The Modern Sense of Ukiyo‐e Artists in the Late Edo Period - Focusing on the First Step toward Media Mix -

2017 ◽  
Vol null (79) ◽  
pp. 311-330
Author(s):  
손정아
Keyword(s):  
Edo Period ◽  
Media Mix ◽  
Modern Sense

Sonic Movements – Spatial Reflexivity

Somatechnics ◽  
2014 ◽  
Vol 4 (1) ◽  
pp. 133-148
Author(s):  
Johanna Hällsten
Keyword(s):  
Alarm System ◽  
Edo Period ◽  
Public Places ◽  
Ongoing Research ◽  
Site Specific ◽  
Rural Environments ◽  
The World ◽  
Architectural Structures ◽  
Sonic Environment ◽  
Sonic Structures

This article aims to investigate the creation of space and sound in artistic and architectural fields, with particular emphasis on the notions of interval and duration in the production and experience of soundscapes. The discussion arises out of an ongoing research project concerning sonic structures in public places, in which Japanese uguisubari ([Formula: see text]) – ‘nightingale flooring’, an alarm system from the Edo period) plays a key role in developing new kinds of site-specific and location-responsive sonic architectural structures for urban and rural environments. This paper takes uguisubari as its frame for investigating and evaluating how sounds create a space (however temporary), and how that sound in turn is created through movement. It thus seeks to unpick aspects of the reciprocal and performative act in which participant and the space engage through movement, whilst creating a sonic environment that permeates, defines and composes the boundaries of this space. The article will develop a framework for these kinds of works through a discussion on walking, movement, soundscape and somatechnical aspects of our experience of the world, drawing upon the work of Merleau-Ponty, Bergson and the Japanese concept of Ma (space-time).

Media-mix japonés: funcionamiento y posibilidades

Neuróptica ◽  
2020 ◽  
pp. 249-252
Author(s):  
Julia Rigual Mur
Keyword(s):  
Cross Media ◽  
Media Mix

Reseña del libro: HERNÁNDEZ PÉREZ, M., Manga, anime y videojuegos. Narrativa cross-media japonesa, Zaragoza, Prensas Universitarias de Zaragoza, 2017.

ФІГУРА УСЛАВЛЕННЯ ЯК ТЕМБРАЛЬНЕ НАПОВНЕННЯ ПАРТІЇ КНЯЗЯ ІГОРЯ В ОДНОЙМЕННІЙ ОПЕРІ О. БОРОДІНА

2020 ◽  
Author(s):  
Admink Admink
Keyword(s):  
Cultural Studies ◽  
General Construction ◽  
Modern Sense

Продемонстровано уявлення в сучасному українському мистецтвознавстві та культурології відомостей про тембральну стратегію й загальну конструкцію опери «Князь Ігор» за авторськими установками у науковому передбаченні сучасного смислу розуміння подій «Слова о полку Ігоревім» в композиції твору О. Бородіна.Ключові слова: славлення, тембр співу, опера, семантика баса, «Князь Ігор» О. Бородіна. The article demonstrates the presentation in Ukrainian art and cultural studies of information about the timbre strategy and the general construction of the opera Prince Igor in accordance with the author's attitudes and scientific foresight of the modern sense of understanding the events of the Word of Igor's Campaign in the composition of A. Borodin.Key words: glorification, timbre of singing, opera, bass semantics, «Prince Igor» by A. Borodin

Natives, Religion, and Race in Colonial America

2018 ◽  
Author(s):  
Linford D. Fisher
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Colonial America ◽  
The Other ◽  
Native Peoples ◽  
Religion And Race ◽  
Racial Lines ◽  
Modern Sense ◽  
Over Time

Although racial lines eventually hardened on both sides, in the opening decades of colonization European and native ideas about differences between themselves and the other were fluid and dynamic, changing on the ground in response to local developments and experiences. Over time, perceived differences were understood to be rooted in more than just environment and culture. In the eighteenth century, bodily differences became the basis for a wider range of deeper, more innate distinctions that, by the nineteenth century, hardened into what we might now understand to be racialized differences in the modern sense. Despite several centuries of dispossession, disease, warfare, and enslavement at the hands of Europeans, native peoples in the Americans almost universally believed the opposite to be true. The more indigenous Americans were exposed to Europeans, the more they believed in the vitality and superiority of their own cultures.

Introduction

2020 ◽  
pp. xx-4
Author(s):  
Brad E. Kelle ◽  
Brent A. Strawn
Keyword(s):  
Hebrew Bible ◽  
Topic Area ◽  
Critical Nodes ◽  
History Texts ◽  
Modern Sense

This brief chapter introduces the Oxford Handbook of the Historical Books of the Hebrew Bible. It notes the secondary and constructed nature of the category “Historical Books” (which is not native to the Hebrew Bible) and how this category might be potentially misleading as to the content and genre of these books, many of which are devoid of historiographic intent in anything like the modern sense. With these caveats entered, the introduction next explains how the essays in the book touch on four critical nodes: context (sources, history, texts), content (themes, concepts, issues), approaches (composition, synthesis, theory), and reception (literature, traditions, figures). Further, each essayist was asked to speak to how the topic/area/issue addressed in the essay relates to the Historical Books, as well as how the topic/area/issue helps one better interpret the Historical Books. In conclusion, this introduction notes the diversity that marks recent research in these books.

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