scholarly journals Screen Language on Textual Equivalent: Equivalent of the Marked Structure Language Semiotics(LS)

2009 ◽  
Vol 35 (4) ◽  
pp. 109-123
Author(s):  
이다현
2021 ◽  
Vol 45 (3) ◽  
pp. 320-335
Author(s):  
Kyle C. Dunham

The time poem in Eccl 3.1–8 reflects a marked structure and progression of themes. These connections suggest that the initial lines of vv. 2, 5, and 8 open their respective stanzas by focusing on a similar theme: war and peace. This thread clarifies the meaning of Qohelet’s enigmatic throwing and gathering stones, activities for which no fewer than nine interpretations have been suggested. While interpreters have favored a reference to sexual intercourse, this view is unlikely. I contend that a preferable solution modifies an earlier interpretation relating the throwing and gathering of stones to acts of wartime and peacetime. The throwing away of stones relates to the demobilization of the military, while the gathering of stones relates to the mobilization for war (1 Sam 17.40; 2 Chron 26.14–15). This interpretation offers a more consistent approach to the themes of war and peace developed in the poem’s stanzas.


Paramasastra ◽  
2016 ◽  
Vol 3 (2) ◽  
Author(s):  
Dyan Wahyuning Praharwati

Curriculum is used as a foundation that contains technical rules. Curriculum used in the practice of education is currently 2013 curriculum. Language and literature Indonesia teaching should be implemented based on the national 2013 curriculum. In the 2013 curriculum KD 4.13 there are varying the fable/legend of the local area by changing the characters, setting, end of story, and serving on a secondary class VII. KD 4.13 learning especially for the text of the fable can be done by integrating the education of aesthetics. Aesthetic education strives to capture the beauty in works of literature. The aesthetics in literary works include aesthetics of language, aesthetic, cultural, aesthetic and transcendental. Integrating the education of aesthetics can be done by way of capturing such aesthetic forms in the works of literature. Aesthetics of literary works that captured can be used to perform variations against the fable. The activities of fables varying is done with structure, language, content, or genre varying. Fables varying learning can also be used to prepare the students to face the MEA. MEA is the current discourse concerning the renewal of the economic activities of the ASEAN community. Attempts to prepare the students to face the MEA can be done by way of a creative economy aiming by way of entering the field of publishing/printing as well as performances. Results of the study theory paper is focused on the discussion (1) fables varying learning, (2) the form of aesthetic value, (3) learning design of fables varying by aesthetic education integrated, and (4) the efforts of the creative economy was aiming for.


2020 ◽  
pp. 1-42
Author(s):  
Raoul Zamponi ◽  
Bernard Comrie

This chapter provides background information on the languages of the Great Andamanese and Ongan language families and more specifically on Akabea, plus information on Akabea social structure, language contact, and the nature of the extant language documentation. It also provides a typological survey of Akabea, including features interesting for areal typology.


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