Cross-Modality Between Haptic and Auditory Roughness with a Force Feedback Device

2006 ◽  
Vol 18 (4) ◽  
pp. 450-457 ◽  
Author(s):  
Emi Kitamura ◽  
◽  
Katsuya Miyashita ◽  
Kenji Ozawa ◽  
Masaki Omata ◽  
...  

Haptic roughness is basic to accurately identifying the texture of an object. When we manipulate everyday objects, their surfaces emit sound. Cross-modal effects between haptic and auditory roughness must thus be considered in realizing a multimodal human-computer interface. We conducted two experiments to accumulate basic data for the cross-modality using a force feedback device. In one experiment, we studied the cross-modal effect of auditory roughness on haptic roughness. We studied the effect of haptic roughness on auditory roughness in the other experiment. Results showed that cross-modal effects were mutually enhancing when their single-modal roughness was relatively high.

2006 ◽  
Vol 6 ◽  
pp. 37-45
Author(s):  
Barbara Becker

The construction of embodied conversational agents – robots as well as avatars – seem to be a new challenge in the field of both cognitive AI and human-computer-interface development. On the one hand, one aims at gaining new insights in the development of cognition and communication by constructing intelligent, physical instantiated artefacts. On the other hand people are driven by the idea, that humanlike mechanical dialog-partners will have a positive effect on human-machine-communication. In this contribution I put for discussion whether the visions of scientist in this field are plausible and which problems might arise by the realization of such projects.


2014 ◽  
Vol 19 (1) ◽  
pp. 41-51 ◽  
Author(s):  
Florian Grond ◽  
Thomas Hermann

The desire to make data accessible through the sense of listening has led to ongoing research in the fields of sonification and auditory display since the early 1990s. Coming from the disciplines of computer sciences and human computer interface (HCI), the conceptualisation of sonification has been mostly driven by application areas and methods. On the other hand, the sonic arts, which have always participated in the auditory display community, have a genuine focus on sound. Despite these close interdisciplinary relationships between communities of sound practitioners, a rich and sound- or listening-centred concept of sonification is still missing for design guidelines. Complementary to the useful organisation by fields of application, a proper conceptual framework for sound needs to be abstracted from applications and also to some degree from tasks, as both are not directly related to sound. As an initial approach to recasting the thinking about sonification, we propose a conceptualisation of sonifications along two poles in which sound serves either anormativeor adescriptivepurpose. According to these two poles, design guidelines can be developed proper to display purposes and listening modes.


Author(s):  
V. Mizuhira ◽  
Y. Futaesaku

Previously we reported that tannic acid is a very effective fixative for proteins including polypeptides. Especially, in the cross section of microtubules, thirteen submits in A-tubule and eleven in B-tubule could be observed very clearly. An elastic fiber could be demonstrated very clearly, as an electron opaque, homogeneous fiber. However, tannic acid did not penetrate into the deep portion of the tissue-block. So we tried Catechin. This shows almost the same chemical natures as that of proteins, as tannic acid. Moreover, we thought that catechin should have two active-reaction sites, one is phenol,and the other is catechole. Catechole site should react with osmium, to make Os- black. Phenol-site should react with peroxidase existing perhydroxide.


2021 ◽  
Vol 118 (1) ◽  
pp. 54-61
Author(s):  
Anna M. V. Bowden
Keyword(s):  

The interpretive history of Revelation is overrun with descriptions of Jesus as a sacrificial lamb. Yet, John never uses the popular phrase to describe him. By drawing attention to four significant omissions in the text, I argue against atonement readings of “the Lamb” in Revelation. Revelation is not a theological treatise on the meaning of the cross. It feeds questions about power and violence and admonishes the seven churches against participation in their imperial context. John’s slaughtered lamb, therefore, does not evoke a paschal sacrifice; it points to Rome’s penchant for violence. Joining the other bloodied bodies in Revelation, the lamb’s blood further incriminates Rome. Everywhere one looks in John’s depiction of empire, violence lurks. Finally, the only altar in Revelation is the heavenly altar, and this altar is not a place for sacrifice. The heavenly altar is a place where the laments of the suffering are heard, a place for worshipping God, and a place where Rome will meet its judgment. John’s Jesus is not a self-sacrificing spiritual savior; he bears witness to the bloodthirsty, massacre-loving beast-of-all-beasts. Churches must choose their allegiance.


2020 ◽  
Vol 21 ◽  
pp. 100488
Author(s):  
Adam Pantanowitz ◽  
Kimoon Kim ◽  
Chelsey Chewins ◽  
Isabel N.K. Tollman ◽  
David M. Rubin

Author(s):  
Koichi Ishibuchi ◽  
Keisuke Iwasaki ◽  
Haruo Takemura ◽  
Fumio Kishino

Sign in / Sign up

Export Citation Format

Share Document