Aspects of Multiculturalism in the Poetry of Elmaz Abinader and Maya Angelou

Author(s):  
أحمد عبد السلام
Keyword(s):  
2021 ◽  
Vol 17 (3) ◽  
pp. 210-220
Author(s):  
Nadene Harisunker ◽  
Carol du Plessis

This psychobiography focuses on meaning making in the early life and young adulthood of acclaimed African American author Maya Angelou (1928-2014) through the lens of Frankl’s existential psychology with a specific focus on the tri-dimensional nature of human beings and the fundamental triad. The primary data source was Angelou’s own published autobiographies, which contain an in-depth narrative of her early life and young adulthood. Data was extracted, organised and analysed according to established qualitative research methods as well as through the identification of psychological saliences. The search for meaning within Angelou’s own narrative of her life was clearly apparent in the thematic analysis. Angelou’s narrative of her journey through the physical (childhood and adolescence), psychological (travelling and searching years) and spiritual (sensemaking years) dimensions was core to her meaning making. The three tiers of the fundamental triad (awareness of meaning, will to meaning, freedom of will) were present in various aspects of Angelou’s existential journey, manifesting as a focus on choice, responsibility, purpose, and acceptance. This study provides a more in-depth understanding of meaning making processes in the lives of extraordinary individuals, as well as contributing to the development of the research method of psychobiography, with a specific focus on meaning making.


2017 ◽  
Vol 3 (1) ◽  
pp. 152-159
Author(s):  
Jules B. Farber

Rather than write a classic biography of James Baldwin in the last cycle of his life—from his arrival in 1970 as a black stranger in the all-white medieval village of Saint-Paul, until his death there in 1987—I sought to discover the author through the eyes of people who knew him in this period. With this optic, I sought a wide variety of people who were in some way part of his life there: friends, lovers, barmen, writers, artists, taxi drivers, his doctors and others who retained memories of their encounters with Baldwin on all levels. Besides the many locals, contact was made with a number of Baldwin’s further afield cultural figures including Maya Angelou, Harry Belafonte, Sidney Poitier, Angela Davis, Bill Wyman, and others. There were more than seventy interviews in person in places as distant as Paris, New York or Istanbul and by telephone spread over four years during the preparatory research and writing of the manuscript. Many of the recollections centred on “at home with Jimmy” or dining at his “Welcome Table.”


Author(s):  
Robin E. Field

The new understanding of the victim’s psyche in rape fiction is derived from the literature of the anti-rape movement and autobiographical accounts of sexual assault. The rhetoric of this 1970s social movement, particularly the persuasive language of polemical nonfiction and the first-person narration in testimonies and autobiographies, inspired rape fiction. The use of sociopolitical theories and newly discovered facts about sexual assault informed the themes and plots of the first rape novels, and autobiographies and testimonies provided a bridge between the galvanizing rhetoric of social activism and subsequent fiction. The diverse texts that contributed to the emergence of the rape novel—from the transcripts of the consciousness-raising sessions of radical feminists to the memoirs of Maya Angelou and Billie Holiday—highlight the primacy of social movements to this new genre.


Author(s):  
Peggy D. Bennett

“You can’t change what you don’t acknowledge,” as Dr. Phil McGraw said. “When we know better, we do better,” said Maya Angelou. Tenets such as these remind us that knowing paves a path toward personal power. That doing furnishes opportunities for personal peacefulness. Tempers rise. Feelings hurt. Resilience flees. When these things happen in schools, it’s time to inhale, stand tall, and get to work . . . on ourselves! This book has reminded us that there are peaceful ways to intervene. It has also informed us that there is power in our choice of words and behaviors. With the balance of peace and power, we can help mend the turmoil. We need not give up personal peace for power or personal power for peace. Peace and power reside in our ability to be generous of spirit, to recast meanings, and to minimize fear. We see others’ troubles as their own, even as we care about them. We problem- solve ways to alleviate difficulties, even as we know the quest is likely infinite and “letting go” can be a wise choice. Teaching with Vitality reminds us that we are powerful in shap­ing our lives and the quality of our relationships. We recognize our always- growing, always- changing internal resources for reconnecting with students, co- workers, and parents. If we don’t know what to do, we search for ways to understand and act. We resolve to do better, one step at a time. You now have many options for considering your course. You have many perspectives from which to make your choices. Though it may appear that we are working to fix others’ behaviors, we are the beneficiaries: we change our minds to change our perspectives, to change our relationships, to change ourselves. And through it all, we can revive. We can thrive. We can find ourselves on the path to health and wellness in our schools and in our communities. And, we can see vitality return to our teaching.


2010 ◽  
Vol 47 ◽  
Author(s):  
Mail Marques de Azevedo

Por meio de paralelos entre o tratamento da ancestral feminina - elemento-chave na preservação e transmissão da cultura negra tradicional - na autobiografia de Maya Angelou, I know why the caged bird sings e no romance Sula, de Toni Morrison, este trabalho observa como Morrison subverte estereótipos e convenções literárias a fim de estabelecer liâmes com as raízes ancestrais da cultura afro-americana, numa tentativa de preservar tradições ameaçadas.


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