scholarly journals The Passio Corporalis and the Passio Animalis in Aquinas

2020 ◽  
Vol 38 (1) ◽  
pp. 1-14
Author(s):  
Matthew Dugandzic

AbstractContemporary discussions of Aquinas’ understanding of the passions often mention the passio corporalis and the passio animalis, but no recent scholarship has paid close attention to what these terms mean, largely because many scholars wrongly assume that ‘passio animalis’ simply means the same thing as ‘passio animae’. However, this paper argues that ‘passio corporalis’ and ‘passio animalis’ are specialized terms that Aquinas uses in order to explain the ways in which Christ experienced suffering on earth. Furthermore, understanding these terms properly bears important implications for understanding the development of Aquinas’ thought on the passion of pain.

2018 ◽  
Vol 2 (1) ◽  
pp. 528-539
Author(s):  
Robert Payne

Abstract In an era of “frictionless” digital environments, this article proposes a queer analysis of the “lossy” materialities of mediated encounters. Building on recent scholarship on media failure and media infrastructures, it will argue that moments of disruption and deterioration commonly experienced by users reveal the failure of overlapping social and technical infrastructures to ensure lossless transmission of normative fantasies of subjectivity and mediated relationality. Highlighting the queer instability of material assemblages, it will pay close attention to how the articulation of bodies, objects, and spaces in particular scenes of lossy encounter generates unplanned affective intensities which may disorient and undo the consuming subject. Borrowing the concept of lossy file compression and adapting it for this purpose, the article’s broad aim is to offer a queer critical framework for inhabiting the contingent, emergent, and dissipating energies of media encounters beyond the capital-driven instrumentalisation of agency and the neoliberal imperatives of update culture.


2017 ◽  
Vol 2 (1) ◽  
pp. 56-96 ◽  
Author(s):  
Kelsey Jackson Williams

Antiquarianism, the early modern study of the past, occupies a central role in modern studies of humanist and post-humanist scholarship. Its relationship to modern disciplines such as archaeology is widely acknowledged, and at least some antiquaries—such as John Aubrey, William Camden, and William Dugdale—are well-known to Anglophone historians. But what was antiquarianism and how can twenty-first century scholars begin to make sense of it? To answer these questions, the article begins with a survey of recent scholarship, outlining how our understanding of antiquarianism has developed since the ground-breaking work of Arnaldo Momigliano in the mid-twentieth century. It then explores the definition and scope of antiquarian practice through close attention to contemporaneous accounts and actors’ categories before turning to three case-studies of antiquaries in Denmark, Scotland, and England. By way of conclusion, it develops a series of propositions for reassessing our understanding of antiquarianism. It reaffirms antiquarianism’s central role in the learned culture of the early modern world and offers suggestions for avenues which might be taken in future research on the discipline.


2013 ◽  
Vol 52 (2) ◽  
pp. 441-463 ◽  
Author(s):  
Tamson Pietsch

AbstractThis article rethinks the concept of the “British World” by paying close attention to the voices of those who attended the 1903 Allied Colonial Universities Conference. They identified not one, but three different kinds of British world space. Mapped, respectively, by ideas and emotions, by networks and exchange, and by the specific sites of empire, this article suggests that, in the light of criticisms the British World concept has faced, and in the context of recent scholarship on the social and material production of space, this tripartite approach might offer a useful framework for British and imperial historians interested in the history of the global.


1968 ◽  
Vol 21 (1) ◽  
pp. 118-124
Author(s):  
Alexander A. Parker

2008 ◽  
Vol 18 (1) ◽  
pp. 10-16
Author(s):  
Robert C. Fifer

Abstract Since 1999 when Medicare caps first became effective, providers have had to pay close attention to the claims process. This article summarizes the Medicare Exceptions Process that, for 2007, underwent a number of changes. The Centers for Medicare and Medicaid Services (CMS) Physician Fee Schedule Final Rule of November 27, 2007 made three important changes. These changes addressed certification for patient plan of care, personnel qualifications for therapists, and a review of Part B policies and their application to Part A settings that are projected to go into effect in July of 2008. Particular attention was given to explanations of the manual submission process and the change in definitions of “complexities” and of a “therapist.”


2008 ◽  
Vol 38 (19) ◽  
pp. 24
Author(s):  
SUSAN LONDON
Keyword(s):  

Derrida Today ◽  
2012 ◽  
Vol 5 (1) ◽  
pp. 39-54 ◽  
Author(s):  
Marian Hobson

Derrida thematises his writing through a change of perspective which moves from very detailed examination of an argument to more general statements. This paper is a consideration of how Derrida anchors his close attention to the detail of an argument in a wider philosophical-historical and indeed social framework. In this paper, the word in question is ‘freedom’, discussed with the philosopher and psychoanalyst Elisabeth Roudinesco; this paper moves back chronologically to Force of Law, and finally to a passage in Of Grammatology to demonstrate that in Derrida's work from early to late there is a web of reflection about freedom.


2017 ◽  
Vol 12 (2) ◽  
pp. 316-330 ◽  
Author(s):  
Nathan Waddell
Keyword(s):  

Moreana ◽  
2016 ◽  
Vol 53 (Number 205- (3-4) ◽  
pp. 17-44
Author(s):  
Gabriela Schmidt

Paratexts have attracted increasing attention in recent scholarship as an especially privileged tool for managing the reception of a text in early print culture, and Thomas More was certainly an exceptionally versatile user of this strategic publishing device. Not only does he make ample use of conventional paratextual techniques such as prefaces, marginal glosses and commendatory poems, he also takes the medium one step further by making his paratexts part of the narrative setting of his works, especially in the literary dialogues. In creating a plethora of (semi-)fictional voices and contexts, he effectively blurs the line between text and context, fact and fiction, and author and editor/printer. While this textual game of hide-and-seek has been extensively studied in Utopia and has often been seen as a typically ‘humanist’ feature of the text, the present article explores similar techniques throughout More’s work, thus overcoming the alleged rift between his pre- and post-reformation writings.


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