scholarly journals Synthesis of Arab-Muslim Culture in Persia and Northern India: Historical Background

Islamovedenie ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 114-123
Author(s):  
Egnara Gaikovna Vartanyan ◽  

The article is devoted to the analysis of the process of the Persian language and culture de-velopment in the Middle Ages and the modern period, its continuity from the Sassanid era to the Samanid and Safavid eras and the synthesis of Arab-Muslim culture in Persia and India. The author turns to the origins of the New Persian language, examines the influence of Iranian culture on the cultural development of neighboring people and demonstrates that the Farsi language influenced the emergence in the Delhi Sultanate of a new Urdu language with a predominance of Persian-Arabic vocabulary. The synthesis of the Arab-Muslim culture of Iran, the mutual influence of the Arab-Islamic and local cultures, clearly manifested in the development of architecture, are considered. Chronologically, the article covers the period of the Middle Ages and the modern period. The re-search is based on the methodological principles of historicism and objectivity, as well as on the his-torical-comparative, historical-genetic, historical-typological methods and civilizational approach. The author concludes that the Iranian cultural influence in the Middle Ages and in the modern peri-od extended to all the eastern lands of Islam – from the Seljuk state to India. The Muslim society was multifaceted, yet subject to the strict rules of Islam. Classical Muslim thought and culture were characterized by a high adaptive capacity. At the end of the twentieth century, the Iranians declared the Persian language an important factor of cultural integration and the foundation of the national mentality. The Farsi language was proclaimed “the second language of Islam”, and the knowledge and study of classical poetry and philosophy of Sufism was recognized as an important means of consolidating the Muslims of the region. This cultural policy contributed to overcoming the interna-tional isolation of the Islamic Republic of Iran and expanding the scope of regional cooperation.

The Oxford Handbook of Latin Palaeography provides a comprehensive overview of the development of Latin scripts from Antiquity to the Early Modern period, of codicology, and of the cultural setting of the mediaeval manuscript. The opening section, on Latin Palaeography, treats a full range of Latin book hands, beginning with Square and Rustic Capitals and finishing with Humanistic minuscule. The Handbook is groundbreaking in giving extensive treatment to such scripts as Old Roman Cursive, New Roman Cursive, and Visigothic. Each article is written by a leading expert in the field and is copiously illustrated with figures and plates. Examples of each script with full transcription of selected plates are frequently provided for the benefit of newcomers to the field. The second section, on Codicology, contains essays on the design and physical make-up of the manuscript book, and it includes as well articles in newly-created disciplines, such as comparative codicology. The third and final section, Manuscript Setting, places the mediaeval manuscript within its cultural and intellectual setting, with extended essays on the mediaeval library, particular genres and types of manuscript production, the book trade in antiquity and the Middle Ages, and manuscript cataloguing. All articles are in English. The Handbook will be an indispensable guide to all those working in the various fields concerned with the literary and cultural dynamics of book production in the Middle Ages and Early Modern period.


2021 ◽  
pp. 371-397
Author(s):  
Sanja Zubčić

The Glagolitic space refers to the area where in the Middle Ages or the Early Modern Period the Glagolitic script was used in texts of different genres and on different surfaces, and/or where the liturgy was held in Croatian Church Slavonic, adopting a positive and affirmative attitude towards Glagolitism. In line with known historical and social circumstances, Glagolitism developed on Croatian soil, more intensely on its southern, especially south-western part (Istria, Northern Croatian Littoral, Lika, northern Dalmatia and adjacent islands). Glagolitism was also thriving in the western periphery of that space, in today’s Slovenia and Italy, leading to the discovery and description of different Glagolitic works. It is the latter, their structure and language, that will be the subject of this paper. Starting from the thesis that innovations in language develop radially, i.e. starting from the center and spreading towards the periphery, it is possible to assume that in the western Glagolitic periphery some more archaic dialectal features will be confirmed among the elements of the vernacular. It is important that these monuments were created and used in an area where the majority language is not Croatian, so the influence of foreign language elements or other ways of expressing multilingualism can be expected. The paper will outline the Glagolitic activity in the abovementioned space and the works preserved therein. In order to determine the differences between Glagolitic works originating from the peripheral and central Glagolitic space, the type and structure of Glagolitic inscriptions and manuscripts from Slovenia and Italy will also be analysed, especially with respect to potential periphery-specific linguistic features. Special attention is paid to the analysis of selected isoglosses in the Notebook or Register of the Brotherhood of St. Anthony the Abbot from San Dorligo della Valle.


Author(s):  
John Marenbon

This introductory chapter explains how medieval philosophy has hardly made an appearance before in this series of philosophy lectures, and why the author decided on a theme that brings together thinkers from the Middle Ages and the early modern period. It then briefly summarizes the arguments of the three main chapters and of the responses to them.


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