Tightening the Belt

Author(s):  
Lily Geismer

This chapter places the debates over voluntary integration within the context of the Boston busing crisis and the national recession. Explorations of the dramatic events that surrounded the Boston busing crisis have often focused on the ways in which “suburban liberals” passively stood by as working-class whites and blacks in the city endured the burden of school integration. However, the residents along Boston's Route 128 belt were not as removed from the events and issues as those depictions might suggest. The discussion about METCO during this period of turmoil illuminates how the various forces of suburban politics influenced the remedies to school desegregation and racial and economic inequality.

2020 ◽  
Vol 13 (2) ◽  
pp. 71-86
Author(s):  
Cinthia Torres Toledo ◽  
Marília Pinto de Carvalho

Black working-class boys are the group with the most significant difficulties in their schooling process. In dialogue with Raewyn Connell, we seek to analyze how the collective conceptions of peer groups have influenced the school engagement of Brazilian boys. We conducted an ethnographic research with students around the age of 14 at an urban state school in the periphery of the city of São Paulo. We analyzed the hierarchization process between two groups of boys, demonstrating the existence of a collective notion of masculinity that works against engagement with the school. Well-known to the Anglophone academic literature, this association is rather uncommon in the Brazilian literature. We have therefore attempted to describe and analyze here the challenges faced by Black working-class Brazilian boys to establish more positive educational trajectories.


2021 ◽  
pp. 147447402098725
Author(s):  
Susanne Frank

Since 2000, the City of Dortmund has pursued an ambitious flagship project in the district of Hoerde. On the enormous site of a former steel plant, and in the middle of an impoverished working class district, a large new upper-middle class residential area (Phoenix) has been developed around an artificial lake. Qualitative fieldwork suggests that the project has generated mixed feelings among longtime working class dwellers in the old part of Hoerde. Widespread enthusiasm about new lakeside living is interwoven with emotions of sadness and loss, reflecting a neighborhood transformation which unmistakably demonstrates their social, cultural, and political marginalization – feelings that were not allowed to become part of the jubilant official discourse which has marketed the Phoenix project as a shining example of the City’s successful post-industrial structural change. Ever since its announcement, the project has been blamed for triggering gentrification processes – despite the fact that there are still no empirical signs of rising rents or displacement. I argue that the concept of gentrification has been taken up so readily because it is popular, polyvalent, polemical, and critical, enabling citizens to find a language to denounce the blatant social inequalities and power imbalances that competitive urbanism has fostered in Dortmund. However, I also claim that the core of the prevailing sadness – the loss of the familiar neighborhood which could not be grieved over – remains under the radar of standard gentrification discourse. The article thus proposes neighborhood melancholy as a concept to account for the unclear, subconscious, and deeply ambivalent ways in which long-established residents experience their neighborhood’s transformation, expressed within the rubric of gentrification.


Modern Drama ◽  
2021 ◽  
Vol 64 (4) ◽  
pp. 442-457
Author(s):  
William McEvoy

This article argues that the work of Welsh theatre director and playwright Peter Gill occupies a unique place in post-1960s’ British playwriting. It explores Gill’s plays as – using theatre critic Susannah Clapp’s phrase – the “missing link” between kitchen-sink realism and more self-consciously poetic forms of theatre text. Gill’s plays make an important contribution to the history of working-class representation in UK theatre for three main reasons: first, the centrality he gives to Wales, Welsh working-class characters, and the city of Cardiff; second, his emphasis on the experience of women, especially mothers; and third, his focus on young male characters expressing and exploring the complexities of same-sex desire. The plays make advances in terms of realist dialogue and structure while also experimenting with layout, repetition, fragmentation, poetic description, and monologue narration. Gill’s work realistically documents the impact of poverty, cramped housing conditions, and social deprivation on his characters as part of a political project to show the lives of Welsh working-class people on stage. While doing so, Gill innovates in his handling of time, perspective, viewpoint, and genre. His plays occupy a distinctive place in the history of British, working-class, gay theatre, helping us to rethink what each of these three key terms means.


Author(s):  
Angela Bartie ◽  
Alistair Fraser

This chapter unites perspectives from history and sociology in excavating the lived experiences of everyday masculinities and violence that lie behind the persistent image of the Glasgow ‘hard man’, while also interrogating popular representations of the ‘hard city’. Drawing on oral history interviews with individuals involved in violent territorialism – specifically through street-based ‘gangs’ of young men – c. 1965-1975, it contrasts popular representations of the Glasgow ‘hard man’ with the lived experiences of those living and working in the city at that time. Focusing specifically on Easterhouse, it highlights the prominence of ‘the street’ in narrative accounts of masculine identity formation for young working-class men and links this to the specific social, cultural and economic composition of the locale. Overall, it argues that such ‘street’ masculinities should be understood in historical context, recognising the influence of local cultures of machismo on the persistence of forms of masculine identity.


Author(s):  
Marne L. Campbell

Most histories that have been written about black Los Angeles center on the community that developed after the Great Migration. After all, the amount of newer arrivals dwarfed the small numbers who had settled in the city before. These histories take advantage of a richer historical record than what remains of the earlier period of settlement, where migrants’ experiences were virtually unknown. But that does not mean they were non ex is tent. In fact, when one looks closely, one finds a small, thriving black community that worked closely with other racial and ethnic communities in order to maintain itself. This early black community, made up almost entirely of working-class people, together with a very small elite class, created black Los Angeles....


Author(s):  
Samantha Caslin

This chapter examines the development of some of Liverpool’s most significant moral welfare organisations between the late-Victorian period and the end of the First World War. It unpacks the early historical trajectories of the House of Help, the Liverpool Vigilance Association, the Liverpool Catholic Women’s League and the Liverpool Women Police Patrols, and it argues that these organisations continued to view women’s relationship to the city through the lens of Victorian gender ideals. Moreover, the chapter examines how the pioneering and well-intended efforts of these organisations to craft a ‘respectable’ form of public womanhood during the first two decades of the twentieth century were still steeped in presumptions about the immorality of the working class, and working-class women in particular.


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