Sunday afternoon at Claire Carlyle’s

I ◽  
2019 ◽  
pp. 239-240
Keyword(s):  
Author(s):  
Jessica Ridgway ◽  
Stephanie Link
Keyword(s):  

1975 ◽  
Vol 64 (5) ◽  
pp. 64
Author(s):  
Richard Calisch
Keyword(s):  

PMLA ◽  
1975 ◽  
Vol 90 (6) ◽  
pp. 1029-1037
Keyword(s):  

2020 ◽  
pp. 283-290
Author(s):  
Stevan K. Pavlowitch

I was first ‘introduced’ to Stevan Pavlowitch thanks to Hurst sometime in 1993. A freshly arrived refugee from the former-Yugoslavia, unsure what to do with life and yet to begin my university studies in history, I was wandering the streets of Covent Garden when the Africa Centre bookshop on King Street caught my attention. Among the various books on African topics stood a biography of Tito, written by someone obviously of Yugoslav origin, but the spelling of whose surname suggested he had lived outside Yugoslavia for considerably longer than me. It was a Sunday afternoon, the only time I was off work (as a busboy and a barman in London clubs and pubs), and the bookshop was closed, to my disappointment. I stared at the book display for what seemed like a long time, excited and emotional, probably wondering who was Stevan K. Pavlowitch, what did he write about Tito, my (our?) former president, and why would an African cultural centre sell a biography of Yugoslavia’s late leader....


Author(s):  
John G. Rodden

August 12, 1951. It’s a brilliant Sunday afternoon in the eastern sector of Berlin, the DDR’s capital, now an urban showplace of 1.7 million residents and proudly known on road signs as Berlin, Hauptstadt der DDR—a simple declaration of the SED’s ongoing claim to the entire city as DDR territory. The boulevards are clean and neat in Alexanderplatz, the downtown area of East Berlin. Windows are bedecked with flowers, and flags from every nation of the globe festoon the buildings, which are draped with tapestries displaying the goal of world socialism in dozens of languages: Friede, Pokoj, Paix, Beke, Pax, Pace, Peace. But a walk off the main drag casts doubt on whether there is much cause to preen: six years after the war’s close, block after block of row houses are still gutted. The decrepit trolley cars are slow-moving war survivors; postwar automobiles are nowhere to be seen, except for a few “official” vehicles of the government and People’s Police. Rubble lines every side street. The National Reconstruction Program, a much-publicized campaign to repair the DDR’s war-scarred cities, is not slated to begin until late fall. Economic reconstruction is barely under way. But ideological reconstruction is well advanced. Waves of Blueshirts, 100 abreast, pass at the rate of 30 ranks per minute in the gala marking the climax of the two-week World Festival of Youth and Students for Peace. Sponsored by the international Communist Youth Organization, this year’s festival dwarfs its predecessors in Prague (1947) and Budapest (1949), as well as the “Storm Berlin” Deutschlandtreffen (German rally) of 500,000 youth in May 1950. The theme for the 1951 festival is “Stalin’s Call to Arms for Peace.” The vast majority of the participants belong to the FDJ and JP, which together boast almost three million members. Down the treeless center parkway of Unter den Linden—the lime trees were cut down years ago—and from the side streets filled with debris sweep one million East Germans, along with 26,000 foreign guests from 104 countries.


Author(s):  
Edward Bellamy
Keyword(s):  

I never could tell just why, but Sunday afternoon during my old life had been a time when I was peculiarly subject to melancholy, when the color unaccountably faded out of all the aspects of life, and everything appeared pathetically uninteresting. The hours, which...


Author(s):  
Clyde E. Fant ◽  
Mitchell G. Reddish

Unfortunately, fascinating Samothrace does not receive the attention from foreign visitors it deserves. Except for the peak of the summer period, when many Greeks and a few others make mostly day trips to the island, Samothrace is largely ignored as a tourist destination. Weather in the winter can be harsh and windy, but otherwise the climate is inviting. Only a very few small hotels exist on the island (though there are many guest rooms available in private homes), and places to dine are limited, shopping even more so. But for an overnight visit, or perhaps a weekend, Samothrace is hard to beat for a sense of a Greek world that once was. The wild beauty that surrounds the once glorious buildings of the Sanctuary of the Great Gods, where the immortal Nike of Samothrace, now in the Louvre, once stood, is largely unmatched for a striking impression of Greek sanctuaries before they were surrounded by pavement and urban buildings. Do not miss this unique island if it is in reach of your journeys to Greece. The island of Samothrace (or Samothraki) can be reached easily by car ferry or hovercraft from Alexandroupolis, approximately 20 miles away. Although there is only one road that circles the island, an automobile or taxi is necessary to reach the site of the Great Sanctuary of the Gods, which lies 4 miles from the harbor at Kamariotissa. (Bus service is possible but infrequent.) If a taxi is used, be sure that a return is arranged; get a card from the driver with a phone number, and be aware that taxi service is not available on Sunday afternoon. The only telephone available is at the adjacent museum, and when it closes, if you are without transportation, be prepared to hike or use hitchhiking skills on the rare passing automobiles. Samothrace was known historically as the most remote of the Greek islands, which certainly is not true in modern times, when the nearby Thracian shore is a part of Greece. Likewise, the island is virtually equidistant from the Gallipoli peninsula of Turkey as well.


Author(s):  
Lynn M. Somers

Born in Paris in 1859 to a bourgeois family, painter and draughtsman Georges-Pierre Seurat enjoyed a brief but mature career as the leading French Neo-Impressionist. His invention of Divisionism (or "chromo-luminarism"), a painting technique grounded in science and the study of optics, challenged the spontaneity and fluidity of Impressionism, which by the 1880s had been largely subsumed by a capitalist gallery system. In 1886, at the eighth and final Impressionist exhibition, Seurat debuted his monumental Sunday Afternoon on the Island of La Grande-Jatte (1884–1886), a "patient tapestry" of line and color that led the art critic and activist Félix Fénéon to coin the term néo-impressionisme. Equally shaped by the Renaissance frescoes of Piero della Francesca and the Baudelairean praise of the ephemerality of modern life, La Grande-Jatte symbolically closed a chapter in French painting. Seurat’s systematic aesthetic produced an indelible impact on fin de siècle artists such as Vincent van Gogh, Paul Gauguin, Henri de Toulouse-Lautrec, Henri Matisse, and later Pablo Picasso, Robert Delaunay, and André Breton’s Surrealism, firmly establishing him as integral to the 20th-century avant-garde. Seurat’s oeuvre includes approximately 500 drawings and 6 major figure paintings, an astonishing output for a career that lasted only 11 years.


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