Genees & Kunst: Den Haag, October 1, 2005

2006 ◽  
Vol 21 (1) ◽  
pp. 34-38
Author(s):  
A B M (BONI) Rietveld

On October 1st, 2005, a festive symposium Genees & Kunst (Medicine & Art) was organized at the Medical Centre of The Hague (MCH Westeinde), forming a joint celebration of the 12 1/2 year jubilee of the Medical Centre for Dancers & Musicians and the first inaugural member assembly of the Dutch Performing Arts Medicine Association (NVDMG). The medical and psychological presentations, interspersed with dance performances and music recitals, were followed by a reception and concert. [includes Abstracts of 5 presentations and photographs of events].

2008 ◽  
Vol 23 (4) ◽  
pp. 186-192
Author(s):  
A B M (Boni) Rietveld ◽  
C I C A (Camilla) Winterkorn-Pierrot

On Tuesday, April 1, 2008, the Dutch Performing Arts Medicine Association (NVDMG) organized a scientific, artistic and, above all, festive symposium, "Genees & Kunst 6," for its sixth member assembly. The assembly, held at the Medical Centre of The Hague, was co-hosted by Dr. A.B.M. (Boni) Rietveld, President of NVDMG and head of the Medical Centre for Dancers & Musicians, and by Mr. P.E. (Peter) van der Meer, MBA, Chairman of the Board of Directors of the Medical Centre of The Hague (MCH). Scientific presentations, interspersed with dance and music performances, were given by NVDMG members and by two special guest presenters: Dr. W.J.B. (Walter) Mastboom, surgeon in the Medisch Spectrum Twente, in Enschede, The Netherlands, talked about parotid gland surgery and its consequences for the embouchure in wind players. And Dr. A. (Bert) Roldaan, pulmonologist in the Haga Ziekenhuis in The Hague and past director of the Nederlands Astmacentrum in Davos, Switzerland, addressed artists with shortness of breath and COPD. The scientific program continued with NVDMG presenters including: P.A.M. (Peter) de Beer, medical adviser of the world famous André Rieu Orchestra in Maastricht, on medical care of an orchestra touring internationally; M.E. (Mamie) Air, medical student at Yale University and Fulbright Scholar to The Netherlands 2007-08, working with Dr. Rietveld, on successful treatment of Freibergs disease in a preprofessional dancer; A.L. (Bram) de Blécourt, psychiatrist, Bergen op Zoom, on the impending dissonance between dancers/musicians and audience and the role of the psychiatrist; and F.M. (Frits) van der Linden, surgeon at Groene Hart Ziekenhuis, Gouda, on the hair of Beethoven.


2009 ◽  
Vol 24 (4) ◽  
pp. 191-197
Author(s):  
G.J.F. (Gert-Jan) de Haas ◽  
C.I.C.A. (Camilla) Winterkorn-Pierrot

On Saturday, April 4th, 2009, the Dutch Performing Arts Medicine Association (NVDMG) organized a scientific and artistic symposium Genees & Kunst 8 for its 8th member assembly, at Revalidatie Friesland (Rehabilitation Friesland) Rehabilitation Centre, in Beetsterzwaag, The Netherlands. The assembly was co-hosted by Mr. G.J.F. (Gert-Jan) de Haas, Vice-chairman of NVDMG and head of the Psychology and Psychiatry Department of the Medical Centre for Dancers & Musicians (MCDM), K.H. (Kees-Hein) Woldendorp, MD, rehabilitation specialist and musician in Revalidatie Friesland, and Prof. S.K. (Sjoerd) Bulstra, MD, PhD, orthopaedic surgeon and head of the Orthopaedic Department of the University Medical Centre Groningen (UMCG). In addition, Revalidatie Friesland celebrated the 10th anniversary of the musicians' outpatient clinic led by K.H. Woldendorp, MD.


2009 ◽  
Vol 24 (1) ◽  
pp. 43-49
Author(s):  
A.B.M. (Boni) Rietveld ◽  
C.I.C.A. (Camilla) Winterkorn-Pierrot

On Saturday, October 11, 2008, the Dutch Performing Arts Medicine Association (NVDMG) organized a scientific and artistic symposium, Genees & Kunst 7, for its seventh member assembly, at the Vrije Universiteit Medical Centre in Amsterdam. Scientific presentations, interspersed with dance and music performances, were given by NVDMG members and by two invited international speakers: P. Lewton-Brain, Dancing uphill, insights into dancing on raked (inclined) stages, and Dr. J. Schloemicher-Thier, Occupational medicine in the Salzburger Festspiele. Other presenters included: Dr. A. de Gast, Functional impingement of the shoulder due to poor posture in musicians; Dr. C.C. de Cock, Beta-blockers and stage fright; Ms. A.E. Felter, Report of a study on the relation between dance floors and dance injuries; Dr. D.E. Meuffels, ACL injury in professional dancers; and Mr. G.J.F. de Haas, AD(H)D in musicians and dancers.


