Problematizzazione, contesa e rivalutazione del bello nell’arte, tra relativismo filosofico, pratica artistica e senso comune

Aesthetic perception is today a confused and controversial experience. In common sense relativistic conception of beauty, coexists with the consideration of the so-called “masterpieces” as works in which there is a stable aesthetic value. Philosophical and scientific relativism seems to have definitively set aside the conception of beauty not only as a universal value, but also as the essence of art, as it is counted among those universal metaphysical values, which have long been questioned. But some philosophers, such as Severino, say the opposite. Today seems to be a tendency to rediscover beauty above all in art, as a contemplative perception. Would the eventual return of art to beauty mean a return to universal metaphysical values? The difference between Kantian adherent beauty and free beauty is analyzed. The first is linked to metaphysical values, as an expression of an idea. The second, free beauty, on the other hand, has no metaphysical characteristics because it is not linked to a concept, therefore an expression of empirical harmonies. But also with regard to free beauty, the Kantian idea that sentiment can perceive its universality as an intersubjective value, is today difficult to accept both theoretically and empirically. This happens because today sentiment is no longer cultivated in the perception of beauty through canons, which are also disqualified for the pretense of universality in determined forms. Here, too, a distinction must be made between classical anthropometric canons and archaic non-naturalistic canons. We discover that the former are affected by a metaphysical foundation, while the latter reveal a different structure with other functions. According to Florenskij, the canon is not oppressive but liberating. On these suggestions and on empirical evidence we theorize that the (non-naturalistic) canon constitutes a guide for the recognition of a polyvalence of expressive language in which feeling coordinates with the other functions of consciousness, leading to transcend language itself in a non-metaphysical dimension. This suggests that this polyvalent structure that emerges from the canons is associated with beauty, as aimed at its realization.

Validation of an Aesthetic Assessment System for Commercial Tasks

Automatic prediction of the aesthetic value of images has received increasing attention in recent years. This is due, on the one hand, to the potential impact that predicting the aesthetic value has on practical applications. Even so, it remains a difficult task given the subjectivity and complexity of the problem. An image aesthetics assessment system was developed in recent years by our research group. In this work, its potential to be applied in commercial tasks is tested. With this objective, a set of three portals and three real estate agencies in Spain were taken as case studies. Images of their websites were taken to build the experimental dataset and a validation method was developed to test their original order with another proposed one according to their aesthetic value. So, in this new order, the images that have the high aesthetic score by the AI system will occupy the first positions of the portal. Relevant results were obtained, with an average increase of 52.54% in the number of clicks on the ads, in the experiment with Real Estate portals. A statistical analysis prove that there is a significant difference in the number of clicks after selecting the images with the AI system.

Aesthetic Determinants in the Pottery Tradition of the Urhobo People of Nigeria’S Niger Delta

Pottery practice is one of the three-dimensional enterprises of the Urhobo people who inhabit part of the Niger Delta region of Nigeria. The people are also known for the production of massive sculptures in wood and mud. Many of the pottery products of the people are, as is the case with their sculptures, configurations of volumes. The expressiveness of these pots is, in part, determined by the way in which the constituting volumes meet each other. In most literature that is available on this art practice of the people, this structural feature is diminished in importance or not considered as a contributing element to the general aesthetics of the ware. This paper interrogates the structural elements that constitute the pots. This is done by dissembling the pots into their structural components (volumes) and analyzing the manner of their coming together to constitute the pot. The findings show that two basic transitions are used as aesthetic attributes in the pottery products from the study area. The study also reaffirms that the extent to which an object satisfies the purpose for which it is made is a strong determinant of the aesthetic value ascribed to the object by a people.

Assessment of Aesthetic Quality of Urban Landscapes by Integrating Objective and Subjective Factors: A Case Study for Riparian Landscapes

To improve human well-being, there is increasing awareness of elevating aesthetic benefits by landscape design, planning, and management. However, which landscape features and attributes may be associated with aesthetic value of an urban landscape, human aesthetic preference, and landscape practices is still not clear yet. We proposed a comprehensive aesthetic assessment approach to realise the determination of landscape aesthetic indicators, integration of objective indicators and subjective preferences, and validation of estimations. The approach was based on a four-level landscape aesthetic indicator system from the bottom features up to attributes (landscape naturalness, landscape complexity, plant species diversity, water surface, water clarity, and bank naturalness), component qualities, and finally overall quality. Fourteen metrics that could provide objective visual and spatial characters and ecological implications were identified and quantified to indicate landscape aesthetic features. Landscape aesthetic attributes, vegetation and waterbody component qualities, and overall quality were estimated by integrating objective indicators and human subjective preferences. The approach was applied to a case study of four subareas along an artificially restored riparian buffer in Beijing, China. The results showed that the modelled overall aesthetic quality was determined by both vegetation (accounting for 53%) and waterbody. The higher vegetation quality depended on the higher plant abundance, more vegetation patches, and more vegetation patch types; the higher waterbody quality depended on the clearer water and larger water surface. Compared with other features, vertical vegetation configuration, diversity of patch type and patch shape, and shrub species diversity had greater contribution to the attributes of naturalness, complexity, and plant species diversity, respectively. The modelled vegetation aesthetic attributes were directly validated using the surveyed perceptions, and the modelled vegetation and waterbody aesthetic qualities were indirectly validated by correlating with the main recreational activities. The approach is confirmed to be able to address the questions on determination, integration, and validation of landscape aesthetic indicators in some way. Thus, the approach is expected to be used for other landscapes to offer a framework for landscape practices to improve aesthetic value and cultural service.

