessible to the public especially for business practitioner. Keywords : Logo, Legal Protection, Copyrights AbstrakDengan diberlakukannya Undang-undang Nomor 28 Tahun 2014 Tentang Hak Cipta, seni lukis yang berupa logo atau tanda pembeda yang digunakan sebagai merek dalam perdagangan barang/jasa atau digunakan sebagai lambang organisasi, badan usaha, atau badan hukum tidak dapat dicatatkan. Logo yang tidak dapat dicatatkan sebagai Ciptaan dapat didaftarkan sebagai Merek dan mendapatkan perlindungan Merek. Terkait dengan tidak dicatatkannya logo dalam Daftar Ciptaan tidak mengurangi perlindungan Hak Cipta atas logo, karena perlindungan logo sebagai Ciptaan muncul secara deklaratif. Konsekuensi dari tidak dapat dicatatkannya logo dalam Daftar Ciptaan adalah Ciptaan logo tidak akan mendapatkan petikan resmi atas Ciptaan. Pemerintah perlu untuk memperketat pemeriksaan substantif maupun materiil terhadap seluruh karya yang didaftarkan di seluruh bidang Hak Kekayaan Intelektual dan dapat mengambil inisiatif untuk melakukan diseminasi dan penyuluhan yang dapat diakses secara mudah bagi masyarakat pada umumnya dan pelaku bisnis pada khususnya. Kata kunci : Logo, Perlindungan Hukum, Hak Cipta 


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