2011 ◽  
Vol 26 (1) ◽  
pp. 56-61

On Saturday, March 27th, 2010, the Dutch Performing Arts Medicine Association (NVDMG) organized a scientific and artistic Jubilee symposium “Genees & Kunst 10” for its 5th anniversary and 10th member assembly, at the University Medical Centre Utrecht (UMCU), The Netherlands. During his opening speech, dr. Rietveld, president of NVDMG, mentioned the successful first 5 years and the vitality of the NVDMG, and he emphasized the importance of performing arts medicine, given the large proportion of performing artists (at least 14% of all patients) in an average Dutch family physician’s practice. Scientific presentations, interspersed with dance and music performances, were given by several medical specialists. Abstracts of these presentations are published here as the symposium proceedings


PM&R ◽  
2009 ◽  
Vol 1 ◽  
pp. S88-S91
Author(s):  
Michelle S. Gittler ◽  
Joseph M. Ihm ◽  
Theresa J. Lie-Nemeth ◽  
Maria Regina Reyes ◽  
Vivian C. Shih

2006 ◽  
Vol 21 (2) ◽  
pp. 45-46
Author(s):  
Ralph A Manchester

As the diverse populations of the planet interact on a more frequent and intense basis, it becomes increasingly important for every individual and organization to examine its own approach to this vital issue. The field of performing arts medicine should pay particular attention to diversity for a number of reasons, some of which will help to advance our specialty and improve the lives of performing artists, while others may help save the world.


2006 ◽  
Vol 21 (2) ◽  
pp. 80-87 ◽  
Author(s):  
Taylor Buckley ◽  
Ralph Manchester

Purpose: Performing arts medicine has traditionally focused on the medical problems of classical musicians. Unfortunately, there is a paucity of data regarding differential incidence or prevalence of injury in nonclassical musicians. The present study analyzed the baseline prevalence, new onset of injury following a substantial increase in playing time at a music camp, and any possible correlation with technical and postural deficits in a population of amateur folk instrumentalists. Methods: Preliminary and follow-up questionnaires were used to gather background and new incidence data, respectively. A subset of subjects was recorded on video, which was independently analyzed for technical deficits at a later time. Results: Lifetime prevalence is 54% for a previous injury attributed to playing a musical instrument and point prevalence is 19%. Following the camp, prevalence increased to 44% (p = 0.001), and incidence of new injury was 31%, including individuals with more than one active injury. A higher rate of injury correlated with a greater increase in absolute playing time, relative playing time above baseline, and absolute time above baseline during the camp, although these did not reach statistical significance. The limited technical analysis qualitatively correlated a technical deficit to an injury at the same anatomical location in 15 of 47 cases using only a single-view video for analysis. Conclusion: Lifetime and point prevalence is similar to that reported in several studies of classical musicians. Further inquiry into technical and postural analysis may help to identify the cause of, and potentially prevent, overuse injuries in folk and classical musicians.


2008 ◽  
Vol 23 (2) ◽  
pp. 47-53 ◽  
Author(s):  
Rebecca Barton ◽  
Judy R Feinberg

The purpose of this program evaluation was to examine the effectiveness of an educational course in health promotion and injury prevention designed specifically for college music majors. Course content included the provision of information on medical problems commonly seen in musicians, effective health promotion and preventive strategies, and application of this knowledge to music playing and other daily occupations. Students were taught how to assess risk for potential injury for themselves and their future students. Course content and self-assessment questionnaires aimed at assessing the students' use of health and injury prevention measures were administered before the start of the course, immediately after course completion, and 6 weeks later. The outcomes indicated that students improved in their overall knowledge of the content covered in this educational module and that this increased knowledge was retained 6 weeks later. Interestingly, self-perceived application of health promotion and injury prevention strategies did not improve significantly at the completion of the course but did so 6 weeks later, possibly indicating that behavior change takes longer to incorporate into one's daily routine. Literature suggests that such education programs have benefited performing artists, and these results indicate the efficacy of this type of educational program within an academic curriculum for student musicians. In addition, this program illustrates the role of the occupational therapist as a consultant and educator in the practice of performing arts medicine.


2016 ◽  
Vol 31 (2) ◽  
pp. 122-123
Author(s):  
Bronwen J Ackermann

There is no doubt that the field of performing arts medicine continues to grow at a rapid pace. While the consistently high rate of injuries reported by musicians and dancers internationally drives the need for better injury prevention and management strategies, the increasing research and clinical knowledge base provides a platform for further advancements.


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