The Bronze Age cultural landscape at Zijderveld

Author(s):  
Sebastiaan Knippenberg
Author(s):  
Gavin MacGregor ◽  
Jennifer Miller ◽  
Julie Roberts ◽  
Michael Donnelly ◽  
Gary Tompsett ◽  
...  

As part of the Historic Scotland Human Remains Call Off Contract, Glasgow Univ ersity Archaeological Research Division (GUARD)undertook an archaeological excavation of a prehistoric urned cremation deposit within a boulder shelter at Glennan, Kilmartin, Argyll and Bute (NGR NM86220097). Analysis has shown the cremation was of a male probably aged between 25 and 40 years. He had suffered from slight spinal joint disease, and mild iron deficiency anaemia, though neither seems likely to have affected his general health. He was cremated shortly after death, together with a young sheep/goat, and their remains were subsequently picked from the pyre and co-mingled before burial in the urn. An unburnt retouched flint flake was recovered which may have accompanied the burial. The closest parallels for the cremation container are found within the tradition of Enlarged Food Vessel urns, a tradition that is poorly dated but probably has a currency in the first half of the second millennium BC. Radiocarbon dating was problematic: a sample of heather-type charcoal from the fill of the urn was dated and provided a range of cal AD1260-1390 at 2 sigma (OxA-10281). A second date was obtained from a sample of hazel charcoal from the lowest part of the fill of the urn, which provided a range of 3370-2920 cal BC at 2 sigma (GU-9598). There are sufficient examples of animal bone previously found accompanying Bronze Age burials to suggest that animals may have had a role in mortuary rites before burial of human remains, though the role and status of these animal remains is not always clear. Although the sample is small, the evidence suggests that, depending on the burial rite, some species of animals were considered more appropriate than others for inclusion; pigs associated with inhumation and goat/sheep associated with cremation burials. The choice of a domesticated animal to accompany the mortuary rites may have been of significance during a period when agro-pastural farming was being widely practiced, and may reflect the perceived inter-relationship between the cultural landscape of people and their livestock. The context of deposition of an Enlarged Food Vessel urn at Glennan, in a boulder shelter in the uplands, provides an interesting contrast with the known deposition of Food Vessels focused on the valley floor at Kilmartin. It indicates that while many of the more visible ceremonial and funerary sites of the second millennium BC may focus on the floor of the glen, other parts of the landscape were also significant in terms of such activities.POSTSCRIPT The cremated bone from the Glennan urn, that had previously given some problematic dates (Report Section 8) has now (March 2004) produced a result of 3615+/-35BP (GrA-24861). At 2130-1880 calBC (2-sigma), this is well within the range of dates for such Vase Urns. The author of SAIR 8 acknowledges the Society of Antiquaries of Scotland for funding this radiocarbon date and the National Museums of Scotland Dating Cremated Bone Project (especially Dr Alison Sheridan) for organising it.


2002 ◽  
Vol 68 ◽  
pp. 165-183
Author(s):  
Robin Skeates

Using the approach of visual culture, which highlights the embeddedness of art in dynamic human processes, this paper examines the prehistoric archaeology of the Lecce province in south-east Italy, in order to provide a history of successive visual cultures in that area, between the Middle Palaeolithic and the Bronze Age. It is argued that art may have helped human groups to deal with problems in subsistence and society, including environmental changes affecting the cultural landscape and its resources, the breaking up of old social relations and the establishment and maintenance of new ones. More specifically, art appears to have become increasingly related to the expression of religious and even mythical beliefs, and in particular to the performance of ceremonies and rituals in selected spaces such as caves. This may reflect the existence of a long-term tradition of performance art in prehistory, involving performers and viewers, in which art helped to structure and heighten the sensual and social impact of the acting human body.


Author(s):  
Mick Atha ◽  
Kennis Yip

In Chapter 8 all the strands of evidence are drawn together within an overarching synthetic analysis of patterns of human activity through time, which are then interpreted in terms of the development, use, and past experience of Sha Po’s multi-period cultural landscape. The shifting patterns of human activity during the 6,500-year span of the study also permit the changing backbeach landform to be modelled as it expanded westward through time. Social landscape reconstructions, aided by artist’s impression drawings, focus in particular on activities evidenced during the Bronze Age, Six-Dynasties-Tang period, and Qing to early twentieth century.


2018 ◽  
pp. 93-102
Author(s):  
Dan Ștefan ◽  
Alexandru Popa

The study presents the results of a series of interdisciplinary researches conducted in the area of Coldău fortification, especially through methods specific for aerial archaeology of low and medium altitude, as well as geophysical measurements and investigations. These were meant to complete the already known data from previous archaeological diggings conducted by N. Vlassa in 1967. The fortification’s rampart is not visible in height, but is marked on the surface with quite visible, large, brown or brick-red boulders. Their structure is very different of the soil’s matrix. The boulders have a high density, compact texture, many gaseous inclusions and a glass-like gloss. A first evaluation of the fortification system was done through measuring the soil’s magnetic susceptibility (2012). Later (2012, 2015) the geophysical studies were continued on larger surfaces, by using magnetometry. The site at Coldău belongs to the wider frame of vitrified forts. These stand out by having, inside the rampart, a nucleus that went through strong structural changes due to extreme thermic conditions. Both the rampart and the surrounding ditch are well visible in the magnetic map processed during our researches. The geophysical data show that they both had the same dimensions throughout the entire surface we measured: the ditch was approx. 8 m wide and the rampart approx. 11 m. The fortification system is not the only element that requires reopening the discussion about the site at Coldău. Based on the magnetometric maps one can easily notice that the inner part of the site does not totally lack magnetic anomalies. These are quite many in the western part of the site. They could be interpreted as traces of degraded prehistoric complexes. Nevertheless, the small density of these magnetic anomalies does not offer proper support for any scenery in which the site could have been the host of intense human activity in the past. In order to decode the role of the fortification at Coldău in the economic and cultural landscape of this region at the end of the Bronze Age we need to conduct further interdisciplinary researches and, maybe even extend the archaeological diggings, especially in the areas where we already detected geophysical anomalies.


2019 ◽  
Vol 94 (1) ◽  
pp. 116-132
Author(s):  
Mateusz Jaeger ◽  
Jakub Niebieszczański ◽  
Mateusz Stróżyk

Abstract Thus far, prehistoric rock art has not been featured in the discourse concerned with the archaeology of Poland due to the absence of finds there belonging to this category. This text presents the very first identified specimens of cup marks in the present-day territory of Poland; all differ significantly in terms of context, which consequently determines the potential for interpreting the finds. The first is a boulder which was put in place as grave-marker at a Wielbark Culture site dated to Late Iron Age. The find appears to overlap with the general pattern of regularities observed in the funerary rituals of the Wielbark communities. The second instance is an isolated boulder with cup marks – most likely positioned ex situ – discovered at Wilcza (Greater Poland). Regarding the latter, available information contributes little to determination of chronology of the cup marks and the original location of the boulder in the landscape, thus obscuring the primary function of the feature. The third boulder yielded the most contextual information; it is situated within a complex of numerous Middle Bronze Age barrows in Smoszew, at a site which constitutes a part of the Bronze Age cultural landscape that has survived in the Krotoszyn Forest in southern Greater Poland. For the authors, this very feature served as a basis for a contextual and chronological analysis of rock art which has hitherto remained unknown in Poland. In light of obtained data, the cup-marked boulder from Smoszew should be approached as an element of the funerary landscape created by the Tumulus Culture community and evidence of broader cultural processes which linked particular regions of Europe in the Bronze Age.


2004 ◽  
Vol 70 ◽  
pp. 173-205 ◽  
Author(s):  
John Coles

The rock carving site of Bro Utmark in Bohuslän is one of the largest in Sweden. Its hundreds of carved images reflect a variety of Bronze Age concerns, and the boats, warriors and animals depicted demonstrate the work of master carvers in the period 1600-300 BC, but concentrated in the later Bronze Age (1100–600 BC). The site is central to a concentration of about 200 carved sites, burial mounds, and other monuments. During the Bronze Age, Bro Utmark lay near the shoreline of a sea which was 15 m higher in relation to the land. The evolving cultural landscape of the Bronze Age suggests incremental settlement in the emergent land, with shorelines and wetlands providing focal points for activity.


2002 ◽  
Vol 12 (1) ◽  
pp. 21-55 ◽  
Author(s):  
John K. Papadopoulos

This article focuses on the early coinage of the Akhaian cities of South Italy — Sybaris, Kroton, Metapontion, Kaulonia, Poseidonia — against the backdrop of colonization. Minting an early and distinctive series of coins, these centres were issuing coinage well before their ‘mother-cities’, a phenomenon that has never been fully appreciated. With its origins in a colonial context, the Akhaian coinage of Magna Graecia not only differs from that of the early coin-minting states of the Greek mainland, it offers a case study that challenges long-held assumptions and potentially contributes to a better understanding of the origins of coinage. It does so by suggesting that coinage is much more than a symbol of authority and represents considerably more than just an abstract notion of sovereignty or hegemony. The images or emblems that the Akhaians of South Italy chose for their coins are those current in the contemporary cultural landscape of the historic Akhaians, but at the same time actively recall the world of the heroic Akhaians of the Bronze Age by referring to prehistoric measures of value. More than his, the vicissitudes of colonial and indigenous history in parts of South Italy in the Archaic period were not merely reflected in coinage, the coins themselves were central to the processes of transformation. By boldly minting — constructing — their identity on coinage, the Akhaians of South Italy chose money in order to create relations of dominance and to produce social orders that had not existed before.


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