scholarly journals Material Origin in Folklore Texts of Predominantly Historical Themes

2021 ◽  
pp. 247-264
Author(s):  
A. G. Igumnov ◽  
E. L. Tikhonova
Keyword(s):  
Historical Themes ◽  
Objective Existence

The article deals with the issues of architectonics of folklore texts of historical content: Russian and Ukrainian historical songs, historical ballads, dooms and epics. The relevance of the study is due to the search for a synchronous typological similarity between folklore texts of different ethnic, generic, genre, and poetic nature. Special attention is paid to three aspects of the organization of the song plot: its compositional layering, the combination of several principles in it; the plot meaning of allomotives, explicating the material principle; their styling. The definitions of the material and spiritual principles are given. The objective existence of typological similarities at the level of the allomotive organization of Russian and Ukrainian texts related to the classical, traditional and stage-by-stage types of creativity in the field of historical song folklore is shown. It is shown that this similarity can be explained by the reflection in the texts of vital, everyday empiricism and can acquire different stylistic incarnations: reduced everyday, ascertaining, idealizing. The question is raised about the reasons for the axiological differences in the Russian and Ukrainian folklore traditions. It is proved that the explication of the material principle can have different meanings in the organization of the song plot: optional, meaningful within a fragment of the text, plot-forming. 

Recategorizing the Human Senses

2018 ◽  
Vol 1 (1) ◽  
pp. 33-36
Author(s):  
T M Koch
Keyword(s):  
Field Of View ◽  
Objective Existence

The number of senses we have as humans is a topic of in- credible uncertainty. After attempting to define the human senses for thousands of years, the thinkers of today believe the number of senses is somewhere between five and thirty-three. Without utilizing objective existence itself, the limited human perspective can cause mankind to lose sight of the complex mechanics that produce their field of view. In this article, I address the shortcomings of the currently accepted classification of senses and offer a recategorization that is founded on the nature of the energies being interpreted.

‹ Rococo › : du jargon à la catégorie de style

2017 ◽  
Vol 80 (4) ◽  
pp. 474-487
Author(s):  
Marie-Pauline Martin
Keyword(s):  
Eighteenth Century ◽  
The Enlightenment ◽  
History Of ◽  
Louis Xvi ◽  
Definition Of ◽  
Louis Xv ◽  
Objective Existence

Abstract Today there is a consensus on the definition of the term ‘rococo’: it designates a style both particular and homogeneous, artistically related to the reigns of Louis XV and Louis XVI. But we must not forget that in its primitive formulations, the rococo has no objective existence. As a witty, sneering, and impertinent word, it can adapt itself to the most varied discourses and needs, far beyond references to the eighteenth century. Its malleability guarantees its sparkling success in different languages, but also its highly contradictory uses. By tracing the genealogy of the word ‘rococo’, this article will show that the association of the term with the century of Louis XV is a form of historical discrimination that still prevails widely in the history of the art of the Enlightenment.

The Market

2021 ◽  
pp. 264-278
Author(s):  
Matthew Watson
Keyword(s):  
Eighteenth Century ◽  
Adam Smith ◽  
Daniel Defoe ◽  
The Self ◽  
Presentation Of Self ◽  
Market Institutions ◽  
Late Eighteenth Century ◽  
Specific Performance ◽  
The Right ◽  
Objective Existence

The market has no independent objective existence beyond the practices that are embedded within particular market institutions. Those practices, in turn, involve learning particular techniques of performance, on the assumption that each market environment rewards a corresponding type of market agency. However, the ability to reflect what might be supposed the right agential characteristics is not an instinct that is hardwired into us from birth. Instead it comes from perfecting the specific performance elements that allow people to recognize themselves as potentially competent actors in any given market context. This chapter takes the reader back to some of the earliest accounts of these performance elements, showing that important eighteenth-century debates about how to flourish as a market actor revolved around little else. In the early eighteenth century, Daniel Defoe emphasized the need for market actors to create convincing falsehoods, hiding their true feelings behind a presentation of self where customers’ whims were always catered to. In the late eighteenth century, Adam Smith was still wrestling with the dilemma of how genuinely the self could be put on display within market environments, believing that customers had a responsibility to curb excessive demands so that merchants’ interests could be respected. This meant not forcing them into knowingly false declarations, so that moral propriety and economic expedience were not necessarily antagonistic forces in the development of merchants’ character.

scholarly journals Communion songs not regulated by the typicon in the recent tradition of Serbian church singing

Muzikologija ◽  
2004 ◽  
pp. 121-152
Author(s):  
Vesna Peno
Keyword(s):  
20Th Century ◽  
Fundamental Question ◽  
Orthodox Church ◽  
Liturgical Texts ◽  
Historical Themes ◽  
19Th And 20Th Century ◽  
The Church ◽  
The Way

In notated collections of Serbian church hymns from the 19th and 20th century there are, among others, communion songs with texts that were not regulated by the Typicon. These so-called "arbitrary communion songs" have been very popular in the recent tradition of Serbian church chanting. They have been gradually pushing out the hymns that are regulated for singing on concrete days and feasts during the church year. Analysis of possible influences that determined the way texts and the melodies delved into the recent Serbian church chanting follows two possible directions. The first commenced from late-Byzantine singing tradition; more specifically, from a group of songs that although based on liturgical texts, were performed in extra-liturgical occasions. These are calophonic irmoi which were composed by a great number of known late-Byzantine masters of singing. The second direction had its beginning in Russian spiritual music that generated a new melodic genre kant, based on western models. The majority of those compositions have freely written spiritual texts, too, and not part of the liturgy. Kanti were, namely, singing numbers in liturgical dramas - theatrical pieces with Christian historical themes. The majority of arbitrary communion hymns from Serbian collections have texts from the psalms or use texts for irmoi of specific canons. There is only one text that does not belong to the output of church hymnography. In spite of that, the melodies of the analyzed hymns reflect the presence of traditional compositional procedures characteristic of late-Byzantine and Serbian traditions. On either side, they possess atypical musical phrases that relate them to the the kanti. The usage of paraliturgical songs instead of communion hymns is commentated upon from the liturgic aspect also. That song belongs to the central part of the Liturgy and most fundamental during the service of the Orthodox church. Therefore the deviation in Serbian practice from the rules that define its place and role demonstrate the distancing from the tradition, raises a fundamental question: is liturgical meaning being compromised.

scholarly journals Serialised Novels in the Polish Emigré Press in the USA, 1881–1918

2022 ◽  
Vol 124 ◽  
pp. 207-238
Author(s):  
Elżbieta Nowosielska
Keyword(s):  
United States ◽  
United States Of America ◽  
The United States ◽  
Editorial Boards ◽  
Everyday Lives ◽  
Financial Difficulties ◽  
The Everyday ◽  
The Usa ◽  
Historical Themes

This article discusses serialised novels published before 1918 in the Polish émigré press in the United States of America. These works were a popular feature of dailies and weeklies, but the periodicals’ regular financial difficulties meant that it was books published several years or indeed several decades earlier in Europe which were most often serialised. Consequently, most of the works that appeared in the periodicals failed to reflect contemporary literary trends while also overlooking subjects relevant to the everyday lives of Poles abroad. Still, the prevailing patriotic and historical themes complemented the values that many editorial boards subscribed to.

scholarly journals Opportunity-as-Hologram, real or artificial in Entrepreneurship

2021 ◽  
Author(s):  
David Leong
Keyword(s):  
David Bohm ◽  
Socially Constructed ◽  
Subatomic Particles ◽  
Implicate Order ◽  
Act Up ◽  
Quantum Science ◽  
Will Self ◽  
Feature Discovery ◽  
Objective Existence ◽  
Explicate Order

<div> <div> <div> <p>Entrepreneurship concerns actions under uncertainties. Situated within that uncertainties are opportunities that entrepreneurs seek. How are these opportunities seen? Within the entrepreneurial opportunities are seeds with potentialities. Potentialities for profits. They are the reasons that entrepreneurs act up to exploit and to set in motion the entrepreneurial emergence. The intentionality follows with construction of a coherent set of activities or incoherent intuitive moves to pursue the opportunity, including injecting resources and mobilizing social and material networks. How are opportunities discovered, and perceived? The current academic debates feature discovery and creation. Are they existing independently, with pre-existing reality, even without being observed? Or as some argued that opportunities are not pre-existing in space and time with an objective existence but are subjectively and socially constructed. On contact with such opportunities, what spur entrepreneurs to act and what are the forces at work? Are they real or artificial? Can they be holographic representation and provide cues and signals to entrepreneurs to act? Can opportunity-as-hologram explains how entrepreneurs get inspired and motivated to pursuing the opportunities? </p> <p>This paper will explore, revisit and recast perspectives on opportunities and addressing the subtle conceptual issues at the core of entrepreneurship theories that hold the two views, discovery and creation of opportunities to be both valid and mutually non-exclusive, on holographic terms. In the discussion, this paper will explore implicate order and explicate order which are quantum theory concepts theorized by physicist David Bohm as these theories were developed to explain the bizarre and unpredictable behaviours of subatomic particles, which have strong semblance to the same free-spiritedness and free-will self-organization behaviours of entrepreneurs. </p> <p>Our theorization will have implications for entrepreneurs and entrepreneurial researches relating to quantum science references. </p> </div> </div> </div>

scholarly journals A Tentative Study of the Historical Themes in Toni Morrison’s Paradise

2020 ◽  
Vol 4 (2) ◽  
pp. p67
Author(s):  
Yuemeng Xu ◽  
Yongjie Liu
Keyword(s):  
Nobel Prize ◽  
American History ◽  
Historical Perspective ◽  
The Novel ◽  
Major Work ◽  
White Race ◽  
Historical Themes

Paradise is Toni Morrison’s major work after her winning of the Nobel Prize which expresses complex themes and her hopes for the reconciliation between the black and the white. Race issue and the oppression of minorities are entrenched in American history which was reflected in the novel. This paper intends to analyze the themes of racism and oppression in terms of Ruby’s death and Delia’s fate from the historical perspective in search of Morrison’s ideal ‘Paradise’ which is inclusive, accessible to everyone.

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