Ceramic Analysis and the Indus Civilization.

Author(s):  
Alessandro Ceccarelli ◽  
Cameron A. Petrie
1935 ◽  
Vol 67 (4) ◽  
pp. 720-721
Author(s):  
K. P. Jayaswal

In this Journal, ante, pp. 307 f., in an article with the above title, Dr. C. L. Fábri draws attention to the affinity that seemingly exists between symbols found on the Mohenjo-daro and Harappā seals and those on certain punch-marked coins. As the impression might be conveyed by this paper that Dr. Fábri was the first to be struck by this correspondence, it is only fair to note that two Indian scholars had previously called public attention to this similarity, citing several of the identical examples now given by Dr. Fábri. Dr. Pran Nath noticed the resemblance between the signs five years ago, and made a special study of the punch-marked coins in the British Museum in this connection; he referred to the question on more than one occasion, and published specific examples in the Indian Historical Quarterly, vol. vii (1931), Supplement, pp. 11 f. Mr. Durga Prasad also, in pamphlets and lectures and in the thesis submitted to the Numismatic Society of India, which won the gold medal of the Society in 1933 (at Baroda), had dealt with the question.


Author(s):  
Marcia Rizzutto ◽  
Manfredo Tabacniks

Systematic research into art and cultural heritage objects in museum collections are growing daily across the world. They are generally undertaken in partnership with archaeologists, curators, historians, conservators, and restorers. The use of scientific methods to answer specific questions about objects produced by different societies reveals the materials and technologies used in the past and gives us a better understanding of the history of migration processes, cultural characteristics, and thereby more grounded parameters for the preservation and conservation of cultural heritage. The use of non-destructive methods, such as the PIXE analysis, is very suitable in such studies because damage or alteration is avoided and the integrity of the object maintained. Such techniques gave historians and curators at the Archaeological and Ethnology Museum in São Paulo new understanding of the Chimu collection of ceramics as well as of the technical process of preventive conservation.


2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Yama Dixit ◽  
David A. Hodell ◽  
Alena Giesche ◽  
Sampat K. Tandon ◽  
Fernando Gázquez ◽  
...  

Author(s):  
Mary Elizabeth Fitts

According to the model of coalescence discussed in chapter 4, the political process of merging previously distinct communities should result in the integration of labor and collective identities. In this chapter, mid-eighteenth-century Catawba pottery and items of personal adornment are enlisted to assess whether this was the case for the people living around Nation Ford. Ceramic analysis is used to delineate constellations of practice, thereby providing information about the size of the work groups making pottery as well as the character of interaction between them. Next, patterns in the distribution of artifacts associated with mid-eighteenth-century Catawba adornment, including glass beads and metal fasteners, are examined in an effort to determine if they were being used to communicate generalized Southeastern Indian identities, matrilocal community identities, or both.


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