Charting hxstories in Sāmoan visual and digital art

In this article, addressing the absences of cultural memory from existing institutional archives is accounted for in the development of new curatorial display territories, both online and in the gallery. The imperatives to claim new digital territories as extensions of homeland territories are contextualized within the discussion of the curated works in the first in a series of exhibitions titled Sāmoan Hxstories, Screens and Intimacies supported from Tkaronto/Toronto by imagineNATIVE Film and Media Arts Festival for the Indigenous world and for all Sāmoan diasporas. The co-design of new Indigenous language terms including siapo viliata are also discussed.

Integrating STEM with Music

This book explores how science, technology, engineering, and mathematics (or STEM) initiatives are becoming more common in our educational system while depicting what it means to teach not only the students of today, but the citizens of tomorrow. This resource will provide 15 fully-developed and classroom-vetted instructional plans with assessments that are aligned to articulate learning from kindergarten through grade 12. With these instructional lessons and adaptations for K-12 music and STEM classes, pre-service educators, in-service educators, and administrators can better understand and immediately use tools for planning, assessing, and the practical integrating of STEM with Music. The arts, which includes music, visual art, dance, theater, and digital/media arts, bring creativity and innovation to the forefront in STEM learning. STEM learning can move teachers of the arts in a positive direction, but there are mixed messages about what that means and looks like. Many natural connections can be made between science, technology, engineering, math, and music. Twenty-first century learning skills and career-ready practices are framed so that the creativity and innovation necessary to succeed in STEM content areas and careers can be directly addressed by the educational community. The connection that is made between STEM content areas and music stimulates inquiry, dialogue, and critical thinking.

Plurality the types of art in contemporary art: specifics of media art

The purpose of the article is to study the types of artistic creativity in modern fine arts, taking into account the specifics of media arts. The methodology is the cultural-semiotic analysis of the forms of manifestation of visualization of modern art culture. The application of a systematic approach allowed us to study semiotic systems that contribute to the comprehensive disclosure of the problem of the semantics of modern forms of visualization. The scientific novelty of the work is to understand the specifics of the new media arts, taking into account their interactivity, network communication, and virtuality. Conclusions. The interaction of visual art forms and interactive technologies is a combination of artistic manifestations with visualization and programming, so, unlike the processes of classical education, this art practice, in addition to the artist, requires group work of specialists in various fields. Artists working in new forms of visual art play the role of "director" of the project, embodying their own artistic ideas in collaboration with other participants. The actualization of the art of new media is manifested primarily through the expansion of artistic creativity and the creation of multimedia projects that combine VR, AR technology, animation, and traditional shaping and drawing. Therefore, modern visual arts are becoming a powerful tool and communicative tool of modern culture. Today, Ukrainian artists are actively using visual images as central elements of visual culture. Since modern cultural communication significantly influences the formation, providing the composition and translation of cultural values, with the help of visual images artists are able to more accurately express the idea of the work, to make it understandable to the maximum number of viewers.

Penerapan Pajak Terhadap Industri Film Di Masa Pandemi

Taxes are compulsory contributions to the state that are owed by individuals or entities that are compelling based on law, without receiving direct compensation and used for the state’s needs for the greatest prosperity of the people. Tax payments are used to finance state households so that the benefits are felt by the wider community or for the public interest. The film industry is a creative industry engaged in the media, arts and culture. Compared to other creative industry sectors, the film, video and photography industries have the highest creativity and knowledge capital, as forms of intangible assets. Effectiveness means that the goals that have been planned before can be achieved or in other words, the targets are achieved because of the activity process. With the existence of an open letter and protests by the film industry, it has resulted in the provision of relief and incentives from the finance minister for entertainment tax, especially for films.

Penyelesaian Sengketa Konsumen Oleh Badan Penyelesaian Sengketa Konsumen (BPSK)

Taxes are compulsory contributions to the state that are owed by individuals or entities that are compelling based on law, without receiving direct compensation and used for the state’s needs for the greatest prosperity of the people. Tax payments are used to finance state households so that the benefits are felt by the wider community or for the public interest. The film industry is a creative industry engaged in the media, arts and culture. Compared to other creative industry sectors, the film, video and photography industries have the highest creativity and knowledge capital, as forms of intangible assets. Effectiveness means that the goals that have been planned before can be achieved or in other words, the targets are achieved because of the activity process. With the existence of an open letter and protests by the film industry, it has resulted in the provision of relief and incentives from the finance minister for entertainment tax, especially for films. The purpose of this study is to determine the arrangements regarding consumer dispute resolution and dispute resolution mechanisms in the Consumer Sengkera Settlement Agency. The research method used is the normative research method. The legal materials used are primary and secondary legal materials and the data analysis technique uses qualitative methods. The results of his research are (1) the settlement of disputes in consumer protection is regulated in Law no. 8 of 1999 concerning Consumer Protection which regulates dispute resolution is divided into 2 (two), namely court channels and outside court channels such as negotiation, conciliation, mediation, and others. BPSK as a dispute resolution agency domiciled in the provincial capital, and (2) consumer dispute resolution at BPSK, in Article 15 Paragraph (1) of the Republic of Indonesia's Minister of Industry and Trade Decree No. 350 / MPP / Kep / 12/2001 regarding the implementation of the duties and authorities of BPSK stated that consumers or business actors who feel their rights have been impaired can submit a consumer dispute resolution request to.