The Assessment of the Tourism Potential of the Tagus International Nature Reserve Landscapes Using Methods Based on the Opinion of the Demand

There are different methodologies to assess landscape preferences, however there is no consensual methodology that can be replicated to identify their tourism potential. Recent studies have focused on agricultural landscape preferences due to their cultural characteristics. Although agricultural activity conflicts with the management models of natural protected areas, traditional models and sustainable practices reveal opportunities to boost tourism in this area, both for their aesthetic value, and for the opportunity to preserve biodiversity and maintain “lively landscapes”. The present study focuses on a double approach to collect data to measure the preferences for landscape typologies to realize outdoor/recreative activities in Tagus International Nature Reserve (TINR), among them, agricultural landscapes, such as the agro-silvopastural system “Dehesa/Montado” or olive grove. The preference of the landscapes were evaluated through photographs with pairwise comparison and without photographs observation, in which 174 respondents were consulted with. The different methodologies applied allowed for the extraction of different results, which led to the assumption that in fact there is no single methodology to assess preferences. However, the application of the analytic hierarchy process (AHP) methodology with photographical pairwise comparison allowed for the extraction of more robust results when considering attractions with tourism typologies, revealing that “Cultural tourism/Rural mixed” and “Agritourism” were the most valued. This information is pertinent to support TINR managers and local tourism promoters to plan and structure products and services based on button-up methodologies.

The Skills of Intended Meaning behind the Context when Reading Poetry among Fifth Grade Students- Literary Branch from Teachers’ Perspectives

The current research aims to investigate the skills of the intended meaning beyond the context when reading poetry among fifth literary students. To achieve the aim of the research, the researcher has followed the descriptive approach and used two tools: an open questionnaire that includes an inquiry about the skills of the intended meaning beyond the poetic context, and a closed questionnaire that were examined by the juries, and modified accordingly. Besides, its validity and stability were examined by applying the study on an exploratory sample of (15) teachers to reach its final version and determine the time required to answer it. Then, the researcher applied it on the research sample of (96) male and female teachers selected from various schools in the center of Babylon Governorate, who teach fifth grade of the literary branch. After processing the responses statistically, the research has concluded the following: three intended meaning skills have been identified to determine the intended meaning beyond the poetic context. Regarding the item (training students to be able to determine the meaning of difficult words in the text) of the first item of the skill, it has the highest score, as its intensity reached (4,41) and its percentage weight reached (%88,3). The item (training students to be able to understand the hidden meaning of the text and the recognition of its aesthetic value) of the second item of the skill has gained the highest score which amounts to (4.33) with a percentage weight of (%86.6). The item (training the students on the use of educational aids related to the text, which may be pictures or phrases) of the third item of the skill has received the highest score, as its intensity reached (4.5) a percentage weight of (%90). According to these results, the researcher has recommended that students should be given enough time to be able to consider and understand the meaning of a text.

The Aesthetic Education Value of Thematic Art Creation

Thematic art creation is a product of a complex social, historical, and cultural context, and it fills an important position in the development of modern and contemporary Chinese art history. Since the 21st century, with the introduction and implementation of a series of national major thematic art creation projects, thematic art creation has gradually moved from a marginal position in art history to a core area, becoming a visual narrative method with independent aesthetic value. Moving towards cultural consciousness and carrying cultural self-confidence, thematic art creation requires the guidance, standardization, and support of related art theories. The lack and absence of theoretical research restricts the development of thematic art creation. This study combs through the research results and literature materials of thematic art creation since the new century as well as studies the aesthetic education value of thematic art creation image narration.

Socio-Cultural Appropriateness of the Use of Historic Persian Gardens for Modern Urban Edible Gardens

Historic gardens have the ability to provide several ecosystem services in cities, including provisioning services (i.e., food production). The historic gardens in Iran (known as “Persian Gardens”) have never been considered as places that could be used for food production. As a result, the purpose of this paper is to investigate whether the Iranian historic gardens’ spatial and structural layout is suitable for modern urban food gardening. We conducted field studies in six recognized Persian gardens in four provinces of Iran via qualitative analysis according to socio-cultural guidelines drawn from a literature review. The results suggested that combining the elements of formal landscape design, non-edible decorative plants, and traditional artwork would increase the Persian gardens’ attractiveness. Regarding encouraging users to become involved in urban gardening, we found that separating productive units containing edible plants from public units using a central meeting spot populated by aesthetic plants and items may attract ordinary visitors who are interested in gardening without disturbing anyone’s activities. Furthermore, the Persian gardens’ multifunctionality, aesthetic value, and health-promoting qualities constitute a considerable historic achievement in garden design, making the gardens a suitable model for edible urban gardening. The results of this study can enhance our understanding of the Persian gardens’ spatial and structural design and provide practical implications for sustainable urban planning and landscape architecture.