Le Désir de mort romantique dans Caliste

PMLA ◽  
1972 ◽  
Vol 87 (3) ◽  
pp. 492-498
Author(s):  
Janine Rossard
Keyword(s):  
Sentimental Novel ◽  
Religious Feeling ◽  
Benjamin Constant ◽  
Death Wish

Apparently within the tradition of the sentimental novel, Caliste in fact centers around love, its obstacles, and the iniquities of the nobility. But equally, it demonstrates the absurdities of the bourgeois code, thus countering the philosophy of happiness that the sentimental genre exalts. Humiliation totally possesses Caliste as she gives up Vol-taireanreason, wishes to be freed from the constrictions of her personality, and longs for the positive sacrifice denied her by society. Deprived of true religious feeling, Caliste can only then turn to stoic sentimentality and thereby allow a wish for death to undermine her life. This death wish is a precursor of Romantic death as a refuge and as an expression of one's individuality. It reinforces a sense of the infinite rather close to that of the German pietists and pre-Romantics, Herman and Lessing; and calls for the vague des passions, showing Belle de Charrière, without Benjamin Constant, in a somewhat unusual light. (In French)

A Virtue for Courageous Minds

2012 ◽  
Author(s):  
Aurelian Craiutu
Keyword(s):  
Political Theory ◽  
French Revolution ◽  
Political Thought ◽  
Moral Virtue ◽  
Individual Liberty ◽  
History Of Political Thought ◽  
Common Notion ◽  
History Of ◽  
Benjamin Constant ◽  
Intellectual Foundations

Political moderation is the touchstone of democracy, which could not function without compromise and bargaining, yet it is one of the most understudied concepts in political theory. How can we explain this striking paradox? Why do we often underestimate the virtue of moderation? Seeking to answer these questions, this book examines moderation in modern French political thought and sheds light on the French Revolution and its legacy. The book begins with classical thinkers who extolled the virtues of a moderate approach to politics, such as Aristotle and Cicero. It then shows how Montesquieu inaugurated the modern rebirth of this tradition by laying the intellectual foundations for moderate government. The book looks at important figures such as Jacques Necker, Germaine de Staël, and Benjamin Constant, not only in the context of revolutionary France but throughout Europe. It traces how moderation evolves from an individual moral virtue into a set of institutional arrangements calculated to protect individual liberty, and explores the deep affinity between political moderation and constitutional complexity. The book demonstrates how moderation navigates between political extremes, and it challenges the common notion that moderation is an essentially conservative virtue, stressing instead its eclectic nature. Drawing on a broad range of writings in political theory, the history of political thought, philosophy, and law, the book reveals how the virtue of political moderation can address the profound complexities of the world today.

The Writings of Skryabin

2018 ◽  
Author(s):  
Simon Nicholls ◽  
Michael Pushkin ◽  
Vladimir Ashkenazy
Keyword(s):  
World View ◽  
Creative Activity ◽  
Creative Play ◽  
Religious Feeling ◽  
The World ◽  
The Face ◽  
Section Viii ◽  
The Universe ◽  
Final Text ◽  
Life Work

An introduction by Boris de Schloezer gives the genesis of the final text in the section, the Preliminary Action, and explains its relation to Skryabin’s projected life-work, the Mystery. Section I: an effusion of Orthodox religious feeling from teenage years. Sections II-VII: Around 1900, an expression of rejection of God in the face of disillusion is followed by the text of the choral finale of the First Symphony, declaring faith in the power of art. An unfinished opera libretto, symbolic in narrative, expressing belief in Art’s power to seduce and persuade. Three notebooks develop a world view in which the world is the result of the self’s creative activity. The creation of art and of the universe are identical. There is a higher self, identical with divinity. Forgetfulness of individuality leads to freedom and universal consciousness. Section VIII: The literary poem written during the composition of the symphonic Poem of Ecstasy summarises the scenario developed in the notebooks. Life starts with the desire to create, delight in creative play meets opposition, the creative goal is achieved and disappointment sets in. The process is repeated until it is realized that the struggle is itself joyful and self-affirmation is achieved. Section IX: The text of the Preliminary Action is symbolic in structure. Primal Male and Female Principles emerge; the Female is identified with Death. Life arises from the union of energies. Struggle and bloodshed follow. The conclusion is an impulse towards unification, the synthesis of experience and dematerialisation. Both the complete first draft and the incomplete revision are included.

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