The Active Archive: Interview with Film Critic Andrei Rus

2021 ◽  
Vol 66 (2) ◽  
pp. 167-171
Author(s):  
Miruna Runcan
Keyword(s):  
Associate Professor ◽  
The Other ◽  
Work In Progress ◽  
Other Hand ◽  
The Sixties ◽  
Film Archives ◽  
Film Critic

"The interview with dr. Andrei Rus, associate professor at UNATC Bucharest, tried to cover both the motivations and the developing process of the Active Archive projects, a work in progress activity of research, selection, digitalization, and dissemination of several old documentaries from the Sahia Studio Archives, on one hand, and several experimental movies made by students of the UNATC in the Sixties and Seventies on the other hand. Keywords: Andrei Rus, archives, archives activation, film archives. "

A System Architecture for Data Storage in the Cloud

2015 ◽  
Vol 3 (2) ◽  
Author(s):  
Maryam Hammami ◽  
Hatem Bellaaj
Keyword(s):  
Data Storage ◽  
System Architecture ◽  
Cloud Storage ◽  
The Other ◽  
Important Data ◽  
Work In Progress ◽  
Flexible System ◽  
Other Hand ◽  
Data Manager ◽  
And Storage

The Cloud storage is the most important issue today. This is due to a rapidly changing needs and a huge mass of varied and important data to back up. In this paper, we describe a work in progress and propose a flexible system architecture for data storage in the Cloud. This system is centered on the Data Manager module. This module provides various functions such as the dispersion of data in fragments, encryption and storage of fragments... etc. This architecture proves to be very relevant. It ensures consistency between different components. On the other hand, it ensures the security and availability of data.

scholarly journals La actualización revolucionaria de los mitos fundacionales de la nación en la obra del grupo Cine Liberación y el cine histórico cubano (1968 – 1976)

2013 ◽  
pp. 241-264
Author(s):  
Ignacio Del Valle Dávila
Keyword(s):  
The Other ◽  
Mots Clés ◽  
Other Hand ◽  
National Myths ◽  
First Case ◽  
The Sixties ◽  
Cultural Domain ◽  
The Revolution

Resumo No final dos anos sessenta, ocorreu uma eclosão do cinema folclórico-histórico na Argentina e em Cuba. No primeiro caso, isso se deu principalmente devido ao interesse da ditadura de Onganía em utilizar os mitos fundadores da nação como uma metáfora legitimadora do regime. Contrários a essa tendência, o Grupo Cine Liberación elaborou representações desses relatos que buscavam adaptá-los à contingência, especialmente nos filmes La hora de los hornos (1968) e Los hijos del Fierro (1976). Em Cuba, o centenário da Guerra Grande (1868-1878) e a maior rigidez ideológica em matéria cultural durante o Quinquênio Gris (1971-1976) levaram a que se fomentasse a produção de um cinema histórico que representava a Revolução de 1959 como o produto de um século de luta. Os cineastas cubanos e Cine Liberación coincidiram em sua busca por renovar a forma de representação cinematográfica da História, enquanto o cinema comercial argentino apostou em adaptações distantes desse revisionismo. Résumé À la fin des années soixante s’est produit en Argentine et Cuba une éclosion du cinéma folklorique-historique. Dans le premier cas, ceci est dû principalement à l’intérêt de la dictature d’Onganía à se servir des mythes fondateurs de la nation avec l’objectif d’élaborer des métaphores légitimatrices du régime. Face à cela, Grupo Cine Liberación a élaboré des représentations de ces récits tout en cherchant à les adapter à la contingence, notamment dans les films L’heure des brasiers (1968) et Les fils de Fierro (1976). À Cuba le centenaire de la Guerre des dix ans (1968-1878) ainsi qu’une plus grande rigidité idéologique dans le domaine culturel pendant le Quinquennat Gris (1971-1976), ont conduit à l’encouragement de la production d’un cinéma historique où la révolution de 1959 est représentée comme la conclusion d’un siècle de lutte. Les cinéastes cubains et Cine Liberación ont partagé leur intérêt de renouveler les représentations cinématographiques de l’Histoire, tandis que le cinéma commercial argentin a misé sur des adaptations éloignées du révisionnisme.Abstract At the end of the sixties, there was a growth of historical-folkloric cinema in Argentina and Cuba. In the first case, it happened mainly because of the interest of the Onganía’s dictatorship in making use of the nation’s founding myths to develop metaphors to legitimize this regime. On the other hand, Grupo Cine Liberación elaborated representations of these narratives trying to adapt them to the contingency, especially in the movies The hour of the furnaces (1968) and Los hijos del Fierro (1976). In Cuba, the centenary of the War of ten years (1868-1878), as well as an increase of ideological rigidity in the cultural domain during the Grey Quinquennium (1971-1976), encouraged the production of a historical cinema where the revolution of 1959 has been represented as the conclusion of a century of struggle. Cuban filmmakers and Cine Liberación shared their interest in renewing the filmic representations of History, whereas the Argentinean commercial cinema supported adaptations far from this revisionism.Palavras-chave Cinema histórico, legitimação, mitos nacionais Mots-clés Cinéma historique, légitimation, mythes nationauxKeywords Historical cinema, legitimization, national myths 

Video Games in the Classroom

2012 ◽  
pp. 64-69
Author(s):  
Anabel Vallejo
Keyword(s):  
Video Games ◽  
The Other ◽  
Academic Problems ◽  
Work In Progress ◽  
Other Hand

Mrs. Long’s integration of video games in the classroom is a work in progress. She has observed how video games are a great way to motivate and engage students. On the other hand, she has observed how video games can lead to behavior and academic problems.

ARISTARCHUS’ WORK IN PROGRESS: WHAT DID ARISTONICUS AND DIDYMUS READ OF ARISTARCHUS?

2015 ◽  
Vol 65 (2) ◽  
pp. 609-627 ◽  
Author(s):  
Francesca Schironi
Keyword(s):  
Point Of View ◽  
Second Century ◽  
First Century ◽  
The Other ◽  
Sixth Century ◽  
Work In Progress ◽  
Other Hand ◽  
New System

As is well known, the work of Aristarchus on Homer is not preserved by direct tradition. We have instead many fragments preserved mainly in the Homeric scholia, the Byzantine Etymologica and the Homeric commentaries by Eustathius of Thessalonica. These fragments go back to the so-called Viermännerkommentar (abbreviated VMK), the ‘commentary of the four men’, a commentary that is dated to the fifth-sixth century c.e. and collects the works of Aristonicus, Didymus, Nicanor and Herodian. In the first century b.c.e. Aristonicus explained the meaning of Aristarchus’ critical signs in a treatise called Περὶ τῶν σημείων τῶν τῆς ᾿Ιλιάδος καὶ ᾿Οδυσσείας, while in the Περὶ τῆς ᾿Αρισταρχείου διορθώσεως Didymus studied Aristarchus’ Homeric recension. In the second century c.e. two more scholars, Herodian and Nicanor, dealt with Aristarchus while analysing questions of prosody in the Homeric language (Herodian) or the punctuation of the Homeric text (Nicanor). Not all of these four ‘men’ are equally important, however, as sources for Aristarchus. In fact, Herodian and Nicanor had aims that were quite independent of Aristarchus’ enterprise: the former was concerned with problems of prosody, accentuation and aspiration in Homer, whereas the latter had developed a new system of punctuation to elucidate the Homeric text from a syntactic point of view. Although both Herodian and Nicanor did take an interest in Aristarchus, their focus was thus different from that of their Alexandrian predecessor. The goal of Aristonicus and Didymus, on the other hand, was specifically to reconstruct Aristarchus’ work on Homer; it is for this reason that they are considered the most trustworthy witnesses for Aristarchus’ fragments.

scholarly journals Martyrdom in Modern Islam

2015 ◽  
Vol 32 (3) ◽  
pp. 111-114
Author(s):  
Showkat Ahmad Dar
Keyword(s):  
Middle Eastern ◽  
Associate Professor ◽  
The Other ◽  
World Religions ◽  
Islamic Studies ◽  
Other Hand ◽  
Political Implications ◽  
Zionist Movement ◽  
Theological Foundations ◽  
The Church

Meir Hatina, associate professor of Islamic and Middle Eastern studies anddirector of the Levtzion Center for Islamic studies at the Hebrew Universityof Jerusalem, explores the evolving perceptions of martyrdom in modern timesand their relevance on past legacies in both Sunni and Shi‘i milieus. He alsomakes comparative references to Judaism, Christianity, and other non-Islamiccultures. The book is divided into eight chapters, an introduction, a conclusion,a bibliography, and an index.In the introduction the author discusses the manifestations of martyrdomthroughout history, its definitions, socio-political implications, and importancein various world religions. In order to present this concept’s historical evolutionand notions and how it is an effective tool for forming and reinforcinggroups, Hatina has framed his book in a series of well-arranged chapters.In the first chapter, “Defying the Oppressor: Martyrdom in Judaism andChristianity,” the author traces the historical and theological foundations ofthis phenomenon in both religions. He relates how traditional Jews were readyto sacrifice their life and viewed martyrdom as the highest degree of their lovefor God. However, he argues that with the advent of the Zionist movement,this readiness was replaced “by an activist approach to self-sacrifice for thenational revival.” Christians, on the other hand, considered martyrdom “thekey for salvation.” By quoting the remarks of Quintus Tertullian (d. c. 240),the father of Latin Christianity, namely, “your cruelty is our glory” and “theblood of the martyrs is the seed of the church” (p. 26), Hatina seeks to expressthe early Christians’ readiness to embrace their non-violent and defensivedeaths at the hands of the pagan Romans.In chapter 2, “Dying for God in Islam,” Hatina delineates the evidence ofmartyrdom in Islamic texts and its diverse interpretations by renowned scholars.He mentions the two types of death in this regard – death for the cause of Allahand self-inflicted suicide – and cites the relevant fatwas of both Sunni and Shi‘ischolars. Denouncing any sort of self-inflicted suicide, including murder withreference to shar‘ī texts, he nevertheless appreciates the soldiers’ wish for deathon the battlefield against their enemies. He presents martyrdom in Islamic legalthought as an exalted form of death and argues that theologians stressed that asoldier who desires such a death eventually finds a greater reward ...

scholarly journals Film archives and digital humanities – an impossible match? New job descriptions and the challenges of the digital era

2014 ◽  
Vol 30 (57) ◽  
pp. 19 ◽  
Author(s):  
Adelheid Heftberger
Keyword(s):  
Digital Humanities ◽  
Current Situation ◽  
University Research ◽  
The Other ◽  
Research Institutions ◽  
Job Descriptions ◽  
Digital Era ◽  
Other Hand ◽  
Film Archives

<p class="p1">Th is article seeks to prompt a re-evaluation of the film archive's role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner's plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by including non-university research institutions as well as archives and museums. Archives, on the other hand, currently face the crucial challenge of how to digitise and present their collections online while struggling with rising related costs and having to redefi ne their mission as heritage keepers for often unique analogue material. The potential options for future collaboration between film archives and digital humanists as well as film scholars will also be discussed in this paper through an examination of the current situation.</p>

scholarly journals The Cantatas by Pierre Boulez in the Context of the Main Trends in the Development of Choral Composition of the 20th Century

2021 ◽  
Vol 11 (1) ◽  
pp. 21-38
Author(s):  
Aleksandr S. Ryzhinskii ◽  
Keyword(s):  
20Th Century ◽  
The Other ◽  
Important Place ◽  
Choral Works ◽  
Avant Garde ◽  
Work In Progress ◽  
Pierre Boulez ◽  
Other Hand ◽  
Choral Composition ◽  
The One

The article focuses on Pierre Boulez’s choral style in the cantatas “Le visage nuptial” and “Le soleil des eaux”. The versions of these works, created over the course of almost 40 years (from 1951 to 1989), represent a complex of techniques in regard to texture and timbre, which, on the one hand, are a continuation of experiments by composers of the New Vienna School (A. Schönberg, A. Webern), and on the other hand, they preface a number of innovations in the choral style of Boulez’s contemporaries (L. Nono, L. Berio, K. Stockhausen, I. Xenakis). Evidence is provided in favor of the idea that Boulez’s choral works were the logical link between the vocal and choral opuses of the composers of the first and second Western European avant-garde. The article examines the peculiarities of the interaction between the verbal and musical series, the specifics of the textural organization of Boulez’s works, and systematizes the information about the timbre techniques used. Links are identified between the heterophonic presentation typical of Boulez’s choral works and the use of quarter tone notation, glissando reception, and various variants of speech singing (Sprechgesang). The connections between stereophonic effects in the music of Boulez and Nono are traced. An important place is occupied by the study of vocal sound recovery or “vocal emission” technologies (as defined by Boulez). The significance of Schönberg and Webern’s experience in the formulation of the technical foundations of Boulez’s choral timbres is stressed. Special attention is paid to the problem of “work in progress” as one of the defining features of the composer’s choral heritage. Comparing the works by Nono, Maderna, and Bulez, the author concludes the different reasons for which composers came to the concept of “opera aperta” (U. Eco).

scholarly journals GUIDELINES FOR DATA-PARALLEL CYCLE-STEALING IN NETWORKS OF WORKSTATIONS II: ON MAXIMIZING GUARANTEED OUTPUT

2000 ◽  
Vol 11 (01) ◽  
pp. 183-204 ◽  
Author(s):  
ARNOLD L. ROSENBERG
Keyword(s):  
Parallel Computations ◽  
The Other ◽  
Work Output ◽  
Change Strategy ◽  
Work In Progress ◽  
Data Parallel ◽  
Other Hand ◽  
The One ◽  
Cycle Stealing ◽  
Low Order

We derive efficient guidelines for scheduling data-parallel computations within a draconian mode of cycle-stealing in networks of workstations. In this computing regimen, (the owner of) workstation A contracts with (the owner of) workstation B to take control of B's processor for a guaranteed total of U time units, punctuated by up to some prespecified number p of interrupts which kill any work A has in progress on B. On the one hand, the high overhead — of c time units — for setting up the communications that supply workstation B with work and receive its results recommends that A communicate with B infrequently, supplying B with large amounts of work each time. On the other hand, the risk of losing work in progress when workstation B is interrupted recommends that A supply B with a long sequence of small bundles of work. In this paper, we derive two sets of scheduling guidelines that balance these conflicting pressures in a way that optimizes, up to low-order additive terms, the amount of work that A is guaranteed to accomplish during the cycle-stealing opportunity. Our non-adaptive guidelines, which employ a single fixed strategy until all p interrupts have occurred, produce schedules that achieve at least [Formula: see text] units of work. Our adaptive guidelines, which change strategy after each interrupt, produce schedules that achieve at least [Formula: see text] (low-order terms) units of work. By deriving the theoretical underpinnings of our guidelines, we show that our non-adaptive schedules are optimal in guaranteed work-output and that our adaptive schedules are within low-order additive terms of being optimal.

scholarly journals Stregoneria e utopia. Luciano Parinetto vent’anni dopo

2022 ◽  
Author(s):  
Manuele Bellini
Keyword(s):  
Moral Philosophy ◽  
Associate Professor ◽  
The Other ◽  
Social Situations ◽  
Other Hand ◽  
The One ◽  
The University ◽  
The Relationship ◽  
Path Of Integration

Twenty years after his death, the reflections of Luciano Parinetto (1934-2001), who was associate professor of Moral Philosophy at the University of Milan, remain, on the one hand, on the relationship between witchcraft and diversity, and on the other hand, on the value of utopian hope. Despite the fact that the course of history has preferred the path of integration to that of revolution, dialectics remains the picklock to criticize alienated social situations.

Fighting and Writing: America's Vietnam War Literature

1988 ◽  
Vol 22 (1) ◽  
pp. 25-42 ◽  
Author(s):  
Donald Ringnalda
Keyword(s):  
Vietnam War ◽  
War Literature ◽  
The Other ◽  
Ontological Status ◽  
Vietnam War Literature ◽  
Other Hand ◽  
The Sixties ◽  
The Vietnam War

A familiar sight at the Vietnam War Memorial in Washington, D.C. is people tracing onto a piece of paper the name of a relative or friend who was killed in Vietnam. On one hand, this gesture is sadly poignant, even cathartic. On the other hand, it is also symptomatic of many Americans' perceptions of the Vietnam war, whether in the sixties or in the eighties: when we have the name of something we somehow also possess the thing named. Even though there is obviously an enormous semiotic gap between that symbol, etched instone, and its object, long gone, that symbol nevertheless acquires a powerful ontological status. A traced symbol of a symbol on a symbol becomes reality. When I recently witnessed this scene, I couldn't help asking myself, “just what kind of legacy is this?”

Sign in / Sign up

Export Citation Format

Share Document