Wu Zhuoliu, Orphanization, and Colonial Modernity in Taiwan

2017 ◽  
pp. 155-201
Keyword(s):  
Colonial Modernity

scholarly journals Peasants, Colonialism, and Sovereignty: The Garo rebellions in eastern India

2021 ◽  
pp. 1-37
Author(s):  
SANGHAMITRA MISRA
Keyword(s):  
Historical Narrative ◽  
Colonial State ◽  
Colonial India ◽  
Colonial Modernity ◽  
Northeastern India ◽  
British Rule ◽  
Core Elements ◽  
Colonial Archive ◽  
History Of

Abstract This article studies two seismic decades in the history of the Garo community, marked out in colonial records as among the most violent and isolated people that British rule encountered in eastern and northeastern India. Through a densely knit historical narrative that hinges on an enquiry into the colonial reordering of the core elements of the regional political economy of eastern and northeastern India, it will train its focus on the figure of the rebellious Garo peasant and on the arresting display of Garo recalcitrance between 1807 and 1820. Reading a rich colonial archive closely and against the grain, the article will depart from extant historiography in its characterization of the colonial state in the early nineteenth century as well as of its relationship with ‘tribes’/‘peasants’ in eastern and northeastern India. A critique of the idea of primitive violence and the production of the ‘tribe’ under conditions of colonial modernity will occupy the latter half of the article. Here it will argue that the numerous and apparently disparate acts of headhunting, raids, plunder, and burning by the Garos on the lowlands of Bengal and Assam were in fact an assembling of the first of a series of sustained peasant rebellions in this part of colonial India—a powerful manifestation of a community's historical consciousness of the loss of its sovereign self under British rule.

Eventful Transformations: Al-Futuwwa between History and the Everyday

2007 ◽  
Vol 49 (3) ◽  
pp. 689-712 ◽  
Author(s):  
Wilson Chacko Jacob
Keyword(s):  
Original Study ◽  
Historical Event ◽  
Public Figure ◽  
Colonial Modernity ◽  
The Public ◽  
Gender Norm ◽  
New Politics ◽  
Present Essay ◽  
The Everyday ◽  
Historical Relationship

A special correspondent for the leading Egyptian newspaper al-Ahram wrote from Alexandria on 28 May 1936: “One of the effects of the Al-Bosfur nightclub murder in Cairo is that its circumstances have led to an interest in the problem of ‘al-futuwwat’ [sing., al-futuwwa] and how much power and influence (al-sat˙wa) they have in the capital and in other Egyptian cities.” The murder referred to was that of a popular singer and dancer, Imtithal Fawzi, by a band of assassins led by failed businessman and weight-trainer Fuad al-Shami. I argue here that this murder can be read as an instance of a larger event, which might be inscribed in the following way: a moment that irrevocably branded the public figure of futuwwa with the additional meanings of thug, mobster, and nefarious villain—bal ˙tagi. This is not the conventional way of registering this moment; indeed, the modern transformation of al-futuwwa is rarely considered as a historical event. It is not my aim here to affirm or deny the outcome of this transformation, nor am I suggesting that the normative conception of al-futuwwa as an Islamic ideal of masculinity had never before had any negative connotations. Rather, I posit—and want to interrogate—a changed historical relationship in the constitution of al-futuwwa, in which the nature of history itself was radically transformed and contributed to the formation of a new politics and a new subject of politics. As part of the hegemonic rise of this field of politics and its subject, history typically shows, or simply presumes, that other life-worlds, like that of the futuwwat and their particular form of power, were rendered exceptional and ultimately obsolete. In a larger project from which this article is drawn, I explored the gendered constitution of that new cultural and political hegemony. I labeled the gender norm that emerged at the intersection of colonial modernity and nationalism as effendi (bourgeois) masculinity, which I located in a new constellation of practices and discourses around the desirable, modern body. The present essay is in part an effort to de-center this bourgeois figure and the terms of its narration, which I unwittingly reproduced in the original study by rendering the event of the futuwwa's transformation as a bit part within a larger story of ostensibly greater national and historical import.

Pastoralism and the Making of Colonial Modernity in Kulu, 1850–1952

2009 ◽  
Vol 13 (2) ◽  
pp. 65-83 ◽  
Author(s):  
Chetan Singh
Keyword(s):  
Colonial Modernity

Surviving Desire: Reading Ḥāfiz̤ in Colonial India

2021 ◽  
pp. 1-37
Author(s):  
Ali Altaf Mian
Keyword(s):  
South Asia ◽  
Fourteenth Century ◽  
Social Reform ◽  
Literary Tradition ◽  
Divine Love ◽  
Colonial India ◽  
Colonial Modernity ◽  
The World ◽  
Mystical Theology

Abstract This article contributes to scholarship on Muslim humanities, Islam in modern South Asia, and the Urdu literary tradition in colonial India. It does so by contextualizing and closely reading Ashraf ʿAlī Thānavī’s (1863–1943) commentary on the Dīvān of the fourteenth-century Persian poet Ḥāfiz̤. Unlike his modernist contemporaries, Ashraf ʿAlī does not read Ḥāfiz̤ through the prisms of social reform or anti-colonial nationalist struggle. Rather, in his capacity as a Sufi master, he approaches Ḥāfiz̤’s Dīvān as a mystical text in order to generate insights through which he counsels his disciples. He uses the commentary genre to explore Sufi themes such as consolation, contraction, annihilation, subsistence, and the master-disciple relational dynamic. His engagement with Ḥāfiz̤’s ġhazals enables him to elaborate a practical mystical theology and to eroticize normative devotional rituals. Yet the affirmation of an analogical correspondence between sensual and divine love on the part of Ashraf ʿAlī also implies the survival of Ḥāfiz̤’s emphases on the disposability of the world and intoxicated longing for the beloved despite the demands of colonial modernity.

Colonial Modernity and Diffusion of Power: Identity and Community Formation among Mappilas of Malabar

2021 ◽  
Vol 34 (1-2) ◽  
pp. 105-119
Author(s):  
Shameer T.A
Keyword(s):  
Essential Role ◽  
Community Formation ◽  
Cultural Changes ◽  
Colonial State ◽  
Colonial Modernity ◽  
Transmission Of Knowledge ◽  
Social Fact ◽  
The Press ◽  
Analytical Category ◽  
And Diffusion

Abstract This paper explores colonial modernity and the knowledge system’s role in constituting community formation among the Mappilas of Malabar. Colonial modernity, such as the introduction of printing, made this transformation more advanced and communitarian in structure. It also discusses colonialism as a force to reshape and bring socio-cultural changes in Malabar during the time. It argues that the existence of a clearly defined community is not a predetermined social fact; it looks at how the Mappilas were represented in an analytical category. In Malabar, the press and literature have played an essential role in framing community consciousness among Mappila society. Print media has brought a revolution in the transmission of knowledge. This paper will encompass the coming of the printing press and the moulding of community consciousness among the Mappilas of Malabar. It discusses the discursive and non-discursive practices of the colonial state for constructing various identities in Malabar.

Sign in / Sign up

Export Citation Format

Share Document