scholarly journals Review of Joanne Shattock, ed., Journalism and the Periodical Press in Nineteenth-Century Britain (2017/2019)

2021 ◽  
Vol 6 (2) ◽  
Author(s):  
John Morton
Keyword(s):  
Nineteenth Century ◽  
Periodical Press

Review of Joanne Shattock, ed., Journalism and the Periodical Press in Nineteenth-Century Britain (2017/2019)

Balaam and Bedlam

2017 ◽  
Author(s):  
James Whitehead
Keyword(s):  
Nineteenth Century ◽  
Periodical Press ◽  
Cultural Phenomenon ◽  
Romantic Poetry ◽  
Edinburgh Review ◽  
Moral Management ◽  
Quarterly Review ◽  
Forensic Rhetoric

This chapter shows how contemporary reviews of Romantic poetry, and the hostile rhetoric of insanity they used, both stigmatized and popularized the Romantic mad poet. A forensic rhetoric, drawing directly on medical ideas of partial insanity and critical ‘moral management’, was deployed by the periodical press in the first quarter of the nineteenth century—first the quarterlies like the Edinburgh Review and the Quarterly Review, then later new capricious and aggressive magazines such as Blackwood’s, and more quotidian or staid journals—against all of the major Romantic poets. The chapter shows, moreover, how the polemical terms in which Romantic poets were dismissed also held the seeds of their later canonization. The periodical critics, while they used slurs of meaningless insanity to dismiss poetry for political and reactionary ends, also spread the fame of ‘mad genius’, turning a marginalized opinion on the link between creativity and disorder into a cultural phenomenon.

Intergenerational Collaboration and Conflict: Women’s Periodicals at the Fin de Siècle

2018 ◽  
Author(s):  
Alexis Easley
Keyword(s):  
Nineteenth Century ◽  
Print Culture ◽  
New Woman ◽  
New Products ◽  
New Age ◽  
Women's Magazines ◽  
Fin De Siecle ◽  
Popular Press ◽  
Periodical Press ◽  
Women's Periodicals

This chapter examines conflicts between different generations of women in the late decades of the nineteenth century as played out in the popular press, including the burgeoning market for women’s magazines. It shows how print culture, including in new feminist magazines, constructed and then exploited divisions between the ‘old lady’, ‘new woman’ and ‘new girl’, often for the purposes of advertising new products. It shows how at this time the modern woman was represented in the periodical press as a consumer and advertising commodity, as a sensationalist figure of controversy, as well as a symbol of the new age.

Art and the Literary

2014 ◽  
pp. 636-656 ◽  
Author(s):  
Hilary Fraser
Keyword(s):  
Nineteenth Century ◽  
Oscar Wilde ◽  
Literary Form ◽  
Walter Pater ◽  
John Ruskin ◽  
Periodical Press ◽  
Dante Gabriel Rossetti ◽  
Illustrated Books ◽  
Word And Image ◽  
Victorian Period

This essay explores the creative dialogue between practices of writing, reading, and viewing in the Victorian period evident from the proliferation of new or greatly enhanced intermedial forms: illustrated books and magazines; narrative and genre paintings; pictures with accompanying texts; the portrait as an experimental literary form; fiction about art; ekphrastic poetry; and the new genre of art literature. It asks, what were the historical conditions for this extraordinary syncopation of word and image, writing and seeing? How do we understand the dynamically transformative contexts (a vastly expanding periodical press, new and diversified exhibition cultures, widening opportunities for travel) within which such visual/textual hybrids and doublings were produced and consumed, and in what ways were they constitutive of modernity? The chapter reflects upon ‘visuality’ as a nineteenth-century coinage, and the concept of ‘translation’ between media, discussing work by Frederic Leighton, Dante Gabriel Rossetti, John Ruskin, Walter Pater, and Oscar Wilde.

Some Aspects of the Conservative Attitude toward Poetry in English Criticism, 1798-1820

PMLA ◽  
1945 ◽  
Vol 60 (2) ◽  
pp. 386-398 ◽  
Author(s):  
William S. Ward
Keyword(s):  
Nineteenth Century ◽  
Literary Criticism ◽  
Periodical Press ◽  
National State ◽  
National Crisis ◽  
Lyrical Ballads ◽  
Conservative Attitude ◽  
Literary System

So reactionary was Lord Liverpool, whose Cabinet was formed in 1812 and lasted until 1827, that a French critic remarked that had Lord Liverpool been present on the first day of creation he would have cried out, “Mon Dieu, conservons le chaos.” Though this remark was aimed at one man, quite as appropriately it could have been directed at most of the gentlemen of the periodical press between 1798 and 1820; for this period, like many another era in time of national crisis, made literary criticism the handmaiden of politics, religion, and morality. During few periods have the review and literary departments of the magazines been so full of banal religious and political cant as during the first two decades of the nineteenth century. The ink might scarcely have been dry on Lyrical Ballads and the Preface, but so disturbed was the national state that everything conspired to bring about a thoroughly uncritical outlook and to make the age a most unpropitious one for launching a new literary system. In this short study the fortunes of Wordsworth and the “new poets” cannot be examined, but some of the forces of reaction with which they had to contend, at least as reflected in the periodicals, can be made clear.

scholarly journals Review of Constance Bantman and Ana Claudia Suriani da Silva, eds, The Foreign Periodical Press in Nineteenth-Century London: Politics from a Distance (2018)

2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Eloise Forestier
Keyword(s):  
Nineteenth Century ◽  
Periodical Press

A review of Constance Bantman and Ana Claudia Suriani da Silva, eds, The Foreign Periodical Press in Nineteenth-Century London: Politics from a Distance (London: Bloomsbury, 2018). 232 pp. ISBN 9781474258494

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