Some Observations on Mission Methods and Native Reactions in Sixteenth-Century New Spain

1994 ◽  
Vol 50 (3) ◽  
pp. 337-349 ◽  
Author(s):  
Stafford Poole

The purpose of this article is to examine some aspects of the evangelization of New Spain in the sixteenth century and the natives’ responses to it. This is a subject of tortuous complexity and one that cannot be adequately treated in a brief essay. Rather, this will be an attempt to highlight some of the more important and interesting aspects of this phenomenon. In doing so I will use some of my own researches into the Virgin of Guadalupe of Mexico to illustrate it and to show some of the pitfalls inherent in the topic.

2005 ◽  
Vol 61 (04) ◽  
pp. 571-610
Author(s):  
Jeanette Favrot Peterson

It was in 1531 that, according to the apparition legend first recorded over a hundred years later in 1648, Juan Diego’s visionary experience of the Virgin of Guadalupe was miraculously mapped onto his tilma (tilmatli in Nahuatl) or woven cloak. This painted cloth, hereafter referred to as the tilma image, is said to be the same relic venerated today in the basilica of the Virgin of Guadalupe in Mexico City (fig. 1). However, no sacred image is invented from whole cloth, to use a highly appropriate metaphor here, and the Mexican Virgin of Guadalupe is no exception. Moreover, its very materiality makes it vulnerable to the passage of time, the laws of physics and human intervention. As an object of human craft produced post-Conquest, it has a traceable genealogy within the combustible mix of art modes, mixed media and theological tracts found circulating in early colonial New Spain.


2005 ◽  
Vol 61 (4) ◽  
pp. 571-610 ◽  
Author(s):  
Jeanette Favrot Peterson

It was in 1531 that, according to the apparition legend first recorded over a hundred years later in 1648, Juan Diego’s visionary experience of the Virgin of Guadalupe was miraculously mapped onto his tilma (tilmatli in Nahuatl) or woven cloak. This painted cloth, hereafter referred to as the tilma image, is said to be the same relic venerated today in the basilica of the Virgin of Guadalupe in Mexico City (fig. 1). However, no sacred image is invented from whole cloth, to use a highly appropriate metaphor here, and the Mexican Virgin of Guadalupe is no exception. Moreover, its very materiality makes it vulnerable to the passage of time, the laws of physics and human intervention. As an object of human craft produced post-Conquest, it has a traceable genealogy within the combustible mix of art modes, mixed media and theological tracts found circulating in early colonial New Spain.


1968 ◽  
Vol 25 (2) ◽  
pp. 111-149
Author(s):  
Stafford Poole

The study of the opposition to the Third Mexican Council of 1585 provides a fascinating picture, not only of the determined efforts to undo the work of the most important ecclesiastical meeting of colonial New Spain but also of the various hostilities and animosities, intrigues and rivalries, that were at work in New Spain toward the end of the sixteenth century In the Third Council, the bickering of secular and religious priests, the opposition of bishops to the exorbitant privileges of the religious orders, the encroachments of the civil authority into the domain of the ecclesiastical, and the determination of clerics to defend their privileges and jurisdiction, all converged on the questions of (1) should the Council be permitted to publish its decrees and (2), once published, could they be put into execution?


Author(s):  
Matthew D. O'Hara

This concluding chapter looks at the discovery of a perplexing set of documents created in New Spain. Referred to as títulos primordiales, or primordial titles, the sources described the founding of Indigenous communities in the aftermath of the Spanish conquest in the sixteenth century. The títulos resonate strongly with other colonial documents of futuremaking and the shared ways of relating to time surveyed throughout this book. The Indigenous authors of the primordial titles engaged in a radical act of situating themselves in time: they marshaled the resources of the past, the resources of memory, and the resources of tradition to achieve goals in the present and craft diverse futures. Sometimes they presented their assembled resources as a narrative of the sixteenth-century present, at other times in the form of history or chronicle.


2018 ◽  
Vol 18 (1) ◽  
pp. 93-124
Author(s):  
Monika Brenišínová

Abstract This paper deals with sixteenth-century Mexican monastic architecture and art. Mexican monasteries were constructed all over the territory of New Spain (1635-1821) in relation to the need to evangelize the native American populations. The article discusses the place of this architecture and art in the historiography of the history of art taking into consideration the changes of paradigms and putting particular emphasis on anthropology and its approaches. In terms of method, it is interdisciplinary and combines synchronic and diachronic perspectives.


1957 ◽  
Vol 14 (1) ◽  
pp. 57-86
Author(s):  
†M. M. Lacas

No tourist who visits central Mexico will fail to pay a visit to the world-famous lake of Pátzcuaro. This beautiful and placid lake, with the several islands which dot its surface and the surrounding hills that frame it, formed, in olden times, the hub of the Michoacán Kingdom. Even today, it is the main habitat of the peaceloving Tarascan Indians who cluster around it and, partly at least, live on its abundant fish. An ancient author tells us that the word Michoacán means “fishing place,” and that the main occupation of the early Indians was the mild art of fishing, so opposed to the war-like activities of their neighbors to the east, the cruel Aztecs.


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