Stefan Zweig. Briefwechsel mit Hermann Bahr, Sigmund Freud, Rainer Maria Rilke und Arthur Schnitzler

1990 ◽  
Vol 63 (2) ◽  
pp. 313
Author(s):  
Adrian del Caro ◽  
Jeffrey B. Berlin ◽  
Hans-Ulrich Lindken ◽  
Donald Prater
Keyword(s):  
Sigmund Freud ◽  
Rainer Maria Rilke ◽  
Arthur Schnitzler ◽  
Stefan Zweig

scholarly journals Österreichische Literatur in der Zeitschrift "Wiadomości Literackie" in der Zwischenkriegszeit

2016 ◽  
Vol 18 (1) ◽  
pp. 9-32
Author(s):  
Elżbieta Hurnikowa
Keyword(s):  
Rainer Maria Rilke ◽  
Hugo Von Hofmannsthal ◽  
Arthur Schnitzler ◽  
Kulturelle Bildung ◽  
Stefan Zweig ◽  
Joseph Roth

Das Hauptthema des Artikels ist die Rezeption der österreichischen Literatur der Zwischenkriegszeit in den Wiadomości Literackie. Das war eine der populärsten Zeitschriften dieser Periode, die sich sowohl die kulturelle Bildung der Gesellschaft, als auch die Verbreitung der fremden Literatur zum Ziel setzte. Am meisten wurde zwar die französische Literatur propagiert, man schenkte aber auch viel Aufmerksamkeit den deutschsprachigen Autoren (das beweisen Forscher, die im Artikel zitiert wurden). Man unterschied damals zwischen der deutschen und der österreichischen Literatur nicht, aber es wurden viele Verfasser, die heutzutage als Vertreter der österreichischen Literatur gelten, präsentiert: Joseph Roth, Stefan Zweig, Rainer Maria Rilke, Hugo von Hofmannsthal, Arthur Schnitzler, Ödön von Horváth, Franz Werfel u.a. Die Autorin beschreibt und kommentiert die Interviews mit den Schriftstellern, die Rezensionen ihrer Bücher und andere Artikel in der Zeitschrift Wiadomości Literackie.

Briefwechsel mit Hermann Bohr, Sigmund Freud, Rainer Maria Rilke und Arthur Schnitzler

1988 ◽  
Vol 62 (4) ◽  
pp. 652
Author(s):  
Harry Zohn ◽  
Stefan Zweig ◽  
Jeffrey B. Berlin ◽  
Hans-Ulrich Lindken ◽  
Donald A. Prater
Keyword(s):  
Sigmund Freud ◽  
Rainer Maria Rilke ◽  
Arthur Schnitzler

‘Behind the Poetic Fiction’: Freud, Schnitzler and Feminine Subjectivity

2004 ◽  
Vol 6 (2) ◽  
pp. 201-223
Author(s):  
Elizabeth Goodstein
Keyword(s):  
Sigmund Freud ◽  
The Other ◽  
Modernist Literature ◽  
Arthur Schnitzler ◽  
Feminine Subjectivity ◽  
The Uncanny ◽  
Poetic Fiction ◽  
Psychoanalytic Theories

In 1922 Sigmund Freud wrote to fellow Viennese author and dramatist Arthur Schnitzler: ‘I believe I have avoided you out of a sort of fear of my double’. Through a series of reflections on this imagined doubling and its reception, this paper demonstrates that the ambivalent desire for his literary other attested by Freud's confession goes to the heart of both theoretical and historical questions regarding the nature of psychoanalysis. Bringing Schnitzler's resistance to Freud into conversation with attempts by psychoanalytically oriented literary scholars to affirm the Doppengängertum of the two men, it argues that not only psychoanalytic theories and modernist literature but also the tendency to identify the two must be treated as historical phenomena. Furthermore, the paper contends, Schnitzler's work stands in a more critical relationship to its Viennese milieu than Freud's: his examination of the vicissitudes of feminine desire in ‘Fräulein Else’ underlines the importance of what lies outside the oedipal narrative through which the case study of ‘Dora’ comes to be centered on the uncanny nexus of identification with and anxious flight from the other.

The psychoanalyst and the poet ― a meeting between Sigmund Freud and Rainer Maria Rilke

2013 ◽  
Vol 36 (1) ◽  
pp. 52-56
Author(s):  
Sølvi Kristiansen
Keyword(s):  
Sigmund Freud ◽  
Rainer Maria Rilke

Life

2019 ◽  
pp. 46-74
Author(s):  
Marc Crépon ◽  
James Martel
Keyword(s):  
Sigmund Freud ◽  
Common Good ◽  
Human Life ◽  
The World ◽  
Stefan Zweig ◽  
Life Itself ◽  
Good For

This chapter discusses not only how the fabric of relations binds people to all others, but also how its fissures are a part of the “nature” or the “essence of life,” at least “human life.” If it is true that all life, however it defines its belonging, is protected by the ideals and the institutions that constitute a common good for humanity, and if it is true, more importantly, that no one can elude murderous consent, then the paradox of murderous consent is that humanity's common good turns against life itself. Rather than merely accept, encourage, and promote the destruction of life, the fabric of relations that should prevent such annihilation assists it. All wars, all acts of violence, whether civil or between states, trample on the ideals of humanity, even as those who are responsible for the abuse proclaim these same ideals as their own. Nothing that safeguards life is immune from being invoked and exploited so as to effect this kind of reversal. This was the bitter conclusion—as expressed in his Reflections on War and Death—that Sigmund Freud reached in 1915 after the first of four long years of mutual devastation by Europe's nations. Stefan Zweig—in The World of Yesterday: Memories of a European, a retrospective on the war—came to this same conclusion regarding literature, though twenty-five years later.

scholarly journals Lost Dolls, Lost Souls in Elena Ferrante’s La figlia oscura

2019 ◽  
Author(s):  
Nilay Kaya
Keyword(s):  
Sigmund Freud ◽  
Walter Benjamin ◽  
Charles Baudelaire ◽  
Rainer Maria Rilke ◽  
The Self ◽  
To Come

This paper aims to analyse Elena Ferrante’s use of the metaphor of playing with dolls in her novel, La figlia oscura (The Lost Daughter). With a view of shedding a light on this issue, the first part of the paper will review the prominent essays of Sigmund Freud, Ernst Jentsch, Walter Benjamin, Rainer Maria Rilke and Charles Baudelaire that question the nature of playing with dolls in terms of psychology with various focuses. These essays generally agree on the fact that playing with dolls is a strong threshold to come to terms with the self, as well as on the fact that this coming to terms with the self is by nature not guaranteed. The second part will examine Elena Ferrante’s dealing with the problem of playing with dolls and her character’s journey to death and a possible psychological resurrection.

The Figure of Jeremiah in the Work of Stefan Zweig and Rainer Maria Rilke

2021 ◽  
pp. 552-565
Author(s):  
Rüdiger Görner
Keyword(s):  
Structural Analysis ◽  
Rainer Maria Rilke ◽  
Critical Attitude ◽  
Stefan Zweig

The prophet and the prophetic feature prominently in Rainer Maria Rilke’s Neue Gedichte (1907) and in Stefan Zweig’s one and only pacifist drama Jeremias (1917). This chapter examines the poetic and rhetorical significance of their renderings of the Jeremiah myth through in-depth textual and structural analysis. It shows the critical attitude towards the prophetic as expressed in Rilke’s poem “Jeremia” challenging the divine voice, which had turned the prophet into its mere mouthpiece. Furthermore, it discusses the interrelation between Rilke’s poem and Zweig’s drama in thematic terms, as well as the influence of Nietzsche’s Zarathustra on both.

Mental Healers: Franz Anton Mesmer, Mary Baker Eddy, Sigmund Freud. Stefan Zweig , Eden Paul , Cedar Paul

1933 ◽  
Vol 7 (2) ◽  
pp. 332-333
Author(s):  
Margaret W. Gerard
Keyword(s):  
Sigmund Freud ◽  
Stefan Zweig
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