PROMOTING SOCIAL INCLUSION AND DESIRE TO LEARN: THE USE OF DIGITAL STORYTELLING AS A LEARNING TOOL FOR REFUGEES AND MIGRANTS

Author(s):  
Brit Svoen
Author(s):  
Elisabetta Falchetti ◽  
◽  
Pascuala Migone ◽  
Cristina Da Milano ◽  
Maria Francesca Guida

This contribution intends to present the design, methodology and first results of MEMEX, a 3-year project (2019-2022) funded by the European programme Horizon2020, aimed at promoting social cohesion through collaborative, heritage-related tools that provide inclusive access to tangible and intangible cultural heritage (CH) and, at the same time, facilitates encounters, discussions and interactions between communities at risk of social exclusion. Cultural participation is conceived as a way to engage communities in lifelong learning processes taking place in informal contexts, aiming at promoting social inclusion and cohesion. To achieve these goals, MEMEX uses innovative ICT tools that provide a new paradigm for interaction with heritage through Digital Storytelling (DS), weaving heritage-related memories and experiences of the participating communities with the physical places/objects that surround them. The project encompasses the ICT tools and the use of DS in the framework of Audience Development (AD), defined as a strategic and dynamic process enabling cultural organisations to place audiences at the centre of their action. The use of DS applied to CH is highly related to lifelong learning processes, since it provides knowledge, understanding, awareness, engagement and interest, enjoyment and creativity. The evaluation of a number of DS produced by migrant women participating in a MEMEX pilot project in Barcelona confirms the validity and soundness of the methodology and the power of DS to engage in cultural experiences.


Author(s):  
Sinan Kaya

The purpose of this chapter is, as a self-regulated learning tool, to focus on digital storytelling by uncovering relationship between digital storytelling and self-regulated learning process/based on research findings made in the its field. Within this focus, firstly, concept of digital storytelling was theoretically addressed; researches made in learning-teaching for use have been presented; later, self-regulated learning processes and strategies have been defined and given examples. Finally, research findings on the use of digital stories as self-regulated learning tools have been shared.


Author(s):  
Rofiza Aboo Bakar

Digital storytelling has been proposed as an influential language learning tool that can facilitate learners’ reading comprehension and creativity.  There is an interplay between digital storytelling and comprehension.  Likewise, there is a connection between digital storytelling and creativity.   However, this chemistry that exists is far more complex than previous studies have expressed.  This paper puts forth a novel model by which to honor the inter-relationship among digital storytelling, reading comprehension and creativity.  The model proffers a practical aim that can allow teachers to recognize and applaud students’ effort whenever they create their digital storytelling, for comprehension and creativity, among other 21st-century literacy skills, have simultaneously and ideally taken place.


2012 ◽  
Vol 142 (1) ◽  
pp. 157-166 ◽  
Author(s):  
Tanja Dreher

The continual rise of participatory media offers increasing opportunities for nonprofessionals and marginalised communities to tell their stories. In the policy arena, Australia's Social Inclusion Agenda and international debates on indicators of well-being name ‘voice’ as a key capability for social inclusion and individual flourishing. In this article, I engage recent scholarship on ‘listening’ and ‘voice that matters’ to highlight the limits of the participatory media genre of digital storytelling and of the social inclusion category of ‘voice’. The discussion is illustrated via examples from public launch events for ‘mini-films’ produced in digital storytelling projects facilitated by Information Cultural Exchange (ICE), a new media arts organisation working in Sydney's cosmopolitan western suburbs. While these public events ensure a process of ‘voice’, I argue for a greater commitment to political listening in media research, practice and policy, lest the promise of ‘voice’ remain only partially fulfilled.


2018 ◽  
Vol 11 (2) ◽  
pp. 298-304 ◽  
Author(s):  
Katherine M Boydell ◽  
Chi Cheng ◽  
Brenda M. Gladstone ◽  
Shevaun Nadin ◽  
Elaine Stasiulis